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Burning Chrome [Format Kindle]

William Gibson
5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)

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Présentation de l'éditeur

Ten brilliant, seminal, hard-edged, nerve-enhancing stories from the most influential science fiction writer of our time.

Ten brilliant, seminal, hard-edged, nerve-enhancing stories from the most influential science fiction writer of our time. Since they were first published in the 1980s, Gibson’s vision has become a touchstone – his lapidary prose seethes with buzz-phrases newly minted yet destined to be current well in to the future.

Lowlife characters, ghosts and hallucinations haunt the malls and plazas of an intensely realized holographic world, a name-brand society, with cloned Ninja bodyguards, retro fashions, stunning ideas.

Gibson in the year 2000 is the unchallenged guru, prophet and voice of the new cybernetic world order and virtual reality.

Biographie de l'auteur

William Gibson’s first novel, Neuromancer, won the Hugo Award, the Philip K. Dick Memorial Award, and the Nebula Award in 1984. He is credited with having coined the term “cyberspace,” and having envisioned both the Internet and virtual reality before either existed. His other novels include All Tomorrow’s Parties, Idoru, Virtual Light, Mona Lisa Overdrive, and Count Zero. He lives in Vancouver, British Columbia with his wife and two children.

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1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 great book, loved every page! 5 juin 2012
Par Lizush
Format:Broché|Achat vérifié
Gibson has a tallent of creating impressive distopic universes in only a few pages. I especially appreciated Hinterlands, Red Star Red Orbit and The Winter Market, but all the stories have touched and impressed me in some way. It has become one of my favourite books.
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Amazon.com: 4.4 étoiles sur 5  99 commentaires
46 internautes sur 49 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Occasionally Brilliant 29 novembre 1999
Par Amazon Customer - Publié sur Amazon.com
I think William Gibson is probably the best pure *writer* that I have read for years. I don't think, on the other hand, that his fiction is the best that SF has produced--but his deliverance of the stories is his strong point. His prose has been polished to the point that it sparkles and contains more than a good deal of poetry. Not only is his language poetic, but also are his images, especially his depiction of cyberspace with all its colorful towers of data.
As far as Gibson's fiction is concerned it is always interesting, often relevant, and on occasion cathartic. Most of his stories seem to take on the same sort of tone, that stemming from the "hard-boiled" tradition. Stories like "Johnny Mnemonic" and "Burning Chrome" best exemplify this particular brand of story. But Gibson also pulls a few surprizes out of his hat and delivers stories that are highly experimental and center around character study rather than high-tempo, action-packed adventure stories. "The Winter Market" in particular struck me as especially brilliant. His focus in the story was not the neat gadgetry that was represented by the "exoskeleton" worn by one of the characters, it was how this shaped this character and effected her life. But Gibson doesn't stop there, he gives us a cast of strong characters and plenty of interaction between them. And this is what really made the story interesting for me. The sf elements are there, but the story has a great deal of universality in its portrayol of real people in situations we can relate to.
I also thought that "Hinterlands" and "The Gernsback Continuum" were very interesting stories. "Hinterlands", like "The Winter Market", tells a real character oriented story, and "The Gernsback Continuum" is unlike any other story I've ever read. All of Gibson's stories are well written, but these stories in particular established his reputation in my mind.
37 internautes sur 39 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Powerful 10 juillet 2003
Par Un client - Publié sur Amazon.com
A lot of people who read Gibson bash his writing because of the superficial nature of his characters. They're missing the point. One of the overarching themes of cyberpunk is the idea that technology, while revolutionizing our world, is also slowly stripping us of many of the things that make us human. Cyberpunk is a dystopia, not a Star Trek style utopia. The people living in the Sprawl, in Gibson's world, are superficial, because that's all that they have. It's professionalism taken to an unhealthy degree, and it mirrors many people that I know. Not everyone in the world has a deep, complex personality. I dare say a significant number of them don't.
That being said, Gibson truly shines as a short story writer. As a fan and practicioner of the short story, the sparseness of plot and space in general is one of the strong points in cyberpunk. The genre is about impact and style, and the shorter the story, the stronger the impact has to be to justify the experience.
Burning Chrome is a book with ten such impacts. The first story, Johnny Mnemonic, probably has the best chance to be known by the general public, and has the hardest reputation to overcome. It's great scifi, albeit far from the best story in the book. As other reviewers have said, it does introduce Molly and gives a great taste of the Sprawl. The killing floor is also one of the best examples of culture in Gibson's world.
The Gernsback Continuum is one of those stories that border on the incredibly bizzare. I didn't care for this story as much as the other (it's probably my least favorite), but ti's still bizzare enough to be entertaining.
Fragments of a Hologram Rose if I remember correctly is one of Gibson's first short stories, and it sets the stage beautifully for his style of writing. Short, sweet, and encapturing a moment in life, it may not have the depth of impact of the sprawl stories, but it's still high quality. Gibson deals with emotion, and the avoiding thereof in a painfully human manner. Namely, the characters avoid it at all costs.
The Belonging Kind is another story, sci fi in it's premise, but not so much in it's execution. Refreshing in how alien (litterally) socially popular people can be.
Hinterlands is my second favorite story in the book. It's what I call "classic" scifi- it's set in space, on a space station, and involves man's exploration of the unknown. But instead of a star trek slant, it plumbs into the desperation of wanting to know, the craving from the tree of knowledge for more. I identified with the desire to Know that which is unknown, even at the cost of your own life. A very strong story.
Red Star, Winter Orbit is another "classic" scifi tale, about a decaying russian space station at the end of an era of war. Probably ranks in my 3 least favorite of the book, but that's like saying that cake is a little dry.
New Rose Hotel is another personal favorite, about corporate espionage and the art of the double cross. This is linked to the sprawl stories, although it's hard to tell (certain companies are involved, and their outcome seems to be reflected and alluded to in the sprawl trilogy). Powerfully narrorated by a man about to die, it's light on the sci fi, but strong on Gibson's style.
The Winter Market is an eerie tale about desire and raw drive. The interesting thing about this story is that a few people, including myself, have written stories before ever reading Gibson that share many of the same ideas and themes of this story.
Dogfight is another one that's different. A story about desires, values, and passions, between a convict with a mental block and the college girl he meets with an equally strong mental block. Dogfight refers to a holographic game that the main character is obsessed with.
Burning Chrome. We finally get to the namesake of this book, and we find Gibson in full stride, in lyrical command of his genre. Like Molly from Neuromancer, everything is right in place for Burning Chrome. His moves are down pat, his style oozes, and the delivery of the mood and atmosphere hit you like a jackhammer. Basic plot? Boy meets girl, boy goes on hacking job for girl so he can retire, girl falls for boy's chum and assistant, girl splits as boy & assistant strike it rich. Simple plot, but oh-so-powerful in it's delivery.
Overall, Burning Chrome is worth the investment. Don't read Gibson to have intriguing, incredibly developed plot and characters, read it for the mood and style of the writing. Each page is like a work of art, carefully crafted to leave an emotion, an impression. In a fictional world where life is fragile, the easiest way to achieve immortality is to leave a lasting impression. This is the goal of all the arcane grammar, the lyrical prose, the point-blank blast of imagry that Gibson throws up. Don't try to analyze the plot, analyze the mood. It drips in each of the Sprawl stories.
12 internautes sur 14 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A Landmark Work of Cyberpunk 3 novembre 2000
Par Michael Chu - Publié sur Amazon.com
Featuring stories by the "father of cyberpunk", William Gibson, as well as collaberations with many other important figures in the genre, BURNING CHROME, is as good a collection of cyberpunk short fiction as can be found (short of Bruce Sterling's MIRRORSHADES, which has been out of print for some time). First and foremost, the first story in the anthology, "Johnny Mnemonic", will, no doubt, garner the most interest. (Readers of Gibson's NEUROMANCER will easily make the correlation between Molly and Johnny.) Gritty and imaginative, "Johnny Mnemonic" is worth the price of admission alone, spinning the story (made into the movie of the same name), of Johnny Mnemonic, a data courier, and his gal Molly Millions. "Burning Chrome" and "Dogfight" are considered to be two of Gibson's best short stories, showing off Gibson's creative powers at their strongest. "Fragments of a Hologram Rose" is a lyrical masterpiece, exquisitely detailed and haunting in delivery. Gibson's work is prophetic and amazing, rounding out his Sprawl series (NEUROMANCER, COUNT ZERO, and MONA LISA OVERDRIVE). Bordering on poetic at times, crystal clear at others, Gibson is truly a versatile author.
All in all, fans of Gibson's other works or fans of cyberpunk in general will find this anthology immensely rewarding.
5 internautes sur 5 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Cyberpunk is Still Fresh 29 mars 2007
Par CV Rick - Publié sur Amazon.com
William Gibson burst onto the scene with slick writing and a dismal view of the future. His protagonists were all flawed and the endings resulted in bittersweet Pyrrhic victories - a world were pain begets pain. Mostly set in the criminal underground or the criminal corporate world at war, he explored the darkness in his future worldview and the darkness within each of us.

What I liked best about this collection is what I like best about all of Gibson's work, the fluid prose. Like liquid poetry injected directly into the consciousness it raises your pulse and quickens the anticipation. He's brilliant at creating a mood, a true master.

The highlight of this anthology was the title story, Burning Chrome. To describe it with words like octane and infused would be to weaken its impact, a pure rush of language that conveys the story of desire: wealth, sex, life. There may be no better story in the genre than Burning Chrome.

Of the other stories, Johnny Mnemonic and Hinterlands stood out as exciting rides of fictional craziness. Hinterlands was half-horror, half cyber, and full out corporate espionage. Johnny Mnemonic foreshadowed Neuromancer with the introduction of Molly and the ill-fated Johnny run cross of the true corporate power in Gibson's stories, the Yakuza.

The rest of the collection is a fine sampling of Gibson's writing. Some better than others.

The following is the contents:

"Johnny Mnemonic"

"The Gernsback Continuum"

"Fragments of a Hologram Rose"

"The Belonging Kind"


"Red Star, Winter Orbit"

"New Rose Hotel"

"The Winter Market"


"Burning Chrome"

- CV Rick
4 internautes sur 4 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Vivid short stories set in a scary future 20 octobre 2001
Par Eric Oppen - Publié sur Amazon.com
I first read Gibson in the short stories he sold to Omni, lo these many years ago, and when this collection came out, I was delighted to see those old friends, "Burning Chrome," and "Johnny Mnemonic" in print again. As with all anthologies, the quality of these stories is uneven at best, but when Gibson's good, he's very, very good indeed, and when he's not so good, he's still an author who repays reading.
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