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Adobe Photoshop CS6 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC
 
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Adobe Photoshop CS6 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC [Format Kindle]

Martin Evening
3.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)

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Descriptions du produit

Revue de presse

When it's all said and done, tools-whether hardware or software-are just tools, and it's your ideas and images that matter. You'll find that Martin knows both sides of the equation and never lets the techniques distract from the vision. I think you'll find his perspective and experience invaluable. --John Nack, Principal Product Manager, Adobe Photoshop

Evening's Adobe Photoshop for Photographers titles have become classic reference sources, written to deal directly with the needs of photographers and filled with a wealth of practical advice, hints and tips to help you achieve professional results. --Professional Photographer

Note from the publisher : the book's front and back cover are smaller than the rest of the pages. It is a natural artefact of the printing process and agreed by both the author and publisher.

Richly illustrated with photos and screen grabs, this is an invaluable guide for anyone serious about Photoshop at a very reasonable price. --What Digital Camera

Présentation de l'éditeur

Renowned Photographer and Photoshop hall-of-famer, Martin Evening returns with his comprehensive guide to Photoshop. This acclaimed work covers everything from the core aspects of working in Photoshop to advanced techniques for refined workflows and professional results. Using concise advice, clear instruction and real world examples, this essential guide will give you the skills, regardless of your experience, to create professional quality results. A robust accompanying website features sample images, tutorial videos, bonus chapters and a plethora of extra resources. Quite simply, this is the essential reference for photographers of all levels using Photoshop.


Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 40467 KB
  • Nombre de pages de l'édition imprimée : 800 pages
  • Utilisation simultanée de l'appareil : Jusqu'à  appareils simultanés, selon les limites de l'éditeur
  • Editeur : Focal Press; Édition : 1 (6 août 2012)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ISBN-10: 024052604X
  • ISBN-13: 978-0240526041
  • ASIN: B009P37A4C
  • Synthèse vocale : Activée
  • X-Ray :
  • Word Wise: Non activé
  • Moyenne des commentaires client : 3.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: n°148.385 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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En savoir plus sur l'auteur

Photographe professionnel à Londres, renommé dans le domaine dt la photo de mode, Martin Evening travaille en numérique depuis de nombreuses années. Co-fondateur du UK Digital Imaging Group, il collabore régulièrement à de nombreuses revues telles que PEI, MacUser ou Amateur Photographer and Image. Martin Evening est également testeur de Photoshop et de Lightroom.

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Commentaires client les plus utiles
1 internautes sur 1 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 qualité d'impression 12 mars 2013
Format:Broché|Achat vérifié
le livre on le connait. Par contre je suis toujours plus convaincu que les livres Amazon sont imprimés sur du papier recyclé et en qualité très inférieure à celle des livres en librairie. Et pour un livre sur la photo c'est quand même osé.
j'ai retourné le livre parce que les pages dépassaient la couverture!
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Amazon.com: 4.4 étoiles sur 5  114 commentaires
46 internautes sur 47 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The Essential Photoshop Reference 22 juin 2012
Par Conrad J. Obregon - Publié sur Amazon.com
Format:Broché
As each new version of Photoshop has been issued, it has become more capable and more complex. Similarly, for each version Martin Evening has issued a new edition of "Adobe Photoshop for Photographers" which is longer and covers the newest tools as well as the older tools. Whichever is the current edition in the series has become the "go-to" reference book next to my computer. The CS5 version is dog-eared and marked up with my hand-written summery index of items I consider especially important on the inside back cover. And given the sparse help provided by Adobe's on-line help facility, a reference book is more important than ever.

The book covers those aspects of Photoshop which will be helpful to photographers rather then graphic designers, including a lengthy discussion of Adobe Camera Raw processing and Bridge. (I would have included a short chapter on text even though that falls into the graphics area but Evening is unforgiving on this.) There is also a supporting web site, which contains not just images and movies, but lengthy PDFs that include subjects not in the book, like output for the web and Lightroom import workflow. Users should look at the website early on because it may contain just the material they are looking for. (For what it's worth, Evening, like many other serious photographers, apparently does much of his initial processing of images in Lightroom rather than Adobe Camera Raw, and uses Lightroom in preference to Bridge for image management.)

The book is so jam-packed with information that it's almost impossible to just read from cover to cover, especially since it is rather boring to read about a feature that one already knows. Instead I read chapter one on Photoshop Fundamentals in its entirety as Evening recommends, and chapter two on configuration, just in case there were any changes in the set-up introduced by CS 6. Thereafter I referred to particular sections (made easier by the excellent index) when I had a question. Some of these were simple, like how do I keep two copies of an image on the screen while I'm soft-proofing so that I can compare any adjustments I make to the soft proof to the original. Others were more complex like how to best use edge detection in making a selection, where the author provided not just an explanation of the sliders but also details on how he used the refine edges menu with several examples.

Even experienced users will probably find something new in the uses of Photoshop, even if it is just some combination of key strokes. This creates a Rumsfeldian problem which is how do we know what we do not know. For myself, I felt that there were probably a few techniques for using layers that I didn't know. I went to the chapters on layers, selections and masking and began reading. About half way through I found that some of the functions discussed were too esoteric for me and just skimmed those sections. Hopefully when I encounter a problem that one of these techniques will solve I'll return to the appropriate section.

Although Evening covers all the new features in PS CS6 in the book, there is no comprehensive list of these new features so that old hands will have to learn about the features from some other source, unless they are willing to go through the book page by page.

This is not a book for Photoshop beginners. It doesn't dwell on the step-by-step tutorials that make for the best introduction to Photoshop.

No serious Photoshop user should be without this reference text.
32 internautes sur 33 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Adobe Photoshop CS6 for Photographers by: Martin Evenin 7 juillet 2012
Par Theresa D. - Publié sur Amazon.com
Format:Broché
Adobe Photoshop CS6 for Photographers by: Martin Evening

This reference guide is aesthetically pleasing, well bound, and contains color-coded chapters that makes it a breeze to find the information one needs to complete most any task at hand. Included on every page are color-coded keyboard short cuts for either the Mac or PC user and the content is well placed representing a workflow most any photographer would use to manipulate either a single photo or a whole project.

First you will orient yourself to the anatomy of photoshop learning the what, when, where and why of tools. This is an introduction to the important-to-learn aspect of photoshop "language", yes, photoshop has it's own language as does Science, the Medical field, and as well as many other disciplines used in today's society.

Secondly, Camera Raw takes the reader through a series of features very similar to the workflow one uses in Lightroom, and again as noted in the forefront of the book, the author explains in-depth the tools used in a step-by-step manner to fully process the photographer's images. Did I mention Lightroom? Though the two are very similar, just remember this, Camera Raw is integrated into CS6 thus the combination offers not only more tools but more tools with the capacity to dramatically change and refine image detail. Having worked in a processing lab using a huge Fuji machine with few knobs, dials, and push buttons to tweak images I tend to like the availability of any and all prospects for refining the littlest detail.

Thirdly, Camera Raw concludes with applying Pre-sharpening or capture sharpening images prior to taking them into Photoshop for editing. I can't express enough the importance of sharpening not only once, twice, but thrice! This concept is dubbed "multi-pass sharpening workflow: capture sharpening, optional creative sharpen, and finally sharpening for print". It appears "Pixel Genius PhotoKit Sharpener plug-in: by Bruce Fraser" has been integrated into Camera Raw. Noise, color noise, moire, and the de'mosaic process are also discussed in this section. This is one of the new changes not only in CS6 but in Evenings book. He does not elaborate on the UnSharp Mask filter in his new text but continues to offer the information at the online website.

By no means is this a comprehensive overview of the features presented by Martin Evening in his new edition of Adobe Photoshop CS6 for Photographers but I want the reader to perceive the gist of things so they may better understand my review.

What I especially like about this book; the author gives the necessary "particulars", for instance, computer specs needed for installation, how to configure the program, customizing menu options and the knowledge of creating actions. WOW! As an instructor, I could justify teaching at least an 8 hour workshop just on the above mentioned topics.
Next, he's created an easy read by presenting this body-of-work with concise, detailed information and How-to photographs. He further enhances learning with an online website containing downloadable interactive sample test images, tutorial videos, and bonus chapters available in PDF format for printing, example: keyboard short cuts, Unsharp Mask filter for the hard core users.
I specifically like the user friendly ability of downloading information from PDF form. It's simple for everyone to do and the plus about having the information in hand allows for more time working on the task at hand. In other words, I don't have to switch back and forth from screen to screen and so on. It's just a simple answer to a learning style that some people need to understand the material at a faster rate or to keep an ongoing continuity in their learning process.

As an instructor of photography I understand most everyone has a unique learning style and this author offers a variety of learning tools needed for one to grasp the material.
This book should be in the hands of every CS6 user therefore I'm not only recommending it to the seasoned photographer for the well explained changes, or to the novice who wants to get started becoming a Master in photoshop image processing and editing but to all of my students as well.

Reviewed by:
Theresa Donald
FCCP
149 internautes sur 178 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 WARNING: BASIC PARTS OMITTED 23 juin 2012
Par Aaron Shepard - Publié sur Amazon.com
Format:Broché|Achat vérifié
I've bought the last two versions of this book, because nothing compares with its in-depth treatment of Photoshop for photographers. But I was dismayed when I read Martin's section about "what's different in this book." He tells us that, to make room for new material, he has removed the Color Management and Web Output sections, making them available only as PDF downloads on the book's Web site. Why? Because the material has "barely changed" over the past six editions, and he figures his readers have already bought one or more of his books!

Well, yes, Martin, I did, but I sold them back to Amazon when I bought the newer edition. I do not have unlimited shelf space. And now I very much mind having a crippled version of your book instead of the complete reference I thought I was getting. And, no, it's not good enough to provide it as a PDF. If I wanted my references as PDF, I wouldn't be buying a printed book!

That's not to mention the very questionable strategy of removing info that's essential to new readers. Believe it or not, Martin, not all Photoshop users have been using the program for years and years. And many who have been using it a long time STILL don't know how to handle color management. Go to the Web sites of prominent photographers and you'll see that many of them STILL don't know enough to embed a color profile in their online photos, or are embedding the wrong one! They are in desperate need of the info you didn't think was important enough to include!

Do your readers a favor and retain all ESSENTIAL material in future editions.
8 internautes sur 8 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The Best Photoshop Resource I've Come Across 25 juillet 2012
Par Dr. Bojan Tunguz - Publié sur Amazon.com
Format:Broché
I've been using Photoshop for years, and although I have a lot of experience with this powerful software, still consider myself to be an "advanced beginner." Most of the things that I use Photoshop for involve more or less straightforward photo retouching and enhancing, with an occasional more advanced "artistic" project. I've been looking into trying to improve my Photoshopping skills, and Martin Evening's exhaustive book fits my needs and requirements perfectly and then some.

The writing is informative and lucid, the explanations are clear and easy to follow, but this is not necessarily a tutorial book. If you were looking for a more pedagogical introduction to the Photoshop's photography techniques and capabilities, then a book like Adobe Photoshop CS5 for Photographers: The Ultimate Workshop might be more along the lines of what you are looking for. (I don't think that the CS6 edition has been published yet as of the writing of this review; you might want to wait for it to come out.) However, even Evening's book has plenty of examples and worked-out exercises that you'd learn a lot of useful techniques just by familiarizing yourself with Photoshop.

This edition of the book is the first one that doesn't come with an included physical media, but instead puts all of the accompanying content on the book's website. Yu will need to use the login and the password that coem with your book, and once you setup your account you'll be able to use all that it has to offer. The website contains most of the images and other files that are used throughout the book for illustrative purposes. It also includes video lessons, which are overall nice but not that well organized. The video lessons sort of start in a middle of some exposition, without much in the way of introduction.

This is a very large and exhaustive book, perhaps the single best resource out there right now for the photoshopping photographers. It is an invaluable resource that can teach you about all the aspects of Photoshop that you may encounter in your photography work.
7 internautes sur 7 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Excellent reference. 5 juillet 2012
Par N. Conn - Publié sur Amazon.com
Format:Broché
There aren't really too many Photoshop books written by professional photographers of Evening's stature, although plenty of the popular guides were written by graphics gurus who later got more heavily into photography. That's why this book is so useful for anyone who is a serious photographer. It shows you how to use Photoshop from the shooter's point of view, with emphasis on improving your images, rather than just correcting the mistakes the inept should have fixed in the camera. Highly recommended.
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