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Paul Cartledge , John Lee

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1
The Fame of Alexander

The world remembers Iskander and his deeds. Macedonia gave him its sceptre. Iskander was the son of Philip. His life was one long dream of glory. —Abai, ‘Iskander’, trans. Richard McKane

Inheriting at the age of twenty his father Philip’s position as master of the Greek world east of the Adriatic, Alexander had also, by the ripe old age of twenty-six, made himself master of the once mighty Persian Empire. By the time he was thirty he had taken his victorious arms to the limits of the known oikoumenê (inhabited world). Yet, before his thirty-third birthday he was dead. Small surprise, therefore, that he should have become a legend in his own lifetime. That his legend has spread so far and so wide – from Iceland to China – since his death in 323 bce is due very largely to the so-called Alexander Romance. This fabulous fiction took shape in Egypt, mostly some five or more centuries after Alexander’s death.

Thanks to this, and for other reasons too, of course, Alexander became in various countries and at various times a hero, a quasi-holy man, a Christian saint, a new Achilles, a philosopher, a scientist, a prophet and a visionary. But in antiquity he was most famous of all as a conqueror. Here is Arrian, writing in the early second century ce under the influence of the Roman emperor Trajan’s recent conquests in Parthia (in modern Iran); his Anabasis (‘March Up Country’) is our best ancient historical source on Alexander: ‘For my part I cannot determine with certainty what sort of plans Alexander had in mind, but none was small and petty, and he would not have stopped conquering even if he’d added Europe to Asia and the Britannic Islands to Europe . . .’ Arrian was quite properly alert to Alexander’s fame. But that comment on his last plans (see Chapter 10) is just the sort of measured and reflective remark that commends him to the modern critical historian and biographer of the world-conqueror. Apart, perhaps, from his casual remark about ‘the Britannic Islands’ – as if they were not part of ‘Europe’ . . .

A millennium and a half later, Shakespeare’s Hamlet comments rather irreverently in the graveyard scene on the possible earthly fate of Alexander’s corpse:

Alexander died, Alexander was buried,

Alexander returneth into dust; the dust

is earth; of earth we make loam; and why of

that loam, whereto he was converted, might

they not stop a beer-barrel?

This is a chauvinistic English illustration of the fact that Alexander has featured in the national literatures of some eighty countries, stretching from our own Britannic islands to the Malay peninsula by way of Kazakhstan (home of Abai, its national poet). This, in its turn, is another way of saying that Alexander is probably the most famous of the few individuals in human history whose bright light has shot across the firmament to mark the end of one era and the beginning of another. As the novelist Mary Butts put it rather well (in a note to her 1931 fiction, The Macedonian): ‘There are men who sum up an epoch, and men who begin another. Alexander did both.’ She aptly cited, too, another passage of Arrian:

‘I am persuaded that there is no nation, city or people then in being where his name did not reach; for which reason, whatever origin he might boast of, or claim to himself, there seems to me to have been some divine hand presiding over both his birth and his actions,
inasmuch as no mortal on earth either excelled or equalled him.’

Another local testimony – and testament – to Alexander’s fame is as British in its way as can be. To celebrate the 250th anniversary of the founding of the British Museum in 1753, the Royal Mail devised a set of special stamps illustrating just six objects out of the BM’s collection of over seven million artifacts spanning some two million years of the human past. One of these six represents a stone bust of Alexander carved in the Hellenistic era (about 200 bce): Alexander, ‘who’, according to the promotional material, ‘after his death, was worshipped as a god’.

That is not quite accurate; he was also, crucially, worshipped as a living god. But one ancient figure who certainly was worshipped as
a god only after his death was the proto-Roman emperor Julius Caesar, in whose life Plutarch (as Shakespeare well knew) found a parallel to that of Alexander. Reasonably enough, since in some respects Caesar did come quite close to equalling Alexander – though only after many more years of trying – and he did give his name to a type of autocratic ruler (Kaiser, Czar). When Julius was on an early tour of imperial duty in Spain, Plutarch relates, he is said to have gazed at a statue of Alexander (perhaps like the one now in the Museum at Seville, which came from the Roman colony of Italica that produced two later Roman emperors). And he wept because, whereas Alexander had died at thirty-two, king of so many peoples, he himself at that same age had not yet achieved any brilliant success. I am no Julius Caesar. But I am fifty-six at the time of writing this – so you can, I hope, imagine how I feel.

Many many more illustrations of Alexander’s fame could be given. St Augustine wasn’t hugely impressed: he considered him (in Frank Holt’s paraphrase of the City of God passage) ‘a rogue with a global appetite for plunder’ – a rather startlingly modern image. St John Chrysostom, patriarch of Constantinople, objected to the way that coins bearing Alexander’s image were often bound to people’s heads and feet as apotropaic talismans. The modern equivalent of this is perhaps to be found on the tennis court: the Australian player Mark Philippoussis, whose father is Greek, carries an Alexander tattoo. Presumably Chrysostom would have been more in sympathy with Dante, who consigned Alexander to the seventh circle of his Inferno, along with (other?) thieves, murderers and tyrants. Even in Greece today sailors in distress are said to be confronted by a water-nymph who demands to know ‘Where is the great Alexander?’ To which the only satisfactory response is: ‘Great Alexander lives and reigns.’ Indeed.

Such in fact is his continuing fame even in today’s very differently structured global world that business journalists write management books purporting to derive and to convey ‘lessons from the great empire builder’. And American film-makers and their financial backers are prepared to commit millions of dollars to exploring, recreating and perhaps even, they hope, enhancing the fame of the original. But was fame or glory, as Abai would have it, the spur for Alexander – the holy grail that drove him to achieve what he did? And, though without question incomparably famous both now and in his lifetime, was he, is he, also ‘great’, let alone ‘the Great’? These are just some of the major questions that we shall seek to answer in the course of our hunt for a new interpretation of Alexander’s peculiar genius.

My answers, any answers, must necessarily be provisional, tentative and more or less speculative. For Alexander has been handed down to us ultimately as an enigma, thanks above all to the inadequate nature of our sources of evidence. Though the extant evidence is very far from slight in quantity, it is in several respects seriously deficient in quality. It is mainly non-contemporary, it is partisan (con as well as pro), and it tends to be sensationalist. Whichever of the major aspects of Alexander’s career we study, therefore, we are usually unable to reach anything firmer than a high probability in explanation, and even that degree of probability is a rarity. The very facts themselves – what actually happened – are often unclear. Like that of the ancient Roman historian Tacitus, therefore, our prime watchword as historians of Alexander must be distrust of what we are told.

Some students of Alexander, indeed, believe that the best that can be done in the way of historical retrieval is to focus on the various images of the man that the different kinds and media of evidence provide, without hoping or expecting to be able to proceed further to uncover anything like the – or any sort of – truth about Alexander. The present book will indeed pay due attention to the image, or rather images, of Alexander, and to the abundant mythistorical tradition that sprang up around him in his own lifetime and has continued vigorously to our own day. But it will also argue that a careful reading of the most reliable ancient sources, both written texts and broadly archaeological data, can reveal something substantial about what made Alexander tick, and how and why he was able to achieve what he did.

I shall begin by tracing in outline Alexander’s career from his birth at Pella in Macedonia in summer 356 to the beginning of his campaign of conquest against the Persian Empire in 334. This will be only an outline account, but it will provide a geographical and chronological backdrop and framework for the subsequent thematic chapters; and, as I go through, I shall indicate those points at which the key themes singled out for detailed discussion are engaged. The purely geographical frame of Alexander’s achievements will constantly be referred to. Polybius (a major Greek historian of the second century bce) believed that a proper history couldn’t be written except by someone who’d inspected all the scenes of historical action in person. Unfortunately, this has not been possible for me, not by a long chalk, but wha... --Ce texte fait référence à l'édition Broché .

Revue de presse

“May be the most accessible introduction in print.... An amazingly solid, balanced, and evocative view of the man.”
The Washington Post Book World

“Readable and engrossing.... Immediate, discursive, insightful, and highly engaging.” –Pittsburgh Tribune-Review

“Incisive and judicious.... What Cartledge does so well is explain the ancient world of Greeks and Persians.”
The Sunday Seattle Times/Post-Intelligencer --Ce texte fait référence à l'édition Broché .

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Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
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Amazon.com: 3.7 étoiles sur 5  35 commentaires
85 internautes sur 94 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Don't read this book first 29 octobre 2004
Par Bob Estes - Publié sur Amazon.com
Format:Relié
This is a well written and seemingly well researched book.

I am no scholar of Alexander though. This is where my frustration begins. This biography is not written in a linier or chronological style. It is more of a thematic presentation.

If, like me, you are not already familiar with the characters and events of Alexander's life, you will be frustrated as the book jumps from event to event as the author explores the persona of Alexander.

I will put this book back on the shelf for a while and revert back to a more conventional chronological biography.
40 internautes sur 43 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 What do we know of Alexander? 20 septembre 2005
Par Smallchief - Publié sur Amazon.com
Format:Relié
Despite some reservations, I'll give this book a top rating based on the quality of the scholarship. The author defines his aims in the preface: to "do full justice" to Alexander's achievements -- but "respecting the limits of the evidence and of the historian's craft." Many of the popular biographers of Alexander have made of him what they wished him to be. Cartledge reminds the reader over and over of the paucity of solid information about Alexander's nature and character.

This is not the book to read first if you don't know much about Alexander the Great. The author presumes you are familiar with the outlines of his life and jumps into thematic descriptions. Chapter titles include: Alexander and the Greeks, The Divinity of Alexander, and The Generalship of Alexander. He is conservative with his sources and what emerges is a bare-bones outline of Alexander's life. Speculation is clearly labeled. We have few flights of fancy about Alexander's love life or his supposed aims to create an empire of universal peace and brotherhood.

In taking a narrow view of Alexander, what emerges is not overly favorable. That's fine. Alexander is also one of the enigmatic persons of history and he will be seen as a monster by some and as an enlightened idealist by others -- although all those massacres are hard to explain away. Cartledge is probably more reliable than most in writing of Alexander and he attempts to enliven the story with an occasional attempt at humor or frivolity. The maps of Alexander's five great battles are outstanding.

Smallchief
24 internautes sur 27 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Read This First 26 octobre 2006
Par Michael A. Mercurio II - Publié sur Amazon.com
Format:Broché
Being a history addict and a Soldier has led me to read everything printed in english on Alexander the Great (nuministic and logistical books included). Some biographers depict him as a shining idealized soldier-king, while others as a drunken despot on a self delusional path to deification. Cartledge balances the historical record with fresh interpretations of events and a common sense test of putting the reader in Alexander's shoes at the moment of each event. This leads to a connection with the man and an understanding of his actions that lacks in most biographies of Alexander. The answer, it seems, is that Alexander was a man like any other before and since; brilliant and flawed, just like the rest of us. If you are going to read your first book on Alexander, or only one book ever, this is the one to pick up.
15 internautes sur 16 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 A Challenge to Read 18 juillet 2005
Par Alan Maxwell - Publié sur Amazon.com
Format:Relié
If you enjoy relaxing with an informative and entertaining biolography, this is not the book for you. The thematic presentation and frequent reference to other works, both recent and ancient make this a study of Alexander with the emphasis on "study". Almost every page required referrals to the Timeline, the Maps, the "Dramatis Personae", and the Glossary. I found myself having to work through parts of the book as I would a text book. In other words, its too much like schoolwork! I do have to concede that Cartledge is extremely knowledgable on the subject and, as the book jacket suggest, may well be "our leading expert on the subject of Sparta and ancient Greece."

If you are really into the history of this era and already have a fair knowledge of Alexander and the politics of his time, you will enjoy. As for myself, I prefer the "lay person", chronological styles of history writers such as David McCollough and Stephen Ambrose.
22 internautes sur 25 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 The pro and con of this book: it's light reading. 27 août 2005
Par Tomas Cvrcek - Publié sur Amazon.com
Format:Relié
This biography of the Big Alex was clearly not intended as a dry scholarly work. It is a relatively light reading, as regards the style - almost informal (cf. "When Julius [Caesar] was on an early tour of imperial duty in Spain, Plutarch relates, he is said to have gazed at a statue of Alexander [...]. And he wept because, whereas Alexander had died at thirty-two, king of so many peoples, he himself at that same age had not yet achieved any brilliant success. I am no Julius Caesar. But I am fify-six at the time of writing this - so you can, I hope, imagine how I feel." p. 39). That makes the reading highly entertaining but it also shows that this book, while well researched, does not obsess about the protocol of scientific writing (footnotes etc.). It is targetting intelligent non-specialists or perhaps college students who want to be introduced to the story of Alexander. That is why the book contains a glossary and an overview of all important figures (experts in the field presumably know these things by heart so the book would not include that if it was designed for them).

The book is organized thematically, not exactly chronologically. The chapters are titled: Alexander and the Macedonians, Alexander and the Greeks etc. The disadvantage of this is that you do not get a clear chronological story line (but that's for dimwits anyway). The advantage is, however, that many facts and dates and events are mentioned in several chapters - and this repetition (though every time with a slightly different point in mind - depending on the topic of each chapter) is a very good way of remembering them. The book contains quite a bit of military history but does not provide minutely detailed descriptions of the battles. Adequate space is devoted to general background so there is a lot of useful info about Greek antiquity in general and I thought that was very convenient.

Overall, I thought the book was very informative and helpful. Interestingly, I had seen the movie with Colin Farrel first and I did not think much of it. Now, having read the book, I'm thinking there may have been points in the movie that I may have missed. Because what the book did achieve was to convince me that Alexander may have been somewhat more complicated a figure than just a smack-everything-that's-in-you-way type of guy. I might go see it once more.

I give four stars and not five because I feel that even the lightness of style and the push for popularisation should have their limits. Let me illustrate what I mean by a quote that admittedly made me LOL but which I thought was somewhat misplaced in the book: "That Alexander was a military leader of genius is clear, but what of his character as a general? We are not privileged to know whether he, like the British Commander Orde Wingate of Abyssinia (as it then was before the Second World War), ever gave his officers their battle orders lying in his tent stark naked and smoothing his pubic hair with someone else's toothbrush." (pp.184-185) See what I mean?
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