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Assumpta Est Maria

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Détails sur le produit

  • Interprète: Carys Lane (Voix) - Robert Macdonald (Basse) - Cecilia Osmond (Ténor) - Robert Evans (Ténor) - William Balkwill (Ténor) - Patrick Craig (Voix) - Julian Stocker (Ténor) - Julian Stocker (Contreténor) - Jeremy Budd (Contreténor) - David Gould (Voix) - Rebec
  • CD (17 septembre 2009)
  • Nombre de disques: 1
  • Label: Hyperion
  • ASIN : B002HESQL2
  • Autres éditions : Téléchargement MP3
  • Classement des meilleures ventes d'Amazon: 311.942 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Salve sancta parens
  2. Benedicta et venerabilis
  3. Felix es, sacra virgo
  4. Beata es, virgo maria
  5. Beata viscera
  6. Quem terra, pontus, aethera
  7. Salve regina
  8. O gloriosa domina
  9. Vultum tuum
  10. Diffusa est gratia
  11. Ave maria
  12. Ecce virgo concipiet
  13. Memento, salutis auctor
  14. Salve sola dei genetrix
  15. Ave maris stella
  16. Gaudeamus omnes in domino
  17. Propter veritatem et mansuetudinem
  18. Assumpta est maria
  19. Optimam partem elegit

Descriptions du produit

Description du produit

In this latest volume from The Cardinall's Musick acclaimed Byrd series, the composer's overtly Catholic agenda is clearly displayed. In an age when censorship was rife and spies were everywhere, it is not surprising that possession of the first volume of Gradualia should have been cited as one of the reasons for the arrest of a Jesuit priest called de Noiriche (although obviously the spies had other more compelling evidence to hand). Only one set of the 1605 partbooks remains intact, although they have had their introductory material removed and perhaps these volumes were considered too dangerous to own. This fear, whether real or perceived, was not enough to dissuade Byrd and his publisher from producing a second book of Gradualia in 1607, or from re-printing both volumes in 1610. All of the music on this disc is drawn from the first volume of Gradualia published in 1605. The music is a world away from the dark broodings of the Cantiones Sacrae from 1589 and 1591 where Byrd is preoccupied with the melancholy which dominates his middle years. In the later publications Byrd achieves a fusion of styles, mixing the energy, wordpainting and rhythmic vitality of the secular madrigal tradition with the spirituality and liturgical context of words from the Mass and Divine Office. The witty use of short bursts of melody often thrown from one voice to another, together with the energized rhythmic cells, suggests a man who is not obsessed with a hopeless cause. It may be that in the Essex countryside, surrounded by sympathetic folk, Byrd had found a real home away from the political maelstrom which raged in London. These pieces show a glimpse of the man which is rather different to our more usual perception of the composer racked with misery at the deprivation of Catholics in England. Here we see a man in the later stages of life, affected by the aftermath of the Reformation (as his earlier publications clearly show), yet who is now sufficiently relaxed and secure to be able to indulge his considerable wit and imagination, and who is confident enough to use the most up-to-date musical styles. Here there is no wringing of hands, nor downcast eyes but rather the musical embodiment of an unshakeable faith.


'This performance is unparalleled in its depth of expression and intelligence. The Cardinall's Musick unerringly leads the listener to musical eventsthat unlock Byrd's conception … crystalline sound reproduction ensures that every detail is captured. The imaginativeness of the selections for this disc attests to the scholarly expertise informing its production. In short, this performance brings us into the 'heavenly kingdom' longed for by Byrd' --BBC Music Magazine

The completion of this series will be a landmark, but dont wait to hear this beautiful disc' --Fanfare, USA

The works for St Peter and St Paul... positively shimmer with exuberance... the beauties of these performances are revealed: litheness, energy and intelligence' --International Record Review

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3 internautes sur 3 ont trouvé ce commentaire utile 
Another superb recording in Cardinall's amazing set 24 novembre 2012
Par K. Nielsen - Publié sur Amazon.com
Format: CD Achat vérifié
The Cardinall's Musick recorded all of William Byrd's Latin-texted music in a stunning series of 13 CDs, many of them winning major awards. Andrew Carwood's vision of how to sing Byrd's peerless music is unlike the purely serene and spare interpretations that you can find elsewhere (as fine as they are). Here is Byrd sung with energetic, full sound by some of the best singers among the formidable early music experts in Britain. The result is utterly convincing. Of course, the voices are wonderful, and the intonation is flawless. More than that, the performances on this CD present William Byrd's motets is so unforgettable way that you will want to listen to this many times.

The Cardinall's Musick will be making its first US tour in 2013 (I hope). Go and hear them. And buy the CDs, just because they are the best. The latest in their traversal of Byrd's music was just released: The Great Service and some anthems, all in English.
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