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Liste des titres
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| 1. Someday - Los Lobos |
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| 2. Lorraine'S Song (My Heart Was A Lonely Hunter) - Grayson Capps, Theresa Andersson |
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| 3. Bone - Thalia Zedek |
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| 4. Bobby (Original Score) - Nathan Larson |
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| 5. Different Stars - Trespassers Williams |
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| 6. Lonesome Blues - Lonnie Pitchford |
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| 7. Early Every Morning - Magic Slim, The Teardrops |
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| 8. I Really Don'T Want To Know - John Travolta |
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| 9. Barbara Allen - John Travolta |
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| 10. This Isn'T It - Giant Drag |
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| 11. Daughter Like Mother - Nathan Larson |
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| 12. Rising Song - Big Bill Morganfield |
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| 13. Washboard Lisa - Grayson Capps |
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| 14. Blonde On Blonde - Nada Surf |
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| 15. Praying Ground Blues - Lightnin' Hopkins |
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| 16. Love Song For Baby Long - Grayson Capps |
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Descriptions du produit
A LOVE SONG FOR BOBBY LONG
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6 internautes sur 6 ont trouvé ce commentaire utile
Format:CD
I did not notice until I was looking over this soundtrack for "A Love Song for Bobby Long" that I figured out that Grayson Capps, who writes the songs attributed to the character of Lorraine, whose death sets the story into motion, is the son of Evertt Capps, who wrote the novel "Off Magazine Street" on which the 2005 film directed by Shainee Gabel was based. There are only three songs on the soundtrack that Capps wrote and sang for the film on the soundtrack, "Washboard Lisa," "Love Song for Bobby Long," and a lovely duet with Theresa Andersson on "Lorraine's Song (My Heart Was a Lonely Hunter)." But they are three of the most important songs since they are essentially the missing character speaking to the living from beyond the grave. All three of those and another nine songs are available on Capps album, "If You Knew My Mind" (which comes out in two days as I write this), so those of us who are disappointed there are only the three songs will have someplace to go to find what will hopefully be more of the same (there are definitely a couple of more tracks Capps does in the film on that album).
John Travolta, who plays the character of Bobby Long, sings a brief cover of "I Really Don't Want to Know" and a short version of the traditional song "Barbara Allen" to the simple accompaniment of a guitar, which underscores that most of the songs in this movie and on this soundtrack were sung in the film and not simply being played on the radio or layered under the dialogue or being substituted for same. There are a few that fit into this last category, "Bobby" and "Daughter Like Mother." But mostly there are some songs hauntingly sung, such as "Bone" by Thalia Zedek and "Different Stars" by Trespassers William. The common denominator is that these songs are integral parts of the film and help make it work despite some melodramatic elements. If it were not for "Barbara Allen" I would not have recognized a single song on this album, but I would have to go back to "Eddie and the Cruisers" to name a movie where I was pretty much totally unfamiliar with the
"Someday" by Los Lobos makes sense as the first track because it sets the mood for the story, although so does Lonnie Pitchford's "Lonesome Blues." But even when we talk the blues they are not all in the same key, as evidenced by "Early Every Morning" by Magic Slim and the Teardrops, "Rising Son" by Big Bill Morganfield, and "Praying Ground Blues" by Lightin' Hopkins. A lot of these are old school blues, which is what you should be expecting since the movie's story does not really lend itself to Dixieland Jazz. Then the soundtrack throws in "This Isn't It" by Giant Drag to make it clear there is still alternative rock out there and represent the world on which Scarlett Johansson's character is turning her back. But besides Nada Surf's poignant "Blonde on Blonde," you will keep coming back to those songs of Grayson Capps as being the heart and soul of this album. You wait pretty much the entire movie for the title song to show up, and when it does it is perfectly on point. Seeing the movie "Love Song for Bobby Long" will make you like this soundtrack even more, but that is even more true in reverse.
1 internautes sur 1 ont trouvé ce commentaire utile
Format:CD
enivrant, comme le film.
La Bande originale nous transporte à la nouvelle-orléans, et nous laisse la sensation d'avoir partagé une bière avec Pearcy, Bobby et Lawson.
La Bande originale nous transporte à la nouvelle-orléans, et nous laisse la sensation d'avoir partagé une bière avec Pearcy, Bobby et Lawson.
Format:CD
La Bande Originale du Film vaut son pesant de cacahuète. C'est une merveille sur toute les pistes.. On y trouve en premier lieu un John Travolta qui se remet à chanter comme au temps de Greace, mais bien entendu adapté à l'ambiance du film qui se déroule à la nouvelle-Orléans, et qui dit Nouvelle-Orléans dit forcément blues. Ainsi, vous l'aurez compris, la BO se compose essentiellement de musique blues ou blues-rock. On trouve entre autre une piste de Nathan Larson, membre du groupe de Rock « Shudder to Think ». Trois titres de Grayson Capps (fils de l'auteur du roman), titres qui sont pour la plupart issu de son album If You Knew My Mind comme « lorraine song », « wasboard lisa » et « A love song for bobby long ». Le reste est tout aussi de grande qualités avec des noms très connu dans le métier comme Theresa Andersson et ainsi que des titres de Los Lobos « Someday » qui se trouve être ma favorite avec celle de Nada Surf « Blonde on blonde », il y a également Thalia Zedek, Trespassers William, Giant Drag, Magic Slim et Lightnin' Hopkins. Des grands du monde du blues qui se trouve le luxe de signé « Rising Son » de Big Bill Morganfield, fils de Muddy Waters, de son album du même nom. Une BO incontournable comme son film.
Durée : 57 minutes
Durée : 57 minutes
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