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Between the Black Box and the White Cube - Expanded Cinema and Postwar Art (Anglais) Broché – 7 mars 2014


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Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a postcinematic age and helped to develop a novel space between the "black box" of the movie theater and the "white cube" of the art gallery. Packed with one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.


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Amazon.com: 3 commentaires
It would be nice if the book were available in e-reader format 20 juillet 2014
Par John A. Ernst - Publié sur Amazon.com
Format: Broché Achat vérifié
Andrew Uroskie definitely has a grasp of his subject and is an important work for other scholars in the field of cinematic production and the social implications of cinema in our lives. It would be nice if the book were available in e-reader format, due to the automatic dictionary functions available with that format. I wore my dictionary out during the first few chapters looking up the abstract verbs and nouns. While I broadened my vocabulary, this book is not an easy read for non-scholars. It did bring back many memories of my own experiences as a member of the audience of the film industry over the last 60 years. Uroskie's insight amazed me.
great! 5 octobre 2014
Par Byoungsoo Kim - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
You have to read if you are interesting in contemporary art with cinema.
Showing new possibility of contemporary art history.
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