And Another Thing... (Anglais) Broché – 12 octobre 2009
|Neuf à partir de||Occasion à partir de|
Les clients ayant acheté cet article ont également acheté
Descriptions du produit
Revue de presse
I haven't read anything in a long time that made me laugh as much (The Times ) --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Présentation de l'éditeur
The Hitchhiker's Guide to the Galaxy by Douglas Adams has long been considered required reading for satire and science fiction fans. During the writing of the sixth book in the series, Adams suffered a heart attack and died at the age of 49. Eoin Colfer, author of the bestselling Artemis Fowl children's series, will continue the legacy in what will surely be the international publishing event of the year.
Eoin Colfer fell in love with the Hitchhiker series as a teenager. He describes the Guide in this way: 'Imagine if Mrs. Hawking and Fry were locked in a room with the entire cast of Monty Python, and were forced to write a book edited by Pink Floyd...'So when Colfer was approached to write the sixth novel in the series, he was honored and thrilled. Adams' widow had read Colfer's Artemis Fowl series with her daughter and loved it, so she felt Colfer was the perfect person to do the sixth Hitchhiker book.
The first five novels by Adams follow earthling Arthur Dent and his outer space sidekick, Ford Prefect. When invaders destroy earth to make way for a huge intergalactic freeway that's coming through, Ford escapes with Arthur on his spaceship. In each of the novels, Arthur and Ford explore the galaxy, fight grisly space creatures, and deal with irritating robots who've been given human characteristics. In the last and fifth volume by Adams, Arthur meets his daughter Random, whom he previously didn't know existed. Eoin Colfer will continue the story in the sixth book.
Eoin Colfer says, 'I am bloody determined that this will be the best thing I have ever written.'
Aucun appareil Kindle n'est requis. Téléchargez l'une des applis Kindle gratuites et commencez à lire les livres Kindle sur votre smartphone, tablette ou ordinateur.
Pour obtenir l'appli gratuite, saisissez votre adresse e-mail ou numéro de téléphone mobile.
Détails sur le produit
En savoir plus sur l'auteur
Dans ce livre(En savoir plus)
Parcourir et rechercher une autre édition de ce livre.
Quels sont les autres articles que les clients achètent après avoir regardé cet article?
Commentaires en ligne
Meilleurs commentaires des clients
Commentaires client les plus utiles sur Amazon.com (beta)
Let's state the obvious, shall we? Eoin Colfer isn't Douglas Adams. If he'd tried to clone Douglas's work, this book wouldn't have floated. Eoin (I think I can call him that, having shaken his hand) hasn't tried to be Douglas Adams, but he has tried to satisfy Douglas's supporters by writing in a very similar style. It reads well without sounding like a cheesy attempt to mimick the original.
I don't want to be hyper-critical (oh, gwaaan, gwaaan), but these are notes on Douglas's style and what's remained the same or changed:
1. Douglas might have been writing about aliens, but he was really talking about us. The Vogons are human bureaucrats, planning officers, for example. Douglas criticised, but never attacked his targets too hard, never losing hearts and minds. Eoin has understood this and does it very well. From an Irish writer, just following the EU's capture of Ireland, this line is Douglas at his cutting best: 'If we win, then you will join our happy group; if you win, then we keep coming back until we win.'
2. Douglas was a script writer and he specialised in dialogue. In the first two books, the proportion of quotes is very high, compared to description. In a novel, the use of witty script makes it read like a fast television show. Eoin does use speech, clearly, but the proportion has moved, i.e. more toward description.
3. The first HHG book used footnotes from 'The Book' at regular intervals and readers loved them. As with Shakespeare, the prologue became a character in its own right. The second book used fewer notes from The Guide and then the rest of the series dropped them. If you ask the fans which books they prefer, you will generally find that they like the books in direct proportion to the number of Guide footnotes they include. Eoin has probably spotted this (or at least enjoys the footnotes) as he's dropped in lots of them. The difference is...
Douglas would write a footnote which was imaginative, surreal and then made a huge arching observation about the nature of the Universe, our perception of life itself or a cutting critique of human nature. He'd ask us to look at the thing from a new perspective, to open our eyes and shine a light in our minds, then he'd follow that with a silly twist at the end (the comedy pay-off). Eoin's footnotes are surreal, imaginative, they even use planet names, species and locations from the original books, but... the guru-like thinking, the great idea, the divine revelation isn't there. the footnote is funny, it's true, but Douglas had more insight into the human condition.
4. Imagination and escapism: Douglas wrote 'alternative world fiction', also called 'alternative reality' or 'what if?' fiction. He based his universe in science, never magic, and tried to find an engineering solution for each piece of alien strangeness. The only exception to the rule, as far as I can remember, was when his characters started flying (mind over physical laws). Eoin Colfer came to HHG as a magic writer (leprechauns etc). He has successfully made the transition to Douglas's way of thinking.
5. Douglas was a cynic and sometimes even depressive. His worst book was Mostly Harmless, in which he blows up the Earth, observes Marvin's death, kills all his characters, turns his back, shakes the blood off his hands and walks away feeling relieved. HHG followers generally didn't like Douglas's final HHG book. Eoin's advantage was that he's an upbeat writer and, as an ex-fan, his book couldn't possibly be as sickening to the loyal readers as Mostly Harmless. We didn't expect him to write something as good as the Hitch-Hiker's Guide, that's too much to ask, but there was hope he couldn't cock it all up (as they did in the film version by dropping all of the best lines). I'm delighted to report that Eoin has produced a book that is much closer to Douglas's best titles than Douglas's worst ones.
I expected 'And Another Thing' to be soul-less, mid range and uninspired, just another commercial fan-fiction vehicle for the characters. I expected it to stray from Douglas's rules of writing. I anticipated that Eoin might not know Adams' universe in any great detail or 'hear the music' in his lilting prose.
Those expectations have been confounded. The book rocks.
Adams did not want to write the last two books in the The Ultimate Hitchhiker's Guide to the Galaxy series but had to because of contractual obligations. But his true feelings of boredom with the series show in the last two novels. They are dark and forced. Characters die somewhat suddenly and with little explanation. Before Adams could get back into his characters and end the series in a way fans would enjoy, he died, suddenly, on a treadmill in California at the age of 49.
And Another Thing is well written and entertaining and leaves readers left high and dry by Adams sudden death somewhat satiated. Eoin Colfer is touring with this book. He recently visited the Denver Tattered Cover and his explanations and manner quelled even the staunchest of critics. If you remain a doubter, I recommend listening to him speak and then reading And Another Thing with an open mind and heart.
A surprising choice to add to the famous Douglas Adams five part trilogy, the author being a children's/YA writer.
But in order to review this we need to go back in time to when Douglas Adams was to SF what Terry Pratchett was to become to Fantasy. Clever and inventive and a very nice guy. Somewhere at home I have the first three HitchHiker books all signed and I remember how down to earth and friendly Douglas Adams was, despite half the queue being in dressing gowns and holding towels. But those fans will all be about 50 today, so Eoin Colfer had to write to appeal to the nostalgia of that generation but also those younger fans who have discovered the HitchHikers Guide over the years. There is also the point that how will the humour of the late 70's translate 30 years later when having a hand held information provider is no longer science fiction?
Well, in my view, it was okay. It raised a smile now and then as Colfer does manage to replicate some of Adams' style. It was a nice reminder of how fresh and exciting the first few HHGTTG books were but I was not overly grabbed by the story and I did wonder what the point of this actually was. This doesn't really add anything to the five book trilogy (and accepting that the last original book was by far the weakest). I was surprised to find that Colfer was a reasonably safe pair of hands in this endeavour, even if one might question the endeavour itself. I was slightly worried that it might be me, what was so fresh 30 years ago has not dated specifically, but is was 'of a time' and this new addition seems strangely out of place.
So there are some nice touches, but I am not sure it was worth the effort or fuss.
And Another Thing... is the written embodiment of that quote: it's too little, too late. It neither accomplishes anything useful nor does it add anything other than an unsatisfying addendum to a long finished conversation. Ultimately, it's as disappointingly pointless and just plain self-indulgent as rehashing a dead and lost argument. It makes one rather wish he'd left it as it was.
While I do think Colfer caught the general flavor of Adams, that's unfortunately about as far as he was able to go. Worse yet, Colfer seems to have missed who these established characters are. None of the familiar leads seem to be anything but an unforgivably generalized impression of who their earlier incarnations were.
And while I was amused at times, I found myself more irritated than anything by how labored the humor was. Colfer will often mention something in dialogue/description, only to stop and explain with the excessively copious GUIDE NOTES why the reader should be amused by the vaguely wacky (Hey! Spacey name + absurd = comedy!) thing he's written. At one point he even calls attention to how disruptive this is by writing that a particular GUIDE NOTE needs to be short so as not to disrupt the flow. Too late.
Had Colfer written a book utilizing his own characters but set in the Hitchhiker's universe, perhaps it would have been a much more enjoyable experience. But this isn't the book he's written, and as a sequel to a well-loved series, it falls miles short of the mark. Next time, I'll know better and ignore the grumbling.
Reasonably good, it turns out. Eoin Colfer has produced a book that very nearly satisfies the longtime Hitchhiker's fan. I really didn't think that was possible, but somehow he managed it. The characters are recognizably themselves, and it's great to see them again. The story itself works, carrying the reader along with several related plot threads that tie together rather well. There are many semi-amusing references to familiar people and planets and creatures - too many, really, enough to skirt the edges of pastiche territory. But no matter. It may not be quite an Adams Universe (of which there are several), but it's close enough.
Best of all, And Another Thing... goes a long way toward redeeming the travesty that was Mostly Harmless, credibly rescuing our cast from Certain Death. Eoin Colfer's solution to their predicament affects Arthur, Trillian and Random in interesting and life-changing ways, far beyond the fact of their mere survival. Arthur gets a few moments of near-happiness, something the character surely deserves. Colfer also finds new things to do with Zaphod, particularly his business relationships and extra head. Minor characters Wowbagger and Thor make a triumphant, non-gratuitous return.
This will never be my favorite Hitchhiker's book. How could it be? But it's not my least favorite, either, and that's saying quite a bit. I am prepared to accept this as the real, canonical continuation of these character's stories, and by extension, finally make my peace with the ending of Mostly Harmless. All things considered, that makes And Another Thing... a real triumph.