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Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
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3.7 étoiles sur 5
9 commentaires
15 internautes sur 16 ont trouvé ce commentaire utile
5.0 étoiles sur 5
Really good book...
9 novembre 2010
Par Clebert
- Publié sur Amazon.com
Format:Broché|Achat authentifié par Amazon
The author added lots of historical references until the second chapter. At first I thought it was boring but this actually gave me a very deep fundamental to what I called my eureka on synthesizers. I have used synths before without a whole lot of basis and this brought me a much better point of view.
It also describes modern techniques including additive, subtractive and samplers.
I would recommend this book to anyone who wants to understand how to design sounds. It's definitely a must have for keyboard players, and on my case was one of the best tech books I have bought in years.
Very well written!
It also describes modern techniques including additive, subtractive and samplers.
I would recommend this book to anyone who wants to understand how to design sounds. It's definitely a must have for keyboard players, and on my case was one of the best tech books I have bought in years.
Very well written!
18 internautes sur 21 ont trouvé ce commentaire utile
4.0 étoiles sur 5
Feasible
31 août 2009
Par Ivory Tikla
- Publié sur Amazon.com
Format:Broché
This is a good book for those interested in shaping there own tones and patches .It breakdowns the information at hand in a realistic and logical way conjusive to the synthesizer user, whether pro or ameteur.Stuff! Good Synth Players Should Know: An A-Z Guide to Getting Betteris also a good one for Using synths in different applications and provides good examples with different genres of music.However the book in review, Becoming a Synthesizer Wizard: From Presets to Power User is more targeted at teaching users to take the principles applied and try them with different synthesizers that you have available to you as far as shaping and developing sounds is concerned.The author uses software synths to illustrate his points but the fundamentals can also be applied to a hardware platform to achieve the desired result.Really good ...
15 internautes sur 18 ont trouvé ce commentaire utile
1.0 étoiles sur 5
Can't see the forest for the trees
21 janvier 2012
Par H. Perkins
- Publié sur Amazon.com
Format:Broché|Achat authentifié par Amazon
I know the author is knowledgable, but the book is too heavily geared toward one piece of Windows-only software. Even though other reviews refer to this, and the author himself talks about it in the first section of the book, I was not prepared for how much of the text is dedicated to the particular software the author uses.
I was looking for a tutorial on synthesis - and it is in there, but to get to those nuggets, the reader has to wade through grainy black-and-white screenshots of a Windows synthesizers, and paragraphs of "click here and mouse here" text about that software to get to the good, basic synthy stuff.
And there IS some good stuff here - information on MIDI, digital audio, signal flow, and how to get a sound from point A to point Z. There is a great small book inside this larger book.
If you are willing and able to use the software the author uses, and/or willing to wade through that software-specific information to get to the basics, it might be a good book - but I found it useless. The book is also cheaply made, if that matters to you. It wouldn't have mattered to me if the information within was more universal, and more clearly laid out. But that was not the case here.
I returned my copy.
I was looking for a tutorial on synthesis - and it is in there, but to get to those nuggets, the reader has to wade through grainy black-and-white screenshots of a Windows synthesizers, and paragraphs of "click here and mouse here" text about that software to get to the good, basic synthy stuff.
And there IS some good stuff here - information on MIDI, digital audio, signal flow, and how to get a sound from point A to point Z. There is a great small book inside this larger book.
If you are willing and able to use the software the author uses, and/or willing to wade through that software-specific information to get to the basics, it might be a good book - but I found it useless. The book is also cheaply made, if that matters to you. It wouldn't have mattered to me if the information within was more universal, and more clearly laid out. But that was not the case here.
I returned my copy.
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3.7 étoiles sur 5
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