Breath
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From Publishers Weekly
SignatureReviewed by David Maine This slender book packs an emotional wallop. Two thrill-seeking boys, Bruce and Loonie, are young teenagers in smalltown Australia, circa the early 1970s. Their attraction is focused on the water—ponds, rivers, the sea—but they do little more than play around until they fall in with a mysterious, older man named Sando. He recognizes their daredevil wildness and takes it upon himself to teach them to surf. As the boys become more skilled, their exploits become more reckless; narrator Bruce (nicknamed Pikelet) has doubts about where all this is heading, while the aptly named Loonie wants only bigger and bolder thrills. This mix of doubt and desire intensifies when the boys make a discovery about their mentor's past.Surfing isn't the only dangerous game in town. As Sando's attentions and favor flip-flop from one boy to the other, the rivalry between the two, present from the beginning, grows stronger and more sinister. Sando's American wife, Eva, becomes more of a presence, too. She walks with a limp, has plenty of secrets of her own and becomes increasingly involved in Pikelet's life, in ways that even a 15-year-old might recognize as not entirely appropriate. Winton's language, often terse, never showy, hovers convincingly between a teenager's inarticulateness and the staccato delivery of a grown man: So there we were, this unlikely trio. A select and peculiar club, a tiny circle of friends, a cult, no less. Sando and his maniacal apprentices. The language manages to summon up both the uncertain teenager and the jaded adult: It transpired that I was not, after all, immune to a dare, Pikelet tells us at one point, with both the breathtaking unawareness of the boy and the irony of the man.Told from the perspective of the narrator's present life as a paramedic, Breath aims to recapture a long-passed episode in a boy's life and show how this shaped the man he grew into. The story contemplates what it means to be less ordinary in an era when extreme sports hadn't even been recognized. (The fear of being ordinary is one of the terrors that drives these daredevils to push themselves ever further.) The author of 13 previous books, Winton is well-known in Australia and should be here. He touches upon important themes, of death, life, breathing and its absence, while looking dispassionately upon the relentless pursuit of thrills, pleasure, sex, status: the mundane obsessions of the ordinary and extraordinary alike. David Maine is the author of Fallen; The Book of Samson; and, most recently, Monster, 1959.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte fait référence à l'édition Relié .
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte fait référence à l'édition Relié .
From The New Yorker
Bruce Pike, a middle-aged paramedic, is adept at distinguishing a suicide from an error in judgment; his own turbulent adolescence accounts for this grim bit of wisdom. Growing up in a conservative Australian mill town not far from the coast, he and a daredevil buddy are swiftly drawn by the call of the big wave: "I couldn’t take my eyes from those plumes of spray, the churning shards of light." The youngest surfers on the beach, they are tutored in the more arcane aspects of the sport by a charismatic older man named Sando. Sando’s wife, meanwhile, represents another sort of danger: once a freestyle skier, she’s now housebound with a mangled knee, and hungers for the thrills that once sustained her. Winton’s latest novel is both a hymn to the beauty of flying on water and a sober assessment of the costs of losing one’s balance, in every sense of the word.
Copyright ©2008Click here to subscribe to The New Yorker
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Copyright ©2008
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› Consultez la page Tim Winton d'Amazon
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