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Between the Acts (Annotated) [Anglais] [Broché]

Virginia Woolf , Mark Hussey

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Descriptions du produit

Revue de presse

'Together these ten volumes make an attractive and reasonably priced (the volumes vary between £3.99 and £4.99) working edition of Virginia Woolf's best-known writing. One can only hope that their success will prompt World's Classics to add her other essays to the series in due course.' Elisabeth Jay, Westminster College, Oxford, Review of English Studies, Vol. XLV, No. 178, May '94 --Ce texte fait référence à l'édition Broché .

Présentation de l'éditeur

In Woolf's final novel, villagers present their annual pageant, made up of scenes from the history of England, at a house in the heart of the country as personal dramas simmer and World War II looms.

Annotated and with an introduction by Melba Cuddy-Keane

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Amazon.com: 3.6 étoiles sur 5  11 commentaires
38 internautes sur 44 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The summing up 2 octobre 2002
Par A.J. - Publié sur Amazon.com
Format:Broché
"Between the Acts" was the last novel Virginia Woolf wrote, and it appropriately feels like a swansong; a sorrowful farewell to a country on the eve of a war that very well might have spelled its devastation. While it uses the modernist experimentation that characterized "To the Lighthouse," it is very easy to follow, but still invites several rereadings to explore its depths more fully.
The novel takes place on a single day in June of 1939 at an English country manor called Pointz Hall, owned by the Olivers, a family with such sentimental ties to its ancestry that a watch that stopped a bullet on an ancient battlefield is deemed worthy of preservation and exhibition. Every year about this time, the Olivers allow their gardens to be used by the local villagers to put on a pageant for raising money for the church. This year, the pageant is supposed to be a series of tableaux celebrating England's history from Chaucerian times up to the present.
The Olivers themselves are tableaux of sorts, each a silent representation of some emotion separated from the others by a wall of miscommunication. Old Bartholomew Oliver and his sister, Lucy Swithin, both widowed, are now living together again with much the same hesitant relationship they had as children. Oliver's son Giles is a stockbroker who commutes to London and considers the pageant a nuisance he has no choice but to suffer. Isa, his discontented wife, feels she has to hide her poetry from him and contemplates an extramarital affair with a village farmer.
Attending the pageant is a garrulous woman named Mrs. Manresa, who is either having or pursuing an affair with Giles. She has brought with her a companion named William Dodge, whose effeminate sexual ambiguity is noticed with reprehension by Giles and with curiosity by Isa. The somewhat romantic interest Isa shows in Dodge implies that she knows Giles would be annoyed less by her infidelity than by his being cuckolded for a fop like Dodge.
The other principal character is not an Oliver at all, and this is Miss La Trobe, the harried writer and director of the pageant. At first, she appears to serve the mere purpose of comic diversion, as she frustrates herself over details that nobody in the audience notices anyway; however, when the pageant is over, a new aspect of her character is revealed, one that has made her an outcast among the village women. Nevertheless, she graciously accepts the role of a struggling, misunderstood woman artist, and in this sense, she echoes the character of Lily Briscoe in "To the Lighthouse," as does Isa with her repressed poetry.
At the end of the pageant, to celebrate the "present," Miss La Trobe has planned something special and startling: She has the players flash mirrors onto the audience as if to say, "Look what England has become. Shameful, isn't it?" Likewise, with this novel Woolf holds up a mirror to humanity, reflecting our unhappiness in her characters. It's not a cheerful notion, but it's a fitting one to sum up the career of a writer like Woolf, one of our greatest chroniclers of sadness.
5 internautes sur 6 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Woolf's last novel 18 juin 1999
Par Un client - Publié sur Amazon.com
Format:Broché
Between the Acts (BtA) was Woolf's last novel, finished but not yet revised before her death in 1941. It is, like Woolf's other novels, experimental. She takes some of her already established techniques and adds new things. She sets it in the span of a single day (i.e. Mrs Dalloway), depicts and parodies historical events (i.e. Orlando). Woolf centers the action around a village play (a bad play, but that is part of the fun). The social commentary on Britain is there, but BtA is far from the "usual British stuff." In the course of the novel the reader should look at the actors and the audience, drawing parallels to our own daily acting. Woolf includes a number of literary allusions. See if you can find the use of Gerard Manley Hopkins in the narrative, for example. As with Woolf's other writings, plot is not the focus. Even though she died thinking it was unsuitable for publication (she was mistaken), BtA is a fine novel from a master writer.
9 internautes sur 12 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A work of mature genius by a great writer 1 août 2000
Par Un client - Publié sur Amazon.com
Format:Broché
This under-appreciated work is slowly gaining the recognition it deserves from Woolf critics... but I would say that, since I wrote my dissertation on it! Woolf's fiction is never light reading, but Woolf lovers will here find a masterful synthesis of descriptive power, her exhaustive knowledge of English history and literature, her feminism, her passionate hatred of war and her conviction that only aesthetic experience can enable humanity to question the status quo and *perhaps* create a better world... interested readers might consider reading it alongside The Years, Three Guineas, Moments of Being, the last volumes of the diary, or such Woolf essays as "Thoughts on Peace During an Air Raid," as well as Shakespeare's Tempest. This slim novel speaks volumes; it is a work of mature genius by one of the 20th century's greatest writers.
1 internautes sur 1 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Not A Smash Ending 7 mars 2014
Par reading man - Publié sur Amazon.com
Format:Broché|Achat vérifié
Virginia Woolf, once the most avant-garde of English novelists, now seems very out of date. None of her books is really a masterpiece, and this, her swan song, is arguably the weakest of all.

Read her essays by all means, even her diaries and letters, but approach her novels with caution. Borrow them from the library before you spend money on them, or you might wind up with a row of books that will do nothing but gather dust on your shelves.

Feminist reading of VW are mostly bad, which is a real problem, because she really was a genuine feminist. But I don't think she'd care for what's being done with her works posthumously by certain critics.

Quentin Bell's bio is better than any other book about her, if you want to know more than her own writing.
1 internautes sur 1 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 The Play's the Thing 15 juillet 2013
Par RCM - Publié sur Amazon.com
Format:Broché
There is something about Virginia Woolf's writing that lends itself to introspection, meditation, and sometimes confusion. She was prone to drift in various directions and switch character perspective willy nilly. This is often the case in "Between the Acts" her final novel that was published after her suicide without any revisions made by the author. Perhaps there would have been changes, but the central story certainly would have remained the same, a gauzy examination of a married couple experiencing difficulties.

The novel focuses on one household and its guests for the summer pageant, a recap of English history through the ages that serves as counterpoint to the characters. It is often difficult to separate the actors in the play from the acts that the central characters are putting on for one another. The main character is Isa, the wife of a stockbroker. She finds that she loves and hates her husband, and finds herself drawn to another man, but she would never act on those feelings. Her husband, Giles, meanwhile, is willing to act on such feelings, especially when he becomes captivated by a guest at the house, Mrs. Manresa, a supposedly free spirited woman, whose "freeness" feels very much like an act. As these characters watch the pageant unfold, their emotions surface and they are forced to confront this array of feelings that all of this playacting has brought up.

"Between the Acts" is an elusive story, one that is hard to sum up and one that can be even harder to follow. This last work of Woolf's is truly more like elegiac poetry than prose. The beauty is in the rhythm and sounds of the words on the page, floating around like the cabbage white butterflies the author describes. In the same manner, the author flits from character to character, hardly lingering long enough to satisfy their story, but Woolf weaves an intriguing tapestry as this family tiptoes along the expected lines of proper decorum. It would be interesting to know what, if anything, Woolf would have changed in the editing process.
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