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Apogee (US Release)
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Apogee (US Release)

28 avril 2009 | Format : MP3

EUR 6,99 (TVA incluse le cas échéant)

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Détails sur le produit

  • Date de sortie d'origine : 3 février 2004
  • Date de sortie: 28 avril 2009
  • Label: Rhino/Warner Bros.
  • Métadonnées requises par les maisons de disque: les métadonnées des fichiers musicaux contiennent un identifiant unique d’achat. En savoir plus.
  • Durée totale: 1:03:32
  • Genres:
  • ASIN: B0023UB83S
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 239.782 en Albums (Voir les 100 premiers en Albums)

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Par bourgeois le 9 février 2012
Format: CD
le produit est conforme à ma commande (neuf), le délai est très rapide (48 heures) et l'emballage est soigné et le cd très bien protégé. on ne peut trouver mieux comme vendeur.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x924083f0) étoiles sur 5 12 commentaires
11 internautes sur 11 ont trouvé ce commentaire utile 
HASH(0x8fbb1f6c) étoiles sur 5 Great 1970's Jazz!!! 24 mars 2005
Par Chris Covais - Publié sur Amazon.com
Format: CD
Some say jazz had died in the 1970's. Others say that there were some great moments, like the return of Dexter Gordon to the united States, and albums like this one, Apogee by the Wayne Marsh Pete Christlieb Quintet, featuring the two on tenor saxophone, Lou Levy on piano, Jim Hughart on bass, and Nick Ceroli on drums.

This album is the meat and potatoes of jazz. It is great from start to finish. The opening tune, Magna-tism seems to open up the mood of the album. The two raging tenor men blow it out of their horns, effortlessly, and with passion.

The two men, obviously did not get the recognition they deserve, but it hardly seems to matter. When the two are battling it out on say, Tenors Of The Time, the only thing that matters is what's in the moment, and what is, is two great tenor giants expressing themselves through the universal language of jazz.

The beauty on Donna Lee is exceptional. All six tunes on here turned out to be a nice listen, and this album, especially due to the reissue of it onto cd, which is a first, is making this album a classic.

One of the most classic album covers is this one. Not a lot going on, just a simple picture that manages to capture the mood of the album, which is how the music should be described too.

If you enjoy a nice swinging date, from one of my favorite periods in jazz recording, the 1970's, you'll love this disk. Not a bad note, not a bad tune, not a bad player, a fabulous recording!
10 internautes sur 11 ont trouvé ce commentaire utile 
HASH(0x8fbb1fc0) étoiles sur 5 A Classic Tenor Sax Showcase !!! 2 mars 2004
Par Un client - Publié sur Amazon.com
Format: CD
This is a GREAT album for tenor sax fans! Can we give this one 15 stars? 'Apogee' features the contrasting masterful styles of Pete Christlieb and Warne Marsh. Both men are true giants of the tenor sax. The way Pete and Warne play off each other and compliment each other is very interesting. This album deservedly received five stars in DownBeat Magazine when it was first released in the late 70's. Many of us have worn our vinyl copies of 'Apogee' down to dust over the years, so it is great to see it now offered on CD - with bonus tracks. Pete Christlieb is a hard charging bebopper with a robust sound, eating up the changes, and digging into the tempos with his incredible time playing. Warne Marsh on the other hand, often plays over the time, across beats and barlines, with a mysterious sound that was all his own. Don't miss out on this one!
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x8fbb41b0) étoiles sur 5 Outstanding session 21 mai 2004
Par Un client - Publié sur Amazon.com
Format: CD
This recording, which I've owned since it first appeared on LP, remains one of the most engaging and enthusiastic sessions from Christlieb's recording career, and it's a highlight in Marsh's discography as well. Despite their differing sound (tone, phrasing--you name it!) these two tenor players weave their lines and play off of each other with great force and terrific inventiveness. Of the Christlieb/Marsh encounters, this is by far the best. How wonderful, finally, to have this on CD. Don't listen to the gasbags who find this "dated"; listen to the recording. It's a joy.
5 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x8fbb46e4) étoiles sur 5 An all-time favorite album --- now 50% longer! 17 novembre 2009
Par Perry Beider - Publié sur Amazon.com
Format: CD
I know this review is unnecessary: 99% of people looking at this page will be able to decide whether or not to buy the CD based on the sound clips and other reviews. But I want to add my two cents, if only to say "Thank you!" to everyone involved in this project. The LP is one of my top 10 favorite albums--a little jewel of musical beauty and fun. (For instance, I cannot listen to that crazy fun-house-mirror arrangement of "Donna Lee" without smiling--it's just not possible.) And that was before the bonus tracks added another 21 minutes!

But if, somehow, you're reading this and you need one more argument to convince you to buy the CD, here's what Lou Levy, the pianist on the date, said about it years later to an interviewer:
"I remember sitting there, playing behind them, and thinking, 'Man, this is a once-in-a-lifetime experience; I may never again hear two virtuosos play with this much speed, authority, and soul.' When the date was over, I knew I had participated in a miracle."
Levy was 50 at the time of the recording. He had played professionally for decades. And he called the session a miracle. Enough said.

But I can't resist a postscript to "that opinionated guy 'steve'", who asked why another person's more critical review here got so many negative votes. I can't speak for anybody else, Steve, but when a reviewer downgrades an album _because he or she doesn't care for that style of music (!)_, I don't find that very helpful. I mean, I could go give 1-star reviews to every rap CD or romance novel, but what use would that be to people who are trying to figure out which ones are good, on their own terms? (Oh yeah: the critical reviewer also disliked the sound quality. I can't help noticing that he or she thought the drums were underrecorded, while you said they were sometimes too loud [at least on the downloaded version]. Go figure!)
5 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x8fbb4804) étoiles sur 5 An All-Time Favorite 18 juin 2004
Par Spartacuss - Publié sur Amazon.com
Format: CD
I purchased this album when it originally came out on vinyl and haven't yet heard the remastered recording (I don't think it's ever appeared on CD before), but over the years the original LP proved to be one of the most consistently enjoyable jazz recordings I have ever owned. The melodic invention and tag-team blowing (not to mention the Supersax-like moments where they play the same line together at about 200 MPH) never fails to amaze me. Listening to the sample clips made me realize I could probably still sing the whole thing from memory even after all these years. By the way, this album was produced by Donald Fagan and Walter Becker of Steely Dan, who also wrote one track for the album.
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