From Publishers Weekly
One of the most important modern German painters, Kiefer is best known for his brooding forests and somber fields encrusted with debris, for his haunted monuments reeking of the Nazi past. In contrast, this series of bright, spontaneous watercolors reveals a wholly different side of the artist. In lyrically expressive seascapes and landscapes based on a 1974 trip along Norway's coast, icebergs, ships and magical skies abound. This sequence abruptly gives way to lush female nudes. Kiefer's colossal temptress is an earth goddess echoing commercial erotic poses, yet transformed through multiple associations with Nordic and Germanic legends. The sun of the earlier seascapes has become the nude's smudged red mouth; her stained body parts recall a Rorschach blot or perhaps Gustav Klimt. But the overall effect is slight compared to Kiefer's darker oils. In their introduction, Stebbins and Ricci, both of Boston's Museum of Fine Arts, discuss the centrality of myth in Kiefer's work.
Copyright 1988 Reed Business Information, Inc.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
Contemporary German artist Kiefer is well known for his book art. Consisting of 95 watercolors and no text, his Erotik im Fernen Osten, oder: Transition from cool to warm is here reproduced in its entirety. Kiefer's watercolors focus on two major themesan ocean liner steaming through Nordic seascapes and a series of female nudesand their simplicity and spontaneity confirm what is stated in Theodore Stebbins and Susan Craig Ricci's introduction: that Kiefer "warns against intellectual as opposed to visceral understanding." However, the analysis that Stebbins and Ricci offer, focusing on a multi-layered iconography based on mythology and Jungian psychology, tends to preclude such understanding. Douglas G. Campbell, Warner Pacific Coll., Portland, Ore.
Copyright 1988 Reed Business Information, Inc.
Copyright 1988 Reed Business Information, Inc.
