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A Doll's House (Anglais) Broché – 14 août 2008

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Broché, 14 août 2008
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Descriptions du produit

Présentation de l'éditeur

A Doll's House is Henrik Ibsen's best-known play. This masterpiece created quite a stir when it was first released because of its feminist stance. Considered by many to be the first truly feminist play ever written. The play comes to a climax as Nora, the play's protagonist, rejects her marriage and her smothering life in a man's "dollhouse." Wonderfully written, a true classic.

Biographie de l'auteur

Henrik Ibsen (1828 - 1906)

Henrik Johan Ibsen (Norwegian: 20 March 1828 – 23 May 1906) was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in the theatre. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, and The Master Builder. He is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House became the world's most performed play by the early 20th century. Several of his plays were considered scandalous to many of his era, when European theatre was required to model strict morals of family life and propriety. Ibsen's work examined the realities that lay behind many façades, revealing much that was disquieting to many contemporaries. It utilized a critical eye and free inquiry into the conditions of life and issues of morality. The poetic and cinematic play Peer Gynt, however, has strong surreal elements. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

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Amazon.com: 90 commentaires
56 internautes sur 65 ont trouvé ce commentaire utile 
A Portrait of Marriage in Ibsen's A Doll's House 1 octobre 1997
Par kpdylan - Publié sur Amazon.com
Format: Broché
The Norwegian playwright Henrik Ibsen subjects his writing to the intricacies of marriage time and time again. He seems to have an omniscient power and ability to observe the sacrament itself, along with the fictional characters whom he creates to engage in these marital affairs. Such is the case with his classic drama, A Doll's House.
The play raises questions about female self-sacrifice in a male-dominated world. Nora is a "wife and child" to Torvald Helmer, and nothing more. She is his doll, a plaything on display to the world, of little intellectual value and even less utility in his life. Thus it is logical for Helmer to act so shockingly upon his discovery that Nora has managed financial affairs (typically a family responsibility reserved for the patriarch) without so much as his consent or knowledge. What, then, is the play saying about women by allowing Nora to act alone and independently, all the while allowing her to achieve little success in doing so?
Such an apparent doubt by the playwright of the abilities of women is quickly redeemed by Nora's sudden mental fruition, as though she, in the course of a day or so, accomplishes the amount of growing up to which most persons devote years and years. She has developed the intuition and motivation to leave behind everything she has lived for during she and Helmer's eight years of marriage in exchange for an independent life and the much-sought virtue of independent thought. Nora suddenly wishes to be alone in the world, responsible for only her own well-being and success or failure. She is breaking free of her crutches (Helmer, her deceased father, the ill-obtained finances from Krogstad) and is now appetent to walk tall and proud.
Through the marital madness of Helmer and Nora, Ibsen is questioning the roles of both husband and wife, and what happens when one person dominates such a relationship in a manner that is demeaning to the other, regardless of whether such degradation is carried out in a conscious, intended frame of mind. Ibsen is truly a master playwright, and his play A Doll's House is truly a masterpiece.
20 internautes sur 21 ont trouvé ce commentaire utile 
Difficult problems, difficult solutions 13 mai 2000
Par Tanja L. Walker - Publié sur Amazon.com
Format: Broché
What I found most remarkable about this play is how much it resonates some 130 years after it was originally written. Nora today would not, of course, face the lies and deceit necessary to pay for her husband's health-giving trip. Still, though, how many wives today feel trapped by their roles as wives and mothers, with no real outlet to discover their true selves, their true strengths? Women may have more freedoms, but how many times, when a mother leaves her husband and children, do we assume something is wrong with her, that she is just being selfish, and not look at what her husband, and society, has done to make her feel she must take this desperate step. I wish I had read this play before I was married. My life choices may have been drastically different. (Then again, maybe not!)
31 internautes sur 36 ont trouvé ce commentaire utile 
*smashing* play 27 novembre 1999
Par Un client - Publié sur Amazon.com
Format: Broché
Ibsen himself said that this play was about human rights, not womens rights, and i think that this is true. Nora was constantly belittled by Helmer and had never been given the chance to grow up. She had been treated like a doll in a dolls house, first by her father and then by her husband, who she had been passed on to. Although it seems trivial, even the mere fact that she was forbidden to eat macaroons is significant. People may well say that a womans first responsability is to her family, and children especially, i think that it is ultimately to herself. Nora closing the door at the end of the play is very significant - she is closing the door on that part of her life. Torvald realised what he had done in the end, but by that time it was far too late for anything to be changed. Although i studied this play in school, i really enjoyed it and recommend it to anyone who will listen. Nora managed to break out of the life she had been confined to, that many of the women of her time were confined to. (i studied this play for a-level and wrote, like 100 essays on it, can you tell?)
15 internautes sur 18 ont trouvé ce commentaire utile 
Great book, but come on, its not all the man's fault. 27 octobre 1999
Par Un client - Publié sur Amazon.com
Format: Broché
I thought it was really good. I enjoyed reading about how Noraand Torvald react to each other, as well as how they interact with the other characters. However, most people who read this book consider Torvald to be the sole problem in the plot. However, I believe that Nora was just as responsible for the problems they espierenced in their realtionship as Toravld was. I agree that the character Torvald Helmer was an unfair husband. He treated Nora with disrespect, superiority, and constantly belittled her. However, Nora herself was not an innocent victim. I am not blaming her for her act of forging the bank note in order to save Torvald's life. If I was in a similar situation, I would have done the same myself. However, Nora consistently lies, which gives Torvald all justification for being as suspicious as he is. Also, she is extremely conceited. Not necessarily in the manner she treats others, but in how she brags about her own good fortunes to others; especially when the "other" is the character, Mrs. Linde, who is dealing with a time of hardship and poverty. This display between Nora and Mrs. Linde shows that though Nora may feel compassion towards her old friend, and others for that matter, their feelings are not nearly as important as her own. Also, the childish behavior Nora displays around Torvald gives him even more reason to treat her as he does. Keep in mind I am by no means justifying Torvald's actions, however, I am merely expressing that I understand where he was coming from. Basically, the situation described by Ibsen is not just Torvald's fault for being an overbearing husband. A good deal of the blame also falls on Nora, who in many ways causes Torvald to treat her as he does.
5 internautes sur 5 ont trouvé ce commentaire utile 
An intriguing 3-act play! 5 octobre 2004
Par Amazon Customer - Publié sur Amazon.com
Format: Broché
Major playwright, Norwegian Henrik Ibsen, was born in 1828 and wrote Doll House in 1879. It was performed in London 1889 and Paris 1894, Ibsen died in 1906.

The twisting and advancing plot revolves around several themes, illusion in marriage, conflict with society, feminism, wealth, betrayal, family, and intrigue.

The dramatic play is rich in symbolism, but the most profound is the title, A Doll House, which exemplifies the nature of the relationship that Nora and her husband Torvald have long since demonstrated; she is his little doll.

Torvald portrays the "man" in control of finances and the home; he conducts his life the way society dictates. Nora is the sweet submissive wife who plays along with her husband dominant role, just as was the relationship with her father. Torvald 's endearments of Nora are belittling, "little squirrel", little spendthrift, little lark."

But their illusional marriage takes a turn, Through a past incident for the love of her husband, Nora's secret is about to be divulged. Through that experience she no longer functions in submissive role and makes a grand stand. During this, Torvald is driven to a wimpering soul.

The story is in three acts and each act reveals different character attitudes and Nora's fight and progression. The interesting story culminates with a dramatic twist.....MzRizz
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