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Adobe Photoshop CC for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC
 
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Adobe Photoshop CC for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC [Format Kindle]

Martin Evening
5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)

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Descriptions du produit

Présentation de l'éditeur

Martin Evening, Photoshop hall-of-famer and acclaimed digital imaging professional, has revamped his much-admired Photoshop for Photographers book for an eleventh edition, to include detailed instruction for all of the updates to Photoshop CC on Adobe’s Creative Cloud. This comprehensive guide covers all the tools and techniques serious photographers need to know when using Photoshop, from workflow guidance to core skills to advanced techniques for professional results. Using clear, succinct instruction and real world examples, this guide is the essential reference for Photoshop users of all levels.



Accompanying the book is the photoshopforphotographers.com website, fully updated with new sample images, new tutorial videos, and additional bonus chapters.


It’s clear why so many people feel that any serious Photoshop user should not be without this invaluable reference text.

Biographie de l'auteur

Inducted into the Photoshop Hall of Fame in 2008, Martin Evening is an internationally renowned professional photographer. Working principally on studio-based beauty photography, Martin uses Photoshop to retouch or manipulate to some degree nearly every image he produces. This regular everyday experience with the software has enabled him to gain extensive specialist knowledge of Photoshop.

Further reader resources:

  • Martin Evening Photography, London, UK

www.martinevening.com

www.facebook.com/MartinEveningPhotoshopAndPhotography

 

  • Adobe Photoshop CC for Photographers website

www.photoshopforphotographers.com


Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 70246 KB
  • Nombre de pages de l'édition imprimée : 816 pages
  • Utilisation simultanée de l'appareil : Jusqu'à  appareils simultanés, selon les limites de l'éditeur
  • Editeur : Focal Press; Édition : 1 (18 juillet 2013)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ISBN-10: 1134657951
  • ISBN-13: 978-1134657957
  • ASIN: B00E1EN0GM
  • Synthèse vocale : Activée
  • X-Ray :
  • Word Wise: Non activé
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: n°108.850 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
  •  Souhaitez-vous faire modifier les images ?


En savoir plus sur l'auteur

Photographe professionnel à Londres, renommé dans le domaine dt la photo de mode, Martin Evening travaille en numérique depuis de nombreuses années. Co-fondateur du UK Digital Imaging Group, il collabore régulièrement à de nombreuses revues telles que PEI, MacUser ou Amateur Photographer and Image. Martin Evening est également testeur de Photoshop et de Lightroom.

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Commentaires client les plus utiles
5.0 étoiles sur 5 Excellent... 5 novembre 2013
Format:Format Kindle|Achat vérifié
On sent la patte d'un grand photographe professionnel qui nous fait partager sont art et sa technique... En plus beaucoup de pédagogie, ce qui est vraiment un point for pour expliquer certains concepts un peu techniques. Je recommande!!!
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Amazon.com: 4.7 étoiles sur 5  31 commentaires
34 internautes sur 35 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A Must-Have: Get it! 31 juillet 2013
Par Brian M. Stoppee - Publié sur Amazon.com
Format:Broché
In a few days it will be the 15th anniversary of the publication date for "Adobe Photoshop 5.0 for Photographers." Though only 320 pages, then, it was still a significant work we have never forgotten. Now at nearly three times the length of the original, Martin Evening has created another must-have edition for every digital photographer who understands the need for a volume which uniquely serves as both an inspiration and a reference for Adobe's iconic trio, Bridge, Camera Raw, and Photoshop.

It's reasonable to wonder how the reader can efficiently navigate a 792 page book. Part of the answer is the skilled design concepts which appear on every page of this book. Overall, every 2 page spread is packed with great information and extremely helpful with significantly large visuals. As a studio which has written, photographed, designed, and illustrated plenty of publications, we're tough to impress. Nevertheless, this is one impressive effort even to the most critical eyes.

What's not 100% clear is the ability to obtain the book's additional assets at [...] There are sections in this website on tools, panels, layer styles, an archive of images, movies, and PDFs. The PDFs alone add more than 200 pages to this book.

CH 1 - PHOTOSHOP FUNDAMENTALS - Don't allow the title of the book to scare you off, if you are not a long-standing expert in Photoshop, the audience for Martin's 1998 first edition. Photoshop Fundamentals assumes you don't have much background is this app. This is not to say that we're recommending this as a getting started guide. But, if you're under the impression that you know Photoshop backwards and forwards, the first chapter just may cause you to check your ego at the cover. It also proves that the book has earned it pedigree as a reference. Therefore, it's one of the most visually pleasing reference books ever published. There's not a boring spread in the whole chapter. Even Photoshop (Ps) professionals, as deep into it as ourselves (we go back to the first few days of the 2.0 release in June of 1991), will identify some great nuggets in this section.

CH 2 - CONFIGURING PHOTOSHOP - It's easy for those same Ps pros to roll into the second chapter with the same enthusiasm they had in the first one and quickly page onward thinking, "There's not much here of value to me." It's true that this chapter helps newbies get themselves pointed in the right direction. Pros: think of it as a reference, but please check every spread to be sure you're not missing anything.

CH 3 - CAMERA RAW IMAGE PROCESSING - Entire books have been written on Adobe Camera Raw (ACR). Photoshop CC comes with ACR 8.x. It has many new features with the promise of more being on the way. As we write this, a search of amazon.com shows no publication dates for any books dedicated to ACR 8. Though this chapter also makes no assumptions about how much you know about processing raw images, do not expect to be babied. If you're a Camera Raw newbie, expect to feel challenged. Don't breeze through these pages. Plan to carefully study them (and study them and study them). As visually clean as the third chapter may be, it's 161 pages feel like they have at least 250-some pages of content squeezed into them. We know some top-drawer Photoshop professionals. We don't know many who can say, "I've already mastered everything in there." It's not just a technical review. Mr. Evening gets into some inspiring techniques which every Photoshop master and consultant for Adobe apps must explore.

CH 4 - SHARPENING AND NOISE REDUCTION - By the time you get to page 295 and the ones which immediately follow the "for Photographers" portion of the title becomes clear. This book devotes plenty of pages to a deep dive into sharpening techniques which the author proves he has devoted many years of his career to honing has knowledge of. The interesting part is that over the past 15 years the technology and tools have moved forward at what seems, some days, like lightspeed (pun intended). If a photographer, who has never seen one of these editions before tells us, "I know everything in this chapter." we have our doubts.

CH 5 - IMAGE EDITING ESSENTIALS - Don't let "essentials" fool you. The fifth chapter is not only informative and filled with beautiful photos, illustrations, screen captures, and graphics, it's just plain fun. It's tough to resist. The visuals make you say to yourself, "How'd he do that." and then it has you. You're sucked into the spread and you don't want to put the book down. Again, this is a challenging chapter. It's not a quick read. "Comprehensive" may be the best single word description of this one.

CH 6 - BLACK & WHITE - This is a bold editorial choice to include in this book. We find what Photoshop offers for black and white to be very exciting. Our experience is that not some of the most rabid fans of Photoshop care much about black and white. The fabulous thing about such realities is that the newbie stuff is not here. The sixth chapter is directed to Photoshopers who want to delve into something more intense. The name "black and white" is deceptive. This chapter gets into many not-so-colorful uses of Ps.

CH 7 - EXTENDING THE DYNAMIC RANGE - Everyone's talking HDR (high dynamic range), so we would have been disappointed if Martin didn't take the high road, cover the basics, and take the reader on a journey into loftier areas of this expertise space. The seventh chapter is the lighter fluid in the readers' imaginations for what they owe themselves to survey in the crevasses of their creative minds.

CH 8 - IMAGE RETOUCHING - Getting back to the photographer's guide to Photoshop must-knows, it's easy for those who have been in Ps for years to think, "Oh no." Well, skip the attitude. This chapter leaves the quick-start stuff on the first spread. As throughout the book, the sample photos are not the usual how-to boredom. They're enticing to the point of causing even the most productive shooter to wonder, "When does Martin have time for all this?" This author isn't another analytical technical writer. This guy's a great shooter.

CH 9 - LAYERS, SELECTIONS AND MASKING - Though we travel in some of the same circles and frequent some of the same private forums as the author, we've never met or personally conversed. So, we have no idea if doing a chapter on a topic entire, very successful, books have been created about, intimidates Mr. Evening or energizes him. But, in just 93 pages, Martin proves that he's still one of the great Adobe masters, whether that's his intension or not. Layers were introduced to Illustrator 20 years ago, this summer. A year later it came to Photoshop. It's been taught thousands of different ways. We're somewhat dazzled at the fresh direction this chapter takes. It's both extremely thorough and stimulating in every spread. From time to time some spreads made us think, "What's this doing here?" but much like reading a great novel, it all comes together a few spreads later. We confess to using such conventions in fully covering topics, if that's what this book is doing in some of this chapter's pages, it's very smooth because everything is a tight fit.

CH 10 - BLUR, OPTICAL AND LIGHTING EFFECTS FILTERS - We have heard a few pompous Photoshop users claim that filters and effects are trite and have no place in an imaging professional's workplace. Pompous is defined as, "affectedly and irritatingly grand, solemn, or self-important." Chapter ten is proof of that definition for anyone who feels they are above these extremely high-end techniques. The chapter keeps the focus on how all of this is applicable to the needs of photographers. Stare at the photographic sample results. Ask yourself, "If I didn't see the evidence before my eyes, would I know these were done in Photoshop?" They're extremely well done and not a revisit to now stale visual trends. They're accomplished and fresh.

CH 11 - IMAGE MANAGEMENT - We love Adobe Bridge (Br). It's an often overlooked and powerful tool in the Creative Cloud family of applications. We use it daily on its own or in conjunction with other Adobe apps, so finding 54 pages on Bridge brings us great joy. The chapter could easily be the most extensive examination of Br in a single continuos location. It has to be studied to be fully understood.

CH 12 - PRINT OUTPUT - Making photographer's exhibit prints is worth an entire book which, to the best of our knowledge, has not been attempted, in recent years. The ultimate book on what photographers must know to master Photoshop would not be complete without a chapter that approaches the printing topic. Printing is one of the topics you'll find more about on the previously mentioned website.

CH 13 - AUTOMATING PHOTOSHOP - Some misinformed photographers claim that Photoshop consumes far too much time. This entire book and its extensive online assets are all about empowering you to work knowledgeably, creatively, and efficiently. Don't get into repetitious processes. This final chapter shows how to use the full power of the Actions panel.

CONCLUSION - The marketplace for this book has evolved over the past 15 years. So has the technological and creative expectations of a photographer's standard skill set. As we've explained, above, we know of few professional photographers who possess all the skills covered in this book. As we wrote in the first paragraph, this is a "must-have" for all photographers who want to be their best. There's no other book like it. This is a proud five star. It's simple: get it.
11 internautes sur 11 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 MASTERING PHOTOSHOP CC!! 25 juillet 2013
Par COSMIC TRAVELER - Publié sur Amazon.com
Format:Broché
Are you an intermediate to advanced Adobe Photoshop user? If you are, then this book is for you! Author Martin Evening, has done an outstanding job of writing a book that is completely focused on the essential information you need to know when working with Photoshop, Camera Raw and Bridge, plus all that's new in Photoshop CC for photographers.

Evening, begins by looking at some of the essentials of working with Photoshop, such as how to install the program, the Photoshop interface, what all of the different tools and panels do; as well as, introducing the Camera Raw and Bridge programs. Next, the author discusses why you must ensure that you have as much RAM memory as possible installed in your machine and fast disk access. Then, the author discusses Camera Raw image processing. He continues by discussing how to pre-sharpen your photographs in Photoshop and reduce image noise. Next, the author explains how to work with photos that have never been near Camera Raw, such as images that have originated as TIFFs or JPEGs. Then, he explores how Photoshop and improvements in inkjet printing have now made black and white photography an even more exciting avenue to explore. The author continues by explaining how dynamic range is the ability of a sensor to capture the greatest range of tones from the minimum recordable shadow point to the brightest highlights. Next, he will show you some of the basic techniques of how to remove dust spots and repair sections of an image. Then, the author explains the different tools that can be used for creating composite photographs; as well as, the intricacies of working with layers, channels, mask channels and pen paths. He continues by showing you ways you can use the Smart Filters feature to extend your filtering options. Next, the author explains why with Bridge CC, Adobe has reached a point where the aim is to keep Bridge maintained as a Suite-wide browser, but without adding new features. Then, he deals with the print output process. Finally, he looks at the Mac and PC key combinations for the various shortcuts that are in Photoshop.

This most excellent book is not a complete guide to everything that's in Photoshop. More importantly, as you go through this great book, you will find that it is one of the most thorough and established books out there for photographers!
19 internautes sur 22 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 A Great Book Stabbed in the Back by an Almost Useless Index 9 décembre 2013
Par Russ Lewis - Publié sur Amazon.com
Format:Broché|Achat vérifié
Martin Evening is by far the best Photoshop writer around now that Bruce Fraser has left us, and this book, again, makes that clear. But, as was the case with previous versions, the book is stabbed in the back as a reference by an almost useless index. Evidently it's just too much work for Focal Press to build a decent index. They need to pick up O'Reilly's "C# 5.0 in a Nutshell," turn to the index, and start learning what a real index looks like. I keep buying Martin's Photoshop books because, if you need help, and if you're lucky enough to find what you're looking for, his advice is the best around. But finding what you're looking for can be irritating enough that you soon beat up the book by throwing it across the room repeatedly.
6 internautes sur 7 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Support for Photoshop on Cloud 20 août 2013
Par Otsego Picture Man - Publié sur Amazon.com
Format:Broché|Achat vérifié
If you are going to use the Adobe Cloud version of Photoshop CC, then this book is a great hard print documentation, as a reference for your use of Photoshop Cloud. Martin Evening is truly an expert on Photoshop and help the Adobe Team, on developing Photoshop over the last several years. Sometimes you just need to read about a technical capability, to understand how it works and Evening is the expert. I would highly recommend this book for your library, on photo editing because it is likely the last written text that you will find on Photoshop anytime, in the future given the way that Adobe is taking Photoshop to market. I would also add "The Ultimate Workshop" on Photoshop CS5 that was written by Evening and Jeff Schewe, another expert on Photoshop and photo editing. With these two books your library will cover the "best of the best", on Photoshop editing and should take you well into the future. And of course purchase both books from Amazon the source for written Photoshop documentation.
3 internautes sur 3 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Tons of info presented well 1 janvier 2014
Par Roy - Publié sur Amazon.com
Format:Broché|Achat vérifié
I am new to photoshop and I am going through this book from the start. So far it has been very informative and arranged well. Any book of this magnitude is going to have some issues and there has been times I have had to go to the internet to figure something out. Evening may make a statement about some function that I have never heard of and not explain it well, but those have been rare. Over all I ,like the style of his writing and the illustrations are great. It has got me to where I feel proficient with the program and I am only about 1/7 of the way through the book. It will also be a good reference for the future. I would recommend this to anyone starting out with Photoshop or to those who are already working with it and need to dig deeper.
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