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Book of Lost Tales: Pt. 1 [Anglais] [Broché]

Christopher Tolkien , J. R. R. Tolkien
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Description de l'ouvrage

1 juin 1991 History of Middle-Earth (Livre 1)
THE BOOK OF LOST TALES, I, stands at the beginning of the entire conception of Middle-earth and Valinor. Here is the whole, glorious history of Middle-earth that J.R.R. Tolkien brought to mythic and dramatic life with his classic fantasy novels of the Ring Cycle.
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Extrait

THE COTTAGE OF LOST PLAY

On the cover of one of the now very battered 'High School Exercise Books' in which some of the Lost Tales were composed my father wrote: The Cottage of Lost Play, which introduceth [the] Book of Lost Tales; and on the cover is also written, in my mother's hand, her initials, E.M.T., and a date, Feb. 12th 1917. In this book the tale was written out by my mother; and it is a fair copy of a very rough pencilled manuscript of my father's on loose sheets, which were placed inside the cover. Thus the date of the actual composition of this tale could have been, but probably was not, earlier than the winter of 1916-17. The fair copy follows the original text precisely; some further changes, mostly slight (other than in the matter of names), were then made to the fair copy. The text follows here in its final form.

Now it happened on a certain time that a traveller from far countries, a man of great curiosity, was by desire of strange lands and the ways and dwellings of unaccustomed folk brought in a ship as far west even as the Lonely Island, Tol Eressëa in the fairy speech, but which the Gnomes1 call Dor Faidwen, the Land of Release, and a great tale hangs thereto.

Now one day after much journeying he came as the lights of evening were being kindled in many a window to the feet of a hill in a broad and woody plain. He was now near the centre of this great island and for many days had wandered its roads, stopping each night at what dwelling of folk he might chance upon, were it hamlet or good town, about the hour of eve at the kindling of candles. Now at that time the desire of new sights is least, even in one whose heart is that of an explorer; and then even such a son of EÃ?rendel as was this wayfarer turns his thoughts rather to supper and to rest and the telling of tales before the time of bed and sleep is come.

Now as he stood at the foot of the little hill there came a faint breeze and then a flight of rooks above his head in the clear even light. The sun had some time sunk beyond the boughs of the elms that stood as far as eye could look about the plain, and some time had its last gold faded through the leaves and slipped across the glades to sleep beneath the roots and dream till dawn.

Now these rooks gave voice of home-coming above him, and with a swift turn came to their dwelling in the tops of some high elms at the summit of this hill. Then thought Eriol (for thus did the people of the island after call him, and its purport is 'One who dreams alone', but of his former names the story nowhere tells): 'The hour of rest is at hand, and though I know not even the name of this fair-seeming town upon a little hill here I will seek rest and lodging and go no further till the morrow, nor go even then perchance, for the place seems fair and its breezes of a good savour. To me it has the air of holding many secrets of old and wonderful and beautiful things in its treasuries and noble places and in the hearts of those that dwell within its walls.'

Now Eriol was coming from the south and a straight road ran before him bordered at one side with a great wall of grey stone topped with many flowers, or in places overhung with great dark yews. Through them as he climbed the road he could see the first stars shine forth, even as he afterwards sang in the song which he made to that fair city.

Now was he at the summit of the hill amidst its houses, and stepping as if by chance he turned aside down a winding lane, till, a little down the western slope of the hill, his eye was arrested by a tiny dwelling whose many small windows were curtained snugly, yet only so that a most warm and delicious light, as of hearts content within, looked forth. Then his heart yearned for kind company, and the desire for wayfaring died in him-and impelled by a great longing he turned aside at this cottage door, and knocking asked one who came and opened what might be the name of this house and who dwelt therein. And it was said to him that this was Mar Vanwa Tyaliéva, or the Cottage of Lost Play, and at that name he wondered greatly. There dwelt within, 'twas said, Lindo and Vairë who had built it many years ago, and with them were no few of their folk and friends and children. And at this he wondered more than before, seeing the size of the cottage; but he that opened to him, perceiving his mind, said: 'Small is the dwelling, but smaller still are they that dwell here-for all who enter must be very small indeed, or of their own good wish become as very little folk even as they stand upon the threshold.'

Then said Eriol that he would dearly desire to come therein and seek of Vairë and Lindo a night's guest-kindliness, if so they would, and if he might of his own good wish become small enough there upon the threshold. Then said the other, 'Enter,' and Eriol stepped in, and behold, it seemed a house of great spaciousness and very great delight, and the lord of it, Lindo, and his wife, Vairë, came forth to greet him; and his heart was more glad within him than it had yet been in all his wanderings, albeit since his landing in the Lonely Isle his joy had been great enough.

And when Vairë had spoken the words of welcome, and Lindo had asked of him his name and whence he came and whither he might be seeking, and he had named himself the Stranger and said that he came from the Great Lands,2 and that he was seeking whitherso his desire for travel led him, then was the evening meal set out in the great hall and Eriol bidden thereto. Now in this hall despite the summertide were three great fires-one at the far end and one on either side of the table, and save for their light as Eriol entered all was in a warm gloom. But at that moment many folk came in bearing candles of all sizes and many shapes in sticks of strange pattern: many were of carven wood and others of beaten metal, and these were set at hazard about the centre table and upon those at the sides.

At that same moment a great gong sounded far off in the house with a sweet noise, and a sound followed as of the laughter of many voices mingled with a great pattering of feet. Then Vairë said to Eriol, seeing his face filled with a happy wonderment: 'That is the voice of Tombo, the Gong of the Children, which stands outside the Hall of Play Regained, and it rings once to summon them to this hall at the times for eating and drinking, and three times to summon them to the Room of the Log Fire for the telling of tales,' and added Lindo: 'If at his ringing once there be laughter in the corridors and a sound of feet, then do the walls shake with mirth and stamping at the three strokes in an evening. And the sounding of the three strokes is the happiest moment in the day of Littleheart the Gong-warden, as he himself declares who has known happiness enough of old; and ancient indeed is he beyond count in spite of his merriness of soul. He sailed in Wingilot with E�rendel in that last voyage wherein they sought for Kôr. It was the ringing of this Gong on the Shadowy Seas that awoke the Sleeper in the Tower of Pearl that stands far out to west in the Twilit Isles.'

To these words did Eriol's mind so lean, for it seemed to him that a new world and very fair was opening to him, that he heard naught else till he was bidden by Vairë to be seated. Then he looked up, and lo, the hall and all its benches and chairs were filled with children of every aspect, kind, and size, while sprinkled among them were folk of all manners and ages. In one thing only were all alike, that a look of great happiness lit with a merry expectation of further mirth and joy lay on every face. The soft light of candles too was upon them all; it shone on bright tresses and gleamed about dark hair, or here and there set a pale fire in locks gone grey. Even as he gazed all arose and with one voice sang the song of the Bringing in of the Meats. Then was the food brought in and set before them, and thereafter the bearers and those that served and those that waited, host and hostess, children and guest, sat down: but Lindo first blessed both food and company. As they ate Eriol fell into speech with Lindo and his wife, telling them tales of his old days and of his adventures, especially those he had encountered upon the journey that had brought him to the Lonely Isle, and asking in return many things concerning the fair land, and most of all of that fair city wherein he now found himself.

Lindo said to him: 'Know then that today, or more like 'twas yesterday, you crossed the borders of that region that is called Alalmin�rë or the "Land of Elms'', which the Gnomes call Gar Lossion, or the "Place of Flowers''. Now this region is accounted the centre of the island, and its fairest realm; but above all the towns and villages of Alalmin�rë is held Koromas, or as some call it, Kortirion, and this city is the one wherein you now find yourself. Both because it stands at the heart of the island, and from the height of its mighty tower, do those that speak of it with love call it the Citadel of the Island, or of the World itself. More reason is there thereto than even great love, for all the island looks to the dwellers here for wisdom and leadership, for song and lore; and here in a great korin of elms dwells Meril-i-Turinqi. (Now a korin is a great circular hedge, be it of stone or of thorn or even of trees, that encloses a green sward.) Meril comes of the blood of Inwë, whom the Gnomes call Inwithiel, he that was King of all the Eldar when they dwelt in Kôr. That was in the days before hearing the lament of the world Inwë led them forth to the lands of Men: but those great and sad things and how the Eldar came to this fair and lonely island, maybe I will tell them another time.

'But after many days Ingil son of Inwë, seeing this place to be very fair, rested here and about him gathered most of the fairest and the wisest, most of the merriest and the kindest, of all the Eldar.3 Here amo... --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

Détails sur le produit

  • Broché: 304 pages
  • Editeur : HarperCollins Publishers Ltd; Édition : New Ed (1 juin 1991)
  • Collection : History of Middle-Earth
  • Langue : Anglais
  • ISBN-10: 0261102222
  • ISBN-13: 978-0261102224
  • Dimensions du produit: 12,9 x 19,7 cm
  • Moyenne des commentaires client : 4.5 étoiles sur 5  Voir tous les commentaires (4 commentaires client)
  • Classement des meilleures ventes d'Amazon: 57.481 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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Lindo said to him: 'Know then that today, or more like 'twas yesterday, you crossed the borders of that region that is called Alalminore or the "Land of Elms", which the Gnomes call Gar Lossion, or the "Place of Flowers". Lire la première page
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5.0 étoiles sur 5 A l'origine du Silmarillion 31 décembre 2004
Format:Broché
Ce livre devrait vous intéresser si vous êtes un nouveau fan de Tolkien (je suppose que les anciens fans le connaissent déjà !).

Si vous avez adoré Bilbo Le Hobbit, Le Seigneur Des Anneaux et surtout Le Silmarillion et que vous en voulez encore, ces contes sont pour vous. Comme le Silmarillion, ces contes "perdus" ont été compilés par le fils de Tolkien et publiés à titre posthume. Notez bien qu'il existe également des contes "inachevés", à ne pas confondre...

Après le départ de son père pour les Terres Eternelles, Christopher Tolkien a compilé tout ce qui pouvait être publié de ses archives en une série de 12 volumes intitulée L'Histoire De La Terre Du Milieu (en anglais HoME). Les contes perdus constituent les 2 premiers tomes de cette encyclopédie.

Si vous n'êtes pas suffisamment passionné(e) ou patient(e) pour en lire la totalité, je vous recommande au moins de lire ces contes. Surtout si vous avez particulièrement apprécié le Silmarillion. En effet, ces contes représentent la première forme des récits du Silmarillion, que Tolkien voulait à l'origine publier en même temps que Le Seigneur Des Anneaux, pour donner aux lecteurs les fondements des légendes et des mythes de la Terre du Milieu évoqués dans la trilogie.

L'objectif de Tolkien était de faire publier ses écrits et de satisfaire la curiosité des lecteurs en livrant un ensemble cohérent constitué du récit principal décrivant les événements de la Guerre de l'Anneau à la fin du Troisième Age et de plusieurs annexes dont certaines (en particulier l'histoire d'Aragorn et d'Arwen et la généalogie des rois de Numénor, les ancêtres d'Aragorn) sont insérées à la fin du Retour Du Roi.

Les éditeurs ont d'emblée écarté l'idée de publier ensemble Le Silmarillion et Le Seigneur Des Anneaux. Les années passant, Tolkien lui-même s'est découragé et a finalement renoncé à terminer son projet de publier les légendes de la Terre du Milieu, après y avoir pourtant travaillé durant plusieurs décennies.

La version du Silmarillion publiée par son fils n'est donc le "writer's cut" et selon votre sensibilité, le travail d'archiviste réalisé par son fils et la publication de l'encyclopédie HoME vous paraîtront ou bien sacrilèges ou bien providentiels. Si cela vous semble plutôt providentiel, j'affirme et je prophétise que vous serez comblé(e) par ce livre !

Vous y découvrirez que Tolkien a constamment retravaillé ses textes et qu'il y a de nombreux écarts, des divergences parfois, sur les noms, les généalogies et mêmes le déroulement des événements entre la version originale (celle des Contes Perdus) et la version tardive (on ne peut pas la qualifier de "finale" ni de "définitive") du Silmarillion.

En lisant le Silmarillion puis les Contes Perdus on prend davantage conscience de l'ampleur de l'oeuvre de Tolkien. On se dit que la création de la Terre du Milieu a représenté un travail de très longue haleine. On se dit aussi qu'il aurait fallu à Tolkien, par ailleurs professeur à l'université et père de famille, plusieurs vies d'homme, voire une vie d'elfe, pour terminer son projet !

Les contes ne sont pas publiés bruts de fonderie. Ils sont analysés par Tolkien Junior sous la forme de commentaires associés à chaque conte et complétés par la retranscription de notes de travail de Tolkien et de poèmes (les plus anciens rédigés pendant la Première Guerre Mondiale) mettant en scène des personnages ou des lieux que l'on retrouve dans les contes.

Je vous assure que la lecture de ce livre est passionnante même si vous n'avez pas l'intention d'écrire une thèse sur Tolkien !Certes, on peut parfois se sentir dans la peau de Gandalf faisant des recherches sur l'Anneau dans la Bibliothèque de Minas Tirith... Mais avant tout l'on est au coeur du processus de création de la Terre Du Milieu, comme dans l'équivalent littéraire des "making of" que l'on trouve sur les DVD des films de Peter Jackson. S'agissant de la Terre du Milieu, la matière de ces suppléments est passionnante.

Le premier volume des Contes Perdus comprend les récits de la création du monde, de la venu des elfes et des hommes. Personnellement, par rapport aux contes suivants (Turin Turambar, Beren et Luthien, La Chute de Gondolin) qui sont regroupés dans le second volume, je les trouve moins intéressants mais plus méritoires. En effet, expliquer la création du monde, l'apparition, des nains, des elfes et des hommes puis de celle du soleil et de la lune représente un exercice de cosmogonie appliquée plutôt "casse-gueule"... Mais il ne faut pas prendre Tolkien au pied de la lettre : ces premiers contes sont à interpréter de manière purement symboliques.

Dans le tome 11 des archives (L'Anneau de Morgoth), Christopher Tolkien dévoile plusieurs écrits de son père indiquant qu'il a bien pris conscience des insuffisances de sa Génèse mais qu'il serait beaucoup trop compliqué de la revoir sans bouleverser totalement l'ensemble de son oeuvre. On comprend mieux pourquoi il a renoncé à terminer le Silmarillion.

Ma moitié rationnelle comprend et partage ce point de vue mais n'en salue pas moins l'effort de Tolkien de vouloir "boucler la boucle" d'une mythologie complète, de l'Instant Originel à l'avènement de l'Age des Hommes. Quant à ma moitié émotive, elle est comblée par le lyrisme, la gravité et la beauté des légendes et des mythes qui sont regroupés dans ces Contes Perdus et heureusement Retrouvés.

A la fin du Retour Du Roi il y a cette citation : "Ainsi commença le Quatrième Age. L'Age des Hommes, c'est en réalité celui des lecteurs qui sont les nouveaux arpenteurs de la Terre du Milieu.

"The road goes ever on and on..."

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5.0 étoiles sur 5 Series Overview 4 juillet 2010
Format:Broché
Collections of an author's work are often confusing, particularly when what the author has created is as complex as Tolkien's writings. Here's an overview of the twelve-volume History of Middle-earth, which was edited by his son Christopher Tolkien. Hopefully, it will help you select which book or books to buy.

Keep something in mind. In the U.S. Houghton Mifflin publishes Tolkien's authorized works in hardback and trade paperback editions, while Ballantine Books publishes them as cheaper mass-market paperbacks. For some reason, Ballantine doesn't always make it clear that some of their titles are part of the same History of Middle-earth series as those published by Houghton Mifflin. If the title is the same, the content is the same. Which you buy depends on your taste in books and finances. I have copies of both.

GROUP ONE, VOLUMES I - V, EARLY TALES

These five volumes deal primarily with Tolkien's writings before the publication of The Hobbit (1937) and The Lord of the Rings (1954-55). In them, Tolkien was struggling as a still unknown author to create his first history of Middle-earth.

Vol 1 & 2, The Book of Lost Tales Part 1 ( 1983) & 2 (1984). The Book of Lost Tales was written during the 1910s and 1920s. Wikipedia describes it this way: "The framework for the book is that a mortal Man visits the Isle of Tol Eressëa where the Elves live. In the earlier versions of the `Lost Tales' this man is named Eriol, of some vague north European origin, but in later versions he becomes Ælfwine, an Englishman of the Middle-ages."

Vol. 3, The Lays of Beleriand (1985). These are collections of poems, many of them incomplete, written between the 1920s and the late 1940s.

Vol 4, The Shaping of Middle-earth (1986). As you might guess by the title, in this book Christopher describes how his father shaped his vision of Middle-earth from the primitive The Book of Lost Tales to early versions of The Silmarillion. This theme is taken up again in volumes 10 and 11.

Vol 5. The Lost Road and Other Writings (1987). Along with other writings this volume includes Tolkien's drafts of a tale about time travel. Wikipedia describes it this way: "The Lost Road itself is a fragmentary beginning of a tale, including a rough structure and several intiguing chunks of narrative, including four entire chapters dealing with modern England and Numenor, from which the entire story as it should have been can be glimpsed. The scheme was of time-travel by means of 'vision' or being mentally inserted into what had been, so as to actually re-experience that which had happened. In this way the tale links first to Saxon England of Alfred the Great, then to the Lombard Alboin of St. Benedict's time, the Baltic Sea in Old Norse days, Ireland at the time of the Tuatha's coming (600 years after the Flood), prehistoric North in the Ice Age, a 'Galdor story' of Third-Age Middle-Earth, and finally the Fall of Gil-Galad, before recounting the prime legend of the Downfall of Numenor/Atlantis and the Bending of the World. It harps on the theme of a 'straight road' into the West, now only in memory because the world is round."

GROUP TWO, VOLUMES VI - IX, LORD OF THE RINGS

If you or the friend you're buying for is primarily interested in the LOTR, then these four volumes are the books to have. Just keep in mind that you'll find in them many unfinished plots that may or may not fit well into LOTR. Tolkien was a perfectionist, always trying to improve plots and fill in details. These are his drafts.

Vol. 6, The Return of the Shadow (The History of The Lord of the Rings v. 1, 1988). Describes the initial stages of writing LOTR and covers the first three-fourths of The Fellowship of the Ring (until the Mines of Moria).

Vol. 7, The Treason of Isengard (The History of The Lord of the Rings, v. 2, 1989). Covers from the Mines of Moria until Gandalf meets Théoden about one-fourth of the way into The Two Towers.

Vol. 8, The War of the Ring (The History of The Lord of the Rings, v. 3, 1990). Continues the tale up to the opening of the Black Gate not quite three-quarters of the way through The Two Towers.

Vol. 9, Sauron Defeated (The History of The Lord of the Rings, v. 4, 1992). Completes the tale and includes an alternate ending in which Sam answers questions from his children. There is also a much shortened version of Vol. 9 called The End of the Third Age, which leaves out material that isn't related to LOTR.

GROUP THREE, VOLUMES X - XI, SILMARILLION

Just as The Hobbit created a public demand for more tales about hobbits, The Lord of the Rings created a demand for more tales about Middle-earth. To meet that demand, Tolkien struggled to reconcile and adapt many of his earlier tales to the historical framework made well-known by his two published works. He never completed those labors, so it was left after his death to his son Christopher to do so in The Silmarillion (1977). If you or a friend is interested in knowing more about The Silmarillion, these two volumes may be of interest.

Vol 10, Morgoth's Ring (The Later Silmarillion, v. 1, 1993). Contains material from earlier (1951 and later) drafts of The Silmarillion. Wikipedia notes that: "The title of this volume comes from a statement from one of the essays: 'Just as Sauron concentrated his power in the One Ring, Morgoth dispersed his power into the very matter of Arda, thus the whole of Middle-earth was Morgoth's Ring.'"

Vol. 11, The War of the Jewels (The Later Silmarillion v. 2, 1994). Addition material about the earlier drafts of The Silmarillion. Includes information about the origin of the Ents and Great Eagles.

GROUP FOUR, VOLUME XII AND INDEX, WRAP-UP

Vol. 12, The People's of Middle-earth (1996). Contains material that did not fit into the other volumes. The most interesting include additional appendices like those at the back of LOTR, essays on the races of Middle-earth, and about 30 pages of a sequel to the LOTR called The New Shadow. It was set a century after the LOTR. Tolkien abandoned the tale as too "sinister and depressing."

The History of Middle-earth Index (2002) is an index of all twelve volumes.

******

Keep in mind that books in The History of Middle-earth are nothing like reading The Hobbit or The Lord of the Rings. What J. R. R. Tolkien wrote is often fragmentary and unpolished rough drafts, while what Christopher wrote is literary scholarship, concerned more with sources and texts than plots. If you or the friend you are buying for is more interested in understanding LOTR better, you might be happier with a reference works such as:

Karen Fonstad's The Atlas of Middle-Earth (Revised Edition)

Robert Foster's The Complete Guide to Middle-Earth

Or my own book-length, detailed, day-by-day chronology of The Lord of the Rings, Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings

Places, terms and dates, together all three will give you a richer, deeper understanding of LOTR.

******

If you're interested in reading books with the same flavor as Tolkien, you might consider reading William Morris, a once well-known writer who influenced Tolkien. For tales like the warriors of Rohan, see his The House of the Wolfings and The Roots of the Mountains. For arduous quest journeys much like Frodo and Sam's quest to be rid of the Ring, read his The Wood Beyond the World and The Well at the World's End. The four tales have been collected into two inexpensive volumes:

More to William Morris: Two Books that Inspired J. R. R. Tolkien-The House of the Wolfings and The Roots of the Mountains

On the Lines of Morris' Romances: Two Books That Inspired J. R. R. Tolkien-The Wood Beyond the World and the Well at the World's End

NOTE: The individual volumes in the 12-volume History of Middle-Earth series are also published in three large 'Parts' in a series inconsistently titled either The Complete History of Middle-earth and The History of Middle-earth

Part 1 contains volumes I-V from the single-volume series.
Part 2 contains volumes VI to IX from the single-volume series.
Part 3 contains volumes X-XII from the single-volume series.

Which you might buy depends on your taste and how you plan to use the books. Would you rather have three bulky volumes of about 1500 pages each or twelve volumes that are typically 450 pages long?

******

I hope this helps you to select wisely based on your own interests. You can save some money by buying collections of The History of Middle-earth in multi-volume sets. You can also save by buying the Ballantine mass-market paperback instead of the Houghton Mifflin trade paperback edition, although the former may have smaller type and you may need to use both hands to keep it open while you read,
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3.0 étoiles sur 5 Un livre pour les passionn�s de Tolkien 21 janvier 2001
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Format:Broché
Ce livre raconte la gen�se du formidable ouvrage de Tolkien, le Silmarillion, en dŽbutant par les premiers Žcrits de Tolkien ˆ ce sujet. Dans The Book of Lost Tales se trouvent ainsi les premi�res conceptions des Valar, Elfes, Nains, Orcs, et Balrogs, ainsi que les premi�res versions de l'histoire de Nargothrond et Gondolin. Un livre surtout destinŽ aux connaisseurs de Tolkien.
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