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Produits fréquemment achetés ensemble

  • 1965
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  • Gentlemen/21st Anniv
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  • Black Love Album
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Détails sur le produit

  • CD (28 février 2013)
  • Nombre de disques: 1
  • Format : CD, Import
  • Label: Mis
  • Autres éditions : CD  |  Cassette  |  Album vinyle  |  Téléchargement MP3
  • Classement des meilleures ventes d'Amazon: 95.214 en Musique (Voir les 100 premiers en Musique)
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 65 commentaires
16 internautes sur 17 ont trouvé ce commentaire utile 
wonderful. Rejuvenating. Restored my faith in rock. 6 décembre 1999
Par Un client - Publié sur Amazon.com
Format: CD
This album blew me away. I am a very tough critic of modern rock...most of it totally sucks, and the rest is mediocre or pop and wears quickly. But this album..., I don't know what to say. I spent five months overseas in the middle of nowhere (long story) and had to travel light. I took my CD portable and five CDs. This was one of them. And I listened to it everyday. It not only kept me going, it totally restored my faith in rock, which I though died in the early 80s. If you are tired of wimpy REM songs, tired of yawning paeans to juvenile angst you hear on the radio, and want something that stretches your limbs, your lust, and your learning, unwind with this album at nine and a half on the volume knob. I am so refreshed to find a band that can blend blues, hard rock rhythym, lyrics that are both introspective and overtly sexual, and key physical elements like brass and superb bass...it reminds me of the Stones. And John the Baptist has got to be one of the best rock songs ever written. Man, I love this album.
10 internautes sur 10 ont trouvé ce commentaire utile 
Par Brad - Publié sur Amazon.com
Format: CD
Okay, if you have to read this, here it goes. I was never quite the fanatic when it came to this band, so when I first heard this album, I was blown away at how good they have become. I was always a fan of their R n' B flavored work, especially the "Uptown Avondale" EP back in '92. This album is that good and more, much much more. It's a lusty, sweaty rock record that follows poor Greg Dulli from one failed relationship to another. He quotes Nas and Pink Floyd, he includes pounding piano solos and gospel backgrounds, and basically shapes together one of the most solid albums of the '90s. Think mid-eighties Replacements, early seventies Stones, and a little Bauhaus thrown in for good measure. While critics were peeing their pants over the latest French techno bores, this album went unfairly unnoticed, but if you buy it, you can avenge the Whigs fate!
9 internautes sur 10 ont trouvé ce commentaire utile 
Undoubtedly, the best grooves in the Whigs' catalog. 19 novembre 2004
Par FortyTwo - Publié sur Amazon.com
Format: CD
Alright, some fans fall into the "Gentlemen" camp, and it's certainly a classic album - consistently good songs all the way through, Greg Dulli in perfect self-loathing form, etcetera. Others fall into the "Black Love" camp because it's a fantastically dark, if overblown, caricature of Greg Dulli's persona - menacing, pleading, hypersexualized, and excruciatingly out of key. "Congregation" is a worthy choice as well, the grittiest and grungiest of them all, not to mention the near-perfect "Jesus Christ Superstar" cover.

I love all of these albums, but "1965" is the one that I pop into the CD player most frequently. The lyrics seem a bit trite compared to the brooding "Black Love" and desperate "Gentlemen" - an acquaintance of mine, whom I forced to listen to "1965," called it a "40-minute pick-up line," which probably isn't far from the truth. But frankly, I couldn't care less, because this album has that indescribable groove that compels you to shake your ass and sing along. Many musical elements absent in past Whigs recordings - the sultry female backup singers, screeching horns, all products of the New Orleans backdrop - shine through in "1965" and help Greg Dulli effortlessly channel the soul, funk, and R&B that came so naturally to the "Uptown Avondale" EP but were forcibly and often awkwardly incorporated into the "Black Love" recording sessions.

Words can only describe these intangible feelings so much. Just listen to the album and wait for those moments of transcendence, like the soaring chorus to "Uptown Again," or when the female vocalist coos alongside the mantra "I've got the Devil in me, girl" on "John the Baptist," or Greg Dulli's anguished "yeah, yeah, yeah" as his voice drowns amidst the squealing horns and careening guitars in the final minute of "Omerta." There's nothing like 'em on any of the other Whigs releases, and that's why "1965" is their standout record.
4 internautes sur 4 ont trouvé ce commentaire utile 
Out like a light 22 mars 2008
Par P. Opus - Publié sur Amazon.com
Format: CD

Picture this - it's 1998, and the kind of bleak alt-rock that your band has specialized in for the past decade isn't exactly in fashion anymore. Facing sagging sales and general public distinterest, what do you do? Reinvent your sound in favor of something passionate, soulful, swaggering, confident, unique, intelligent and real.

Ten years later, I was in a record store chatting with some folks I know who work there. One of them puts on some early Afghan Whigs, which reminds me that I used to listen to this band way back when but have since lost touch. So I go home and take a look at their catalogue on amazon, and figure I'll order this one because of some of the reviews it received. Back then, just a few weeks ago, this CD was in-print (looks like for some reason it's not now - an injustice to the music-listening public for sure). A few days later it came in the mail. I put it in the player and was absolutely blown away.

This is unlike anything I have ever heard before - a perfect synthesis of raucus hard-edged alt-rock and pure, classic soul (complete with keys and female backup singers, sometimes even horns). It has a huge, wide sound as deep in breadth and scope as a U2 record. Greg Dulli struts and swaggers across the front, he's overtly lustful while recognizing the complexities of romantic liaisons. It's that duality which gives his performance character - instead of wallowing in self-pity he carries himself with the confidence of the man of the world we all know he was/is. Plus the sax solo on "John The Baptist" just kills me. I can't believe anyone could not appreciate this record - there is just so much going on.

I wish I had discovered this one when it was new, but it really doesn't matter - it's sound is timeless and will always be fresh. It's a pity that this band broke up after the release of this record, but then perhaps this was a one-time-only creation, a moment in time that can't be replicated. Whatever the case this carries my highest recommendation.
7 internautes sur 8 ont trouvé ce commentaire utile 
wicked dark fun 27 janvier 2006
Par Teflon Kid - Publié sur Amazon.com
Format: CD
It's pretty obvious I think the Whigs are among the most underrated bands in rock history--otherwise, I wouldn't be writing this.

After several albums mining such dark subjects chronicling love gone bad, addiction, murder, remorseful sex, and generally living the life of a modern American male Tarintino style, the boys are back with a collection of tracks that are, for a lack of a better term, light hearted. I mean, they're actually having fun here, without all that downer self-torture business (okay, maybe there's a bit of that, but it's way muted). Production values are high. Soulful background vocals, ballsy horns, and winning arrangements; this LP absolutely shines.

I know I'm gonna take a lot of flak for the following closing comment, but honestly, this is the album the Rolling Stones _wish_ they recorded.
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