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Animation from Pencils to Pixels: Classical Techniques for the Digital Animator [Anglais] [Broché]

Tony White

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Revue de presse

"Tony White's newer books: Animation from Pencils to Pixels: Classical Techniques for the Digital Animator, and How to Make Animated Films: Tony White's Complete Masterclass on the Traditional Principals of Animation are just as excellent. The Complete Masterclass title contains much of what is in The Animator's Workbook along with much more. Animation from Pencils to Pixels is a much broader book. It covers project financing, animation pre and post-production, basic filmmaking principles, soundtrack recording, etc. while also including the principles of animation production itself."

"From traditional to computer animation, from film to gaming, a great text for all who teach."--Robert Adams, Walt Disney Productions/Warner Bros

"All encompassing"--Brian Martin, FOX NET Animator

". this book is . a well-written, smart tomes that makes you wish the author was one of your teachers in school. Because the book resonates with wisdom that comes with spending years in the trenches of Toon Town, it should be a must-read for anyone who wants to brave the waters of digital animation. Overall, it's a handsome companion to White's earlier primer, The animator's Workbook.”--Animation, Nov. 2006

"In the last 20 years, digital revolution has brought sweeping changes to animation. Animation has been in a state of evolution from its very inception, and it continues to evolve, but there is nothing to fear. We live in a world of possibilities. The young and mature animators will find his/her answers in this book. Award winning animator Tony White brings you the classic knowledge of many legendary techniques which are paired with information relevant today's capable, state-of-the-art technologies. This account contains all that knowledge contemporary digital animators need to know. This book intended to serve you as one-stop how-to guide; it enclosed CD-Rom which presents classic moments from animation's history through White's personal homage to traditional draw animation."

Présentation de l'éditeur

Just add talent!

Award-winning animator Tony White brings you the ultimate book for digital animation. Here you will find the classic knowledge of many legendary techniques revealed, paired with information relevant to today's capable, state-of-the-art technologies.

White leaves nothing out. What contemporary digital animators most need to know can be found between this book's covers - from conceptions to creation and through the many stages of the production pipeline to distribution. This book is intended to serve as your one-stop how-to animation guide. Whether you're new to animation or a very experienced digital animator, here you'll find fundamentals, key classical techniques, and professional advice that will strengthen your work and well-roundedness as an animator.

Speaking from experience, White presents time-honored secrets of professional animaton with a warm, masterly, and knowledgeable approach that has evolved from over 30 years as an award-winning animator/director.

The book's enclosed CD-Rom presents classic moments from animation's history through White's personal homage to traditional drawn animation, "Endangered Species." Using movie clips and still images from the film, White shares the 'making of' journal of the film, detailing each step, with scene-by-scene descriptions, technique by technique. Look for the repetitive stress disorder guide on the CD-Rom, called, "Mega-hurts." Watch the many movie clips for insights into the versatility that a traditional, pencil-drawn approach to animaton can offer.

* Valuable CD-ROM contains a complete animated film made by the author and teaches how to apply the techniques in this book!
* Chock full of tips and secrets from this award-winning animation veteran
* The glossary of animation-related terms is worth its weight in gold

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Commentaires client les plus utiles sur (beta) 4.4 étoiles sur 5  19 commentaires
17 internautes sur 19 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 An excellent overview by an excellent author. 16 août 2006
Par Nancy Beiman - Publié sur
Format:Broché|Achat vérifié
The long-awaited sequel to Tony White's ANIMATOR'S WORKBOOK is worth the wait.

ANIMATION FROM PENCILS TO PIXELS is unique among animation books since artwork from White's short film ENDANGERED SPECIES is used to illustrate most of the sections of the book, though some student work is also included. Some material from THE ANIMATOR'S WORKBOOK is repeated, mainly in the sections that deal with action analysis. White has included valuable chapters on Flash and vector-based 2D animation. While drawing is clearly his first love there are also chapters on CGI '3D' animation written from the perspective of a professional animator.

The massive book (over 500 pages long) is readable and easy to navigate. Images are large and well-placed (this has been a notable failing in many animation how-to books.)

It's quite ambitious to incorporate preproduction, production, and post in two media into one volume. If you want a good, well written overview of animation production in the 21st century, this is the book to get.

I would like to see ENDANGERED SPECIES on a full DVD copy; the PDF format in the original edition is a bit hard to play on this computer.
5 internautes sur 5 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Great for Students! 15 février 2007
Par John Eyley - Publié sur
Students of animation! This book is essential for your home or studio shelf. Animation From Pencils to Pixels is a comprehensive overview of animation production for the digital animator. As a text book it covers the lot - the mechanics of animation, funding your projects, the traditional aspects (yes, they're still important), new tools and methods, the business and copyright of your work, getting the concept and where to go with it. It is a classy tome well laid out and encourages you to read on easily. Other books on animation go into more depth concerning the specifics in animation but for an overall appreciation of the art and industry you can't go past this one. It is a good companion book to The Animator's Survival Kit (can I mention that?) which has more depth on the nitty-gritties of animated movement. My only criticism is the "I, I, I...." stance of the author. But with the profile and experience that Tony has there is a lot here to learn from, while in the early years of discovering the art of animating.
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A dream and a number 2 pencil will take you anywhere 25 mars 2008
Par Keith Johnson - Publié sur
Format:Broché|Achat vérifié
I have studied animation for the last several years. I am a Flash designer specializing in E-learning in the Seattle market. I am not just a casual reader of this topic.

Why I like this book. When you go to school for animation you have a lot of stuff thrown at you and no matter how good your notes are you can not remember it all. You need to refresh your skills. This book was not only good at that but also much more. It is a fun read, an interesting read.

This book covers the complete process from picking up the pencil to marketing/distribution. Tony knows his stuff, he should he has been a professional animator for many years and you have probably seen his works. If you have seen the Pink Panther Strikes Again ("does your dog bite?") you have, he did all the animation for the film.

Traditional animation is an art form and it seems like it is finally getting some of the respect it deserves. 3D is the rage these days, Pixel does an excellent job and nobody does it better, unfortunately there are more bad 3D feature films than good. Even Disney is hiring back some traditional animators and creating some old school, that's cool.

If you want to learn animation pick up this book and The Illusion of Life and you will learn so very much. But the learning process also requires doing. Like the saying goes, "A dream and a number 2 pencil will take you anywhere".

Keith Johnson
Manager of the Seattle Flash User Group
Flash Animator/ E-Learning Specialist
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The best book on making an animated film. period 23 novembre 2007
Par Chesterton D. Miller - Publié sur
The ultimate book for digital 2d animators, I cant imagine having a better animation related book.

Even though this book is mainly aimed at animators, it covers the entire production process for an animated film. The book covers writing, storyboarding, animatics, soundtrack recording, animation, and even 3d modeling. I was very impressed by the detail in the book, for instance one chapter (the rules of filmmaking) has 141 pages devoted to camera angles, and traditional film editing exclusively. The book is especially of interest to independent animators who want to make an animated film from start to finish with the use of the computer. However pretty much anyone with an interest in animation would like this book.

Animation from Pencils to Pixels is by far my favorite animation book.
4.0 étoiles sur 5 Extremely helpful book by Mr White 9 mai 2008
Par D. Guenzel - Publié sur
Format:Broché|Achat vérifié
I'm glad Mr Tony White wrote this book because in it he doesn't shy away from the fact that traditional 2D animation is an art superior to computer animation. He doesn't hit anyone over the head with that view. He doesn't have to; it makes itself known on nearly every page.

As one who is utterly bored by the digital revolution I am glad there are still skilled men like Tony White out there showing us the fundamentals of an art that may (or may not) be on the verge of extinction. His first book, THE ANIMATOR'S WORKBOOK is a masterpiece, a work in a class by itself, and is one book that I wished I had had when I was still young. Had I had that book in my hands in my formative years I have little doubt that I would have made a career in animation. That fine book cannot be recommended too highly and every aspiring tradional animator should have it.

This new book is excellent, too, in that it tries to keep the art of 2D alive while acknowledging the fundamentals of the current hot toy, 3D computer-based animation. For those in the 3D world who want to break away from the infantile and over-the-top productions currently in vogue and wish to bring back (if that is possible) some genuine art into this new animation realm this book will be a godsend. For many reasons this book is to be highly recommended. It shows again what a fine skill the author has, and it has inspired even me at this late stage in my life to begin to learn tradional animation. Buy it.

If I have one gentle criticism to make regarding this excellent book, it would be that the authors and book editors need to know that the reading public is growing increasingly tired of reading "he or she" when simply "he" will do nicely. Have we not all now grown up enough to realize that women are not offended when the pronoun "he" is used only, and that it is totally unnecessary to include a "she" after every "he"? Gosh, I hope so.

Lastly, the cd that was enclosed with the book included a delightful little production called "Endangered Species", Mr White's lament to an art being lost. On my copy the narration was recorded so low that I could not hear what was being spoken. Hopefully future editions will correct this problem.
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