From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Détails sur le produit
Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?
|
Associer des mots-clés à ce produit(De quoi s'agit-il ?)Considérez votre mot-clé comme une sorte d'étiquette définissant parfaitement ce produit.
Les mots-clés aident les clients à organiser et trouver leurs articles favoris. |
Penned in the second person, protagonist "Everyman" remains unnamed which is, as Israel explains, so that readers can give him whatever name they choose, be it Ted, Malcolm or Job. Simply put, he wants what every 20 or 30 something guy wants "creative satisfaction, direction, a good bowel movement, and love."
His physical appearance is not described. Again, so that readers can attribute whatever physical characteristics they wish to this fellow who's looking for someone other than Fern "whose face resembles a manhole cover more than it does a vascular houseplant."
How to meet that someone? There are numerous ways, such as maybe one rainy evening you'll see a good looking woman sans umbrella. You offer to share yours; her name is Justine and the relationship begins. You try your best, even to discovering that when she tells you she plays racquetball it really means that someone gave her a pricey racquet for her birthday. Realizing that "flossing your teeth would burn more calories than an hour on the court with Justine," doesn't daunt you. Nonetheless, Justine drops you.
Alas, this happens often to "Everyman" until he finally meets the girl of his dreams, and begins writing a screenplay inspired by their relationship. He struggles through draft after draft, wondering how it will end.
Happily-ever-afters are becoming harder and harder to come by. Read "Everyman" for a round of chuckles, and perhaps find out why.
- Gail Cooke
|