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Bach: Piano transcriptions 2

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Détails sur le produit

  • Compositeur: Johann Sebastian Bach
  • CD (18 mars 2002)
  • Nombre de disques: 1
  • Label: Hyperion
  • ASIN : B00005Y0N7
  • Autres éditions : Téléchargement MP3
  • Moyenne des commentaires client : 2.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 89.639 en Musique (Voir les 100 premiers en Musique)
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1. I. fantasie (transcr, ferruccio busoni) - Demidenko Nikolai
2. Adagio en sol majeur, bwv 968 (transcr, ferruccio busoni)
3. II. fugue (transcr, ferruccio busoni)
4. Komm, gott schöpfer, heiliger geist, bwv 667 (transcr, ferruccio busoni)
5. Wachet auf, ruft uns die stimme, bwv 645 (transcr, ferruccio busoni) - Demidenko, Nikolai (Klavier)
6. I. prélude (transcr, ferruccio busoni)
7. II. fugue (transcr, ferruccio busoni)
8. I. prélude (transcr, ferruccio busoni)
9. II. fugue (transcr, ferruccio busoni)
10. Herr gott, nun schleuss den himmel auf, bwv 617 (transcr, ferruccio busoni)
11. Durch adam's fall ist ganz verderbt, bwv 637/705 (transcr, ferruccio busoni) - Demidenko, Nikolai (Klavier)
12. In dir ist freude, bwv 615 (transcr, ferruccio busoni) - Demidenko, Nikolai (Klavier)
13. Jesus christus, unser heiland, bwv 665 (transcr, ferruccio busoni) - Demidenko, Nikolai (Klavier)
14. Chaconne (transcr, ferruccio busoni)

Descriptions du produit

Description du produit

Following the success of Nikolai Demidenko's first disc of Busoni's transcriptions of Bach (CDA66566), here he completes the project. Busoni developed an individual approach to re-casting Bach's organ works for the piano, and utilizes a full range of sonorities to recreate the sound and effects of the organ. These transcriptions were so popular during Busoni's lifetime that his wife was once introduced by a society patron as Mrs Bach-Busoni! This disc includes several lesser-known chorale preludes, the imposing Chaconne (originally for solo violin, although Busoni views it very much as another organ transcription), the D major Prelude and Fugue BWV532, and two rarities the E minor Prelude and Fugue (BWV533) that Busoni used to illustrate his transcription techniques in the appendix to his edition of Bach's Das wohltemperirte Clavier, and the Fantasie, Adagio and Fugue, which is a hybrid work conjoining two Bach keyboard works (two thirds of the fugue is entirely by Busoni, as Bach left it unfinished). Nikolai Demidenko conjures a magnificent sound from his Fazioli piano, and draws on his unique palette of instrumental colour. Anyone who has heard his first Bach-Busoni disc will want this follow-up. This disc is also part of a new Hyperion series exploring the wealth and diversity of piano transcriptions of Bach.


'Enthusiastically recommended' (Fanfare, USA) '[Demidenko's] performances capture the smouldering long lines and Gothic grandeur inherent in Busoni's textural transformations of the originals' (International Record Review) 'Demidenko plays them all with great panache and limitless technical command, clearly relishing the vast array of colour that Busoni's fertile imagination encourages' (The Guardian) 'Nikolai Demidenko performs all the music here with admirable devotion ... The playing throughout this enterprising recital cannot be faulted' (BBC Music Magazine) 'Demidenko s full-blooded readings of the D major Prelude and Fugue BWV 532 and the monumental D minor Chaconne from BWV 1004 have the necessary tingle factor, backed by sensational recorded sound' (Music Week) 'From the opening notes of the Fantasia, Adagio and Fugue with which the CD begins there is a lightness, vivacity and ease to Demidenko's playing which engages the attention' (Pianist) 'This is some of the most colossal piano playing I've ever heard. In its nobility, its grandeur, its multi-dimensionality and its astounding command of piano sonorities, it's worth the price of admission by itself' --(Piano Magazine)

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1 internautes sur 5 ont trouvé ce commentaire utile  Par Magdalena le 4 novembre 2010
Format: CD Achat vérifié
Je trouve la sonorité terne et sans grand relief - et l'interpétation me semble très (trop) sage. Ecoutez Horowitz en comparaison dans les quelques pièces qu'il a lui aussi enregistrées, et vous comprendrez ce que je veux dire: d'un côté on a un pianiste de quartier, qui joue correctement son morceau, de l'autre on a un vrai intreprète.
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Amazon.com: 4 commentaires
25 internautes sur 26 ont trouvé ce commentaire utile 
Wonderful Playing 22 mai 2002
Par greg - Publié sur Amazon.com
Format: CD
The real gems of this disk are the Chorale Prelude transcriptions. Demidenko plays these pieces beautifully, especially Durch Adams fall ist ganz verdebt and Jesus Christus Unser Heiland. One can really appreciate the beautiful sound of the Fazioli piano in these pieces in particular. My one reservation about the chorale preludes is 'Watchet Auf'. The only recording I know of that does this justice is Angela Hewitt's recording of Bach Arrangements(Kempff also doesn't do a bad job of this). The playing doesn't quite convey the spirit of this piece.
Demidenko also does a particularly good job of the Fantasia and the Chacconne, although some might find the Chaconne a little too slow for their liking. However don't get the wrong impression, Demidenko can break into great moments of power and speed. This is Demidenko's late romantic playing at its best.
He also gives a good account of the Prelude and Fugue BWV 532, although its not up to Gilels account of the same piece. Gilels manages to create a beutiful organ like sonority from the piano, and gets the tempo just right in each part. However Demidenko's faster fugue makes for a barnstorming interpretation.
I recommend this disc highly, as I said especially for the exceptional playing of the chorale preludes, and also the Fantasia and Chaconne. My one reservation regarding this disc is the sound. The tone could be a little fuller (perhaps the piano needed to be closer to the mike?) which is unfortunate because Demidenko is using a beutiful Fazioli piano. Don't let put you off though, because the recording quality is still superb.
8 internautes sur 8 ont trouvé ce commentaire utile 
Excellent Busoni 15 janvier 2007
Par Medtner5 - Publié sur Amazon.com
Format: CD
I agree with the previous reviewer about the chaconne, some might find it too slow. Especially if you are used to Kissin's performance. I personally think Demidenko's more unified treatment of the variatons is refreshing. He creates contrast through deep colorful poetry, and sheer power as opposed to using many parametric changes. In my opinion this interpretation is the perfect balance of romantic power and depth with Baroque form and character. On top of the performance alone, the Fazioli piano chosen has absolutely stunning soud quality and is perfect for Busoni.
5 internautes sur 5 ont trouvé ce commentaire utile 
Revelatory Playing 27 juillet 2012
Par David J. Friedlander - Publié sur Amazon.com
Format: CD
There are many ways to skin a cat or so the saying goes. One has to take that philosophy with them even to approach this music with an open mind and ear. It's Bach or is it? After all, Busoni took Bach's organ music and bent it in an entirely new way for the modern piano. Busoni had an impressive reputation as a player and it seems he considered this music a living entity that could change and morph into something new at each sitting. So if you are a staunch Bach traditionalist, this is going to rattle your world right from the beginning. Busoni changes aren't limited to accoustic characteristics of the piano vs. the organ either, he also adds notes, puts two different compositions together as one work, completes unfinished pieces and embellishes the music to match his unique vision.

Taking this idea of multiple possibilites with Bach's music and applying it to interpreting Busoni's transcriptions reveals another layer of possibility. Bach's music is so great that it can weather multiple interpretations without any harm. There are other excellent versions of some of these transcriptions but that doesn't render any of them "better" or "superior". Demidenko's vision is a muscular Bach yet it also is a deeply poetic Bach. His vision is more towards the long term architecture of Bach's vision. There are multiple ways of phrasing and presenting these rich, dense journeys of polyphony and Demidenko's is marvelously satisfying.

Bach is like a living language. Busoni showed it can endure the changes and trends in music and his romantic vision of it proved successful and valid. The modern piano makes possible even greater revelations and the results are compelling here. Demidenko comments that the Fazioli piano used on this recording has the ability to sustain the treble range beyond any other piano. He felt this allowed him to tailor his playing to this capability and in the process, reveal new ways of expressing the music. The result is more living Bach, a new vision and unique presentation of perhaps the greatest musical composer in the history of man. The CD ends appropriately with the Chaconne from the solo violin partita #2 in d minor, perhaps the greatest cry from the heart ever made in music.

This is a fantastic CD and anyone who loves Bach and understands the potential of his music to continue to evolve will garner great pleasure from it. 5 stars all the way around.
2 internautes sur 3 ont trouvé ce commentaire utile 
Bach Transcriptions 28 février 2011
Par James Wright III - Publié sur Amazon.com
Format: CD Achat vérifié
This entire series of Bach piano transcriptions are well worthwhile and highly enjoyable. It seems hard to imagine that only slightly more than a century ago, the only way most individuals could hear the classics was through transcriptions.
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