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Autobiography of Red: A Novel in Verse (Anglais) Broché – 27 juillet 1999


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Produits fréquemment achetés ensemble

Autobiography of Red: A Novel in Verse + Plainwater: Essays and Poetry + The Beauty of the Husband: A Fictional Essay in 29 Tangos
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Descriptions du produit

Revue de presse

"The most exciting poet writing in English today.... A rare    talent -- brilliant and full of wit,passionate and also deeply moving."         - Michael Ondaatje

"A novel in the shape of a poem, a classical story made contemporary--wry, poignant, beautiful and occasionally erotic. Carson writes like an angel--Her passions recall that incandescent chronicler of love Elisabeth Smart [and] Malcolm Lowry--This romantic fable is--a rare (red) bird among Canadian novels--A wonderful book of dense, glittering prose poetry that is both timely and timeless."  - Katherine Govier, Time

"Amazing -- I haven't discovered any writing in years so marvelously disturbing."  - Alice Munro

"Wildly imaginative and inventive--The first dozen pages will convince anyone--that Carson is an authentic and original talent."                   - Douglas Fetherling, The Ottawa Citizen --Ce texte fait référence à l'édition Broché .

Présentation de l'éditeur

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR
National book Critics Circle Award Finalist  

"Anne Carson is, for me, the most exciting poet writing in English today."--Michael Ondaatje

"This book is amazing--I haven't discovered any writing in years so marvelously disturbing." --Alice Munro

            
The award-winning poet Anne Carson reinvents a genre in Autobiography of Red, a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present.

Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is.

"A profound love story . . . sensuous and funny, poignant, musical and tender."--The New York Times Book Review

"A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday."  --The Village Voice


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43 internautes sur 47 ont trouvé ce commentaire utile 
Magical, lovely and effective. 21 décembre 2002
Par John Hovig - Publié sur Amazon.com
Format: Broché Achat vérifié
"Autobiography of Red" is the story of Geryon, a young boy with red skin and large wings, who grows into a young man. He is in love with Herakles, a young man who seems to return Geryon's affection, but is actually quite cruel in his fickleness. The two encounter each other on and off over the years, Geryon seeking love, Herakles seeking adventure. Their paths eventually cross in Buenos Aires, of all places, where Herakles is with another young man, Ancash, recording the sounds of various volcanos. The three venture through South America together, the tension between the three of them almost palpable, at least to the more sensitive two of the group, Ancash and Geryon. It is here that the three must decide on the nature of their friendship, and Geryon on the nature of his life.
This book is written in poetic free verse, and Ann Carson's style is nothing less than magical. It might seem difficult for readers accustomed to straightforward prose, but if one lets the words wash over them, their meaning will all be clear soon enough, and their beauty alone will convince the reader of their merit. The story is based on Greek myth, but rather than Herakles killing Geryon the monster literally, he "kills" by breaking his heart. Ultimately, the book's message seems to be that Geryon must learn to love himself first. The book is beautifully written, and cannot be recommended highly enough, to any reader who wants to read a delicate story in a challenging format.
37 internautes sur 40 ont trouvé ce commentaire utile 
this book has gotten under my fingernails 28 septembre 1999
Par Emily Sobel - Publié sur Amazon.com
Format: Broché
Anne Carson has created a mindscape. Her choice of style, dialogue (both Internal and Between), and language situate her characters on a mental landscape rather than a physical one. Even the frame of the story grounds the book in time as opposed to space. The book's construction and layout are beautiful. Carson's character Geryon holds such integrity that I now see little red wings on men and women everywhere. Read this book in one or two sittings for a completely overwhelming experience.
29 internautes sur 34 ont trouvé ce commentaire utile 
Only If One Has Wings 2 avril 2002
Par Un client - Publié sur Amazon.com
Format: Broché
Classicist and poet, Anne Carson, has created a playful-but-tragic, present-tense, postmodern fable of obsessive love in her retelling of Stesichoros' "Geryoneis."
For those unfamiliar with the classics, Stesichoros was a Sicilian Greek of the early classical era. Although little of his poetry has survived, we do know it was famous for both its extreme sweetness and its grandeur.
In Carson's modern version of the Geryon myth, Herakles doesn't murder Geryon and steal his magic red cattle; he steals his heart instead. And in Carson's version, the theft of the heart may be quite a bit worse than outright murder, for, rather than dying outright, Geryon dies a little each day and his suffering is thus prolonged and made all the more difficult to endure.
Since this is a present-tense, postmodern tale, Geryon doesn't, however, suffer in silence. He attempts, instead, as a young school boy (though still red and still winged--he presents his teacher with the myth of Geryon as his own autobiography), to create a new world and a new life for himself through his camera lens and through the redemptive qualities of his art. In this way, Geryon's demons are transformed through eroticism and become, if not something of beauty, then something that is, at least, worthwhile.
Although this prose/poetry work is witty and playful, Carson's Geryon is still quite sad. Herakles is so definitely male and he loves Geryon in a stereotypically male manner, i.e., without really knowing the object of his love. Herakles seems out to have a good time and that is that. Although Geryon is red to his core, Herakles knows him so little that he even dreams of him in yellow. This upsets Geryon to the point of torment, who thinks, "Even in dreams he doesn't know me at all."
One of the most interesting sections of this work occurs when Geryon, after some years, runs into Herakles (and his Peruvian lover, Ancash) in Buenos Aires. Herakles, Geryon and Ancash form a triangle that becomes a source of violence before it becomes a source of healing. Most interestingly, the village visited by this trio is a village of volcano-survivors who look upon Geryon and his red wings as godlike. But what I liked most about this section was Carson's amazing point and counterpoint. Her language is often profound, the language only the most poetic can write, yet in this section, especially, she juxtaposes that poeticism against the bizarre: a tango singer who just happens to be a psychoanalyst; a guerilla battle fought in the eye of a roast pig; and a surrealistic night flight over the peaks of the Andes with the passengers clutching toothbrushes and Herakles making love to Geryon under a blanket. Wow. Talk about creative.
Carson pushes the medium of poetry beyond its conventional bounds and creates a profound meditation of loss, of rage, of sadness, of melancholy, of redemption...all seen through the camera lens of Geryon...and Eros. She filters love through photography, through sexual awakening, through volcanoes, through Emily Dickinsin and she does so in language that is tender, musical, funny, melancholy, witty, sensuous, poignant and downright brilliant.
Is our beloved worth the pain? This is the question Carson seems to be asking in "Autobiography of Red." The answer might well be: Only if one has wings.
18 internautes sur 20 ont trouvé ce commentaire utile 
Amazed 4 mars 2003
Par "fattsmorla2" - Publié sur Amazon.com
Format: Broché
This is one of the most interesting books I have read in a while. It moves beautifully between a mysterious, mythic presence to a heavy, all-to-human narrative. And this is to say nothing of its form! The economy of the writing is precise and exacting. The Verse was strangely magical, projecting me into the nebulous space beyond what Carson had written. I will certainly have to read this a few more times, because I think there is still much to be revealed even after one pass.
8 internautes sur 8 ont trouvé ce commentaire utile 
A Most Original Read 31 octobre 1999
Par Un client - Publié sur Amazon.com
Format: Broché
This book completely fascinated me. I can understand the frustration of some readers, for the book doesn't fit easily into any defined category of genre or style. But I was captivated by its commitment to the imagination, by its fresh play with the traditions of poetry and narrative. The poems which make up the "story" of Geryon are witty and wry; they are also stunning (literally) and deeply poignant. I've read many books in my life, but this one is truly brilliant...and unforgetable.
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