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Berklee Goodrick Mick & Miller Tim Creative Chordal Harmony Gtr Bk/Cd (Anglais) Broché – 1 janvier 2000

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Commentaires client les plus utiles sur (beta) 14 commentaires
36 internautes sur 37 ont trouvé ce commentaire utile 
Nothing short of revolutionary.-Harmony/melody/composition in one thought 8 février 2012
Par D. Lee - Publié sur
Format: Broché Achat vérifié
This book is 95 pages of a vision that unifies harmony, melody and compositional texture in sounds that I couldn't believe existed in my guitar. In 5 chapters of discussion, etudes, arpeggio explorations, "compressed modal" explorations and a rich section on implications and applications of the material, Mick Goodrick has presented an entirely new attitude that makes perfect sense yet unlocks doorways into beautiful sounds completely missed in the harmonic perspective up to this point.
In his previous books, Goodrick has consistently tackled and expanded the boundries of guitar as an improvisational and compositional instrument. He can arguably be called the granddaddy of modern jazz guitar having passed his knowledge on to the who's who of contemporary creative jazz guitar. His books have been exhaustive, uncannily insightful yet challenging in their open ended possibilities. This book may be the most approachable edition to date, with usable examples on chord progressions that demonstrate the utility of the concept and the power of the approach.
One note of note: The book is written in standard notation. There IS a CD with examples played by the co-author and notable guitarist in his own right Tim Miller, but fluency in reading and triad voicings will be most helpful. If you are beyond the hand holding foundational material stage, this is a truly rewarding work. If you are searching for ways to expand your creative base and craving totally new colours to use in any situation, this book could very well be the new currency standard.
I'm going to be busy for a very long time.
19 internautes sur 22 ont trouvé ce commentaire utile 
Great Book and Fantastic Play Along 10 février 2012
Par Louis W. Arnold - Publié sur
Format: Broché Achat vérifié
I've followed Mick Goodrick's books and recordings for years and truly his work is a narrative on deep and rich harmonic practice for guitarists and all musicians. This book thoroughly details a complete system that yields strikingly beautiful sounds. You need to read music and it will help to have an understanding of chord types and voice leading as well as a well developed knowledge of the fingerboard.
The play along features John Lockwood on bass and Terri Lyne Carrington on drums. These are world class (I mean the very best) players. The examples are on the changes to Stella and you will know this tune backwards and forwards if you work with this book. What blows me away is Terri Lyne's and John's creativity in making this recording: the seemingly endless variety that they achieve within multiple renditions of the same tune at the same tempo is an education and an inspiration!
10 internautes sur 12 ont trouvé ce commentaire utile 
Modern Guitar Heaven 20 août 2012
Par marco villarreal - Publié sur
Format: Broché Achat vérifié
This book is the real deal. It's a good recommendation to have a solid theoretical foundation before digging deep into to this. I was fortunate to study with Mick in 2002. I have all three voice-leading almanacs and of course, The Advancing Guitarist. You probably want to be familiar with those works. The jist of this book is removing the root note from a mode and organizing the remaining 6 notes into two 3pt structures. Bottom line is when you apply this principle you really start to hear these beautiful harmonies and melodies. It's a fantastic work. Props to Mick and Tim.
24 internautes sur 33 ont trouvé ce commentaire utile 
Way Beyond My Comprehension 11 juillet 2012
Par finchley - Publié sur
Format: Broché Achat vérifié
I've read the introduction and appendix for what seems like a hundred times now and I simply just don't understand the concept. I thought this would be a way for someone like myself with relatively small hands to strip the essentials out of those big painful jazz barre chords. Possibly one concrete example might have done it. Oh, I don't know, maybe take a simple ii-V-I progression and show step-by-step how to apply this GMC concept. One thing's for sure this is possibly the one book in Amazon's catalog that really should have a "Look Inside!" because if I could have read the introduction I would never have made the purchase. (Note: I gave it three stars to be neutral since I don't know if it is good or bad since I don't get it.)
2 internautes sur 2 ont trouvé ce commentaire utile 
Generic Modality Compression for Guitar 30 novembre 2013
Par James Blackthorne - Publié sur
Format: Broché Achat vérifié
This is an amazing book for serious guitar players. If you are already working on Chord scales in major, melodic minor as well as harmonic minor, this book gives some amazing concepts and voicing concepts that bring a whole new aspect to guitar players that are looking to expand their tonal palette.
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