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After The Break-Planxty TACD3001 CD

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Page Artiste Planxty

Produits fréquemment achetés ensemble

  • After The Break-Planxty TACD3001
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  • The Woman I Loved So Well
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  • Planxty The Collection SHCD79012
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Détails sur le produit

  • CD (13 avril 2011)
  • Nombre de disques: 1
  • Format : CD
  • Label: Tara
  • ASIN : B00005QKGU
  • Autres éditions : CD  |  Cassette  |  Album vinyle  |  Téléchargement MP3
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0xa44d8a30) étoiles sur 5 5 commentaires
17 internautes sur 18 ont trouvé ce commentaire utile 
HASH(0xa02a7804) étoiles sur 5 Essential Celtic Title 19 juillet 1999
Par Un client - Publié sur Amazon.com
Format: CD
No other Planxty release comes close to this one in my mind for sheer intensity. The instrumental sets are some of the best ever recorded, with melody emphasis on Molloy's flute and O'Flynn's piping wonderfully complemented by Irvine, Lunny and Moore on mandolin, bouzouki and guitar. A very rich sound, with strong, thought out tune sets whose parts work excellently together. Those five instrumental sets alone make this one a must have, but there are also some great songs ('The Rambling Siuler' being my favorite). One of the best.
11 internautes sur 11 ont trouvé ce commentaire utile 
HASH(0xa030f324) étoiles sur 5 good old stirring irish stuff 11 juillet 2006
Par Flight Risk (The Gypsy Moth) - Publié sur Amazon.com
Format: CD
I have loved this album from its very first days. I can't tell you how much work got done early in my career because I had this going on in the background. There isn't a bad cut on the album. "The Good Ship Kangaroo" is so dancy and tuneful,with such good vocals, you can't help but sing along. "Rambling Boys Of Pleasure", which I have heard as a few other folk songs done to the same tune, is sweet and longing, a lament to the fickleness of youth and the lure of riches. "The Rambling Siuler" is sly and clever, a tribute to someone who will do anything to gain their heart's desire. All the instrumental pieces on the album are as sharp and crisp as any Planxty ever produced; especially notable is one that isn't even Irish, a Bulgarian dance piece called "Smeceno Horo" which I'm betting has something to it, played by these guys, that it doesn't have when played in Bulgaria. Donal Lunny seems to have made a special study of Eastern bouzouki music (well, yeah, since that's where the bouzouki is from) and he plays the socks off the thing. My favourite piece on the whole album, though, is "Pursuit of Farmer Michael Hayes"; I get sucked in every time, hiding in the weeds with the guy as he's hunted by the coppers for doing in the mean landlord that evicted him; I always feel like cheering when he safely stows away on a ship and makes it to America to start fresh. You know you shouldn't be on the guy's side, but you can't help yourself. One other song, "Bonny Light Horseman", is further proof through song that Napoleon was really a bad-news disaster any way you looked at him but particularly to his troops, who suffered in droves. Off the top of my head I can come up with at least half a dozen songs in a few seconds that deal with the misery he caused; this tune is told from the girl-at-home's point of view. All in all, this is a solid effort by, to my mind, the premier Irish band of this genre. It is a worthy addition to any folkie's library.
6 internautes sur 7 ont trouvé ce commentaire utile 
HASH(0xa0128120) étoiles sur 5 Surpasses the first generation of Planxty - easily 22 mars 2004
Par mianfei - Publié sur Amazon.com
Format: CD
Following three albums that served to define the sound of traditional Irish folk in the middle 1970s, Planxty broke up in 1976, only to reform in 1979 at the height of the "punk revolution".

Whilst the "punk revolution" might have taken the spotlight away from "After The Break", there is no dount how much the album showed the second generation of Planxty to have developed as musicians. Whereas the songs on first-generation Planxty albums tended to be short but not sharp, leaving the players with too little room to express themselves, on "After The Break" the more opened-out arrangements serve the group perfectly, allowing them to develop sublime melodies and freeing Christy Moore's voice so that it sounded less rough and ready than on early albums.

"The Good Ship Kangaroo" was an amazingly tender opener perfectly expressing the fear inherent in sailing to Australia, and "The Pursuit Of Farmer Michael Hayes" sounded truly modern in its lyrics without sacrificing the character of traditional song - and Planxty managed to produce mood changes a listener would never notice. The jigs "East At Glendart" and "Brian O'Lynn" show the degree to which Planxty moved away from basic Irish music through Matt Molloy's presence on flute. One of the things that made "After The Break" such a special album was the way in which the woodwinds interplayed on "East At Glendart" and "Brian O'Lynn".

The dark "You Rambling Boys Of Pleasure" showed that Planxty could grow in depth and loosen up to beautiful effect without sacrificing their traditional credentials, whilst the raucous reel "The Blackberry Blossom" showed the band playing much more starkly and sharply than on previous albums. Liam O'Flynn gave the same ecstatic emotion on uillean pipes that made Kate Bush's "Night Of The Swallow" so incredible, aided again by Molloy's melodic flute in the background. The forthright, eerie yet catchy "The Rambling Siúler" was the strongest song here: fast and simple, yet so true a story that one is shocked that Christy Moore can maintain his feeling without despair, and "The Bonny Light Horseman" almost managed the same trick to the same degree.

Besides their use of beautiful, dark flute melodies, Planxty closed "After The Break" with a surprise in the form of the Bulgarian dance tune "Smeceno Horo". Illustrating the connection between Irish and East European culture, the tender flute sounded quite like a pipe in some places, and "Smeceno Horo" really was far more danceable than anything ever mut out by English folk groups: the rhythm was emphasised to compensate for the absence of melodic, touching vocals. Moreover, the song changes rhythm so abruptly that Planxty makes one never notice it at all.

Sharper, yet at the same time more expansive and more tuneful, this album and its follow-up The Woman I Loved So Well are where Planxty showed themselves the undoubted masters of Irish folk music after struggling on their earlier albums. Hard to find, but worth the effort.
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0xa012524c) étoiles sur 5 Along with their self-titled album, possibly one of their best 10 janvier 2009
Par T. S. Cooper - Publié sur Amazon.com
Achat vérifié
This album is filled with a wealth of classic Planxty. Long out of print in CD format, I've looked for this album for some time, but never found a mention of it outside of the UK, available for import. Now it is finally in my collection and all is well. Get this album if you like fine Irish tradition as only Planxty could purvey.
2 internautes sur 24 ont trouvé ce commentaire utile 
HASH(0xa0178408) étoiles sur 5 Warning about the vendor 18 février 2008
Par Amante Distoria - Publié sur Amazon.com
Format: CD
I gave one star but really should have given zero because I can't give a good evaluation - I have yet to receive the order I made over six weeks ago, just an email notifying me that they were out of stock. Be warned that just because the CD is advertised as "available" for purchase, it is not necessarily "available" for you to actually receive.

I wouldn't have written this except for the fact that there is a separate entry in Amazon for other copies of this CD sold by vendors other than inandoutrecords. My advice - buy a copy from a different seller.
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