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Bruckner: Symphony No.4 "Romantic"
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Bruckner: Symphony No.4 "Romantic"

16 février 2014 | Format : MP3

EUR 9,99 (TVA incluse le cas échéant)
Également disponible en format CD

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Détails sur le produit

  • Date de sortie d'origine : 1 février 1991
  • Date de sortie: 16 février 2014
  • Label: Universal Music Division Classics Jazz
  • Copyright: (C) 1991 Deutsche Grammophon GmbH, Hamburg
  • Métadonnées requises par les maisons de disque: les métadonnées des fichiers musicaux contiennent un identifiant unique d’achat. En savoir plus.
  • Durée totale: 1:08:41
  • Genres:
  • ASIN: B0025H2P72
  • Moyenne des commentaires client : 4.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 195.211 en Albums (Voir les 100 premiers en Albums)

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4 internautes sur 4 ont trouvé ce commentaire utile  Par earthlingonfire TOP 500 COMMENTATEURSVOIX VINE le 16 décembre 2008
Format: CD Achat vérifié
Le style clair, un peu objectif, de Claudio Abbado, sied bien à la Quatrième, oeuvre de transition encore enracinée dans le premier romantisme mais déjà projetée vers l'univers des symphonies ultérieures de Bruckner. Le chef s'attache hiérarchiser les plans sonores et à trouver le tempo juste plutôt qu'à spéculer sur le sens profond de l'ouvrage ou sur sa dimension expressive. De ce fait, cette version ne peut tout-à-fait se mesurer à celles, plus charismatiques, de Wand ou Jochum mais tient fièrement son rang face à tout le reste de la discographie. On aurait seulement pu souhaiter un travail plus fouillé sur la couleur, d'autant que, comme dans la 5° et la 7°, la prise de son ne met guère l'orchestre en valeur. Un disque à connaîre juste après les essentiels.
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Amazon.com: 7 commentaires
22 internautes sur 28 ont trouvé ce commentaire utile 
This is the best if not one of the best recordings of Bruckner's Symphony No. 4 21 janvier 2007
Par Shota Hanai - Publié sur Amazon.com
Format: CD
This performance of Bruckner's "Romantic" Symphony is as prestigious and golden as the cover itself; the Vienna Philharmonic Orchestra - inarguably one of the greatest orchestras with a rich heritage and close association with several composers including Bruckner - plays with plenty of emotional warmth and power.

The brass section in particular sounds excellent in this recording. Detractors may say it's not as powerful as... let's say the Berlin Philharmonic, or the Chicago Symphony Orchestra. I actually prefer this more balanced "Viennese" sound.

This can be best demonstrated within the development of the first movement; after a stormy section, there is a chorale-like passage. In a remarkable fashion, the warm (and never overpowering) sound of brass and the shimmering sound of the strings results in an organ-like effect. Talk about "Cathedrals of Sound". A truly moving moment, which can only be achieved in certain recordings. The brass-heavy "German" sound given by the Berlin Philharmonic under Karajan, or the Chicago Symphony Orchestra under Barenboim, doesn't give that very sound which continues to fascinate me. Neither the vibrato-filled "American" sound given by Ormandy and the Philadelphia Orchestra. The only other recording I cherish for the balanced sound is... probably to many people's surprise... Esa-Pekka Salonen leading the Los Angeles Philharmonic.

While the first, second, and the last movements are played around average length, Maestro Abbado and his orchestra decided to take the Scherzo one step faster. This picturesque movement of buglers on a hunting game is played with speed and excitement, faster than most other performances (Tintner in particular, which sounds as if the hunters are riding on elephants than on horses), but with just enough brass power you need. It's simply the most exhilerating performance of the Scherzo. I also love how the timpani exaggeratingly play the accents in the end of the "A" sections.

Dont' forget the superb acoustics, done inside the world-class Musikverein concert hall.

Simply, a Bruckner 4 recording one must own!
2 internautes sur 2 ont trouvé ce commentaire utile 
Glorious playing, but the interpretation is too studied 23 août 2007
Par Santa Fe Listener - Publié sur Amazon.com
Format: CD Achat vérifié
The Gramophone anointed this performance of the Bruckner Fourth in a long, pompous review (the sonority of the Vienna Phil. was referred to as "autochthonous"), but I'm not so sure. One cannot fault the orchestral playing, which is on a par with Karajan's two recordings of the work with the Berlin Phil. The smoothness of tone over a vast dynamic range, without the slightest harshness in the brass, is extraordinary. But Abbado tends to homogenize textures, and the effect is magnified by 1990 recorded sound that is congested at forte and above - on my system it's also dull unless the volume is turned up considerably. In concert the effect of Vienna's golden throat fully open is astonishing; here it's a little caramelized compared to the touches of grit and bite that bring Bruckner alive.

Abbado applies suchcare to detail that it tends to put each bar under a microscope at the expense of momentum. This is especially evident in the studied slow movement, but my attention was already wandering halfway through the first movement. Abbado finally lets himself go in the Scherzo, just in time. Bruckner's major symphonies are so expansive that it takes a strong-minded conductor to pull them into shape by force. Klemperer was great at that; so were Karajan, Tennstedt, Furtwangler, and (sometimes) Celibidache. For me, Abbado doesn't belong in that select group, much as I admire his musicianship. My chief reason for keeping this fourth is because the other prominent modern recording with the VPO, under Karl bohm on Decca, doesn't appeal to me as much as to its many admirers.
4 internautes sur 5 ont trouvé ce commentaire utile 
Interesting approach 21 août 2010
Par Colloredo von Salzburg - Publié sur Amazon.com
Format: CD
Claudio Abbado is not for sure the first conductor to think of when we talk
about Bruckner. It would have been interesting to get the complete Bruckner
cycle from him and the Vienna Philharmonic. After listening a very compelling
1st from the cycle, this 4th is my second experience with it and can say that
has been even more interesting. This is not for sure among the best 4ths ever recorded, however, Abbado takes a good conception on the whole work and brings
a bit different reading with broad tempi, powerful if not exaggerated sound
and accentuations in some force passages and the same for his care on every
detail, that is not necessarily a bad point. Claudio Abbado is a great Mahler conductor and perhaps he gets a mahlerian performance of this Bruckner work.
Of course much of the bruckner architecture would be missed with this approach.
The Vienna Philharmonic plays heavenly, as expected, but in general terms
someone will miss the more convincent, better focused and built readings by
Jochum, Karajan, Wand or Tennstedt. This is a good recording that could please
any bruckner collection if you want more than one recording of this work.
1 internautes sur 2 ont trouvé ce commentaire utile 
Bruckner in Lederhosen 2 septembre 2013
Par Bernard Michael O'Hanlon - Publié sur Amazon.com
Format: CD
Abbado recorded a rump of a Bruckner cycle for DG in the Eighties and Nineties; the Second, Third, Sixth and Eighth Symphonies were omitted. As he is running out of tarmac, the project - such as it is - is likely to remain unfinished. The Count is never less than competent in Bruckner, the exception being the Ninth which is a turkey (DG famously kept it in the can for years before releasing it on the sly); even so, competence and amiability will only take you so far in this domain.

This performance of the Fourth with the Vienna Philharmonic could almost be described as `Postcards from Austria'. At innumerable points, I expected the orchestra to break out into a chorus of Edelweiss or the Von Trapp children to make an appearance.

Yes, it's all very nice and easy on the ear - and so much cheaper than boarding a plane to Vienna. In consequence, there is no terror. There is no numinosity. There is no fathoming of the `vasty deep'. No Pantocrator awaits in the coda of the finale. Gerard Manley Hopkins was surely not thinking of this performance when he wrote, "The world is charged with the grandeur of God. It will flame out, like shining from shook foil. It gathers to a greatness, like the ooze of oil."

Perhaps the fault is not Abbado's. Sometimes I wonder if the Vienna Philharmonic is too gemütlich with this symphony to the point where it should be banned from playing it. Could one suggest that it has not bet the house in the Romantic since Furtwangler's day?

Abbado performed Bruckner's Ninth Symphony with the Berlin Philharmonic in May 1997. You'll find it on YouTube. For once, the "kingfishers catch fire (and) dragonflies draw flame." It's revelatory. Bruckner-wise, that's his pyramid - not this cottage on the Obersalzberg.
3 internautes sur 5 ont trouvé ce commentaire utile 
A superb rending that gets better and better... 16 octobre 2012
Par jeffclaudin - Publié sur Amazon.com
Format: CD Achat vérifié
Let me say this: Abbado is a brucknerian conductor. Score to hand, I hear him and the WP dig out wonders of this symphony and at the same tame keep the broad view in mind. I don't know why people complain about the "slack" tempo of first movement here, it is even faster than the celebrated Bohm record Bruckner: Symphony No. 4 with the same orchestra. For me its a real "bewegt, nicht zu schnell", impulsioned by shimmering strings in balance with the brass. I never heard a record of the 4th in which the tonal ressources of this movement are so successfully explored.
The previous reviewer has said about the chorale-passage, and it's true it's magnificent. But Abbado bring novelties in the other movements as well: for instance, the timpani at the peaks of the scherzo, by far the best rendintion of this movement. And in the last movement Abbado manages the tutti (at 15'12") that gets tarted up in some performances by a poco a poco accelerando followed by a grandiose Langsamer, with a mixture of restraint and guile that makes it stupendous. In fact this monster of movement, albeit tight-controlled, here seems to show more freedom and power, peak after peak, until the glorious coda.
After listing it a few times I get addicted. A desert island record!
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