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From Publishers Weekly
In the 1940s, the choices for women in British-ruled Zimbabwe were depressingly few, as Vera (thrice shortlisted for the Commonwealth Writers Prize-African region) illustrates in this slim scorcher. Beautiful, innocent Phephelaphi appears to middle-aged laborer Fumbatha as if in a dream, when she wades out of the river that winds through the black township of Makokoba. He immediately desires her "like the land beneath his feet from which birth had severed him." Her carefree spirit soon tires of his devoted love, however, which she cannot return, although she continues to live with him without the benefit of marriage. Before her mother's tragic murder, Phephelaphi was given a smattering of education, which she knows is the key to her freedom and to her self-realization. "She wanted more than obligation, not a fleeting excitement among male strangers with enticing tongues and a flirtatious oneness. She wanted a birth of her own." After gaining a coveted position at a local nursing school, however, Phephelaphi is grounded by the unthinkable: she learns she is pregnant and no longer eligible for the training course. A searing chapter describes an abortion Phephelaphi performs on herself, which changes the course of her still uncertain destiny. After learning of Phephelaphi's abortion, Fumbatha destroys what little is left of Phephelaphi's self-worth by admitting to adultery and shedding a tragic light on her own parentage. "Falling to pieces, easy, easier than she imagined. Much much easier than holding a man in your arms," she muses. Written in lyrical, metaphor-laden, heavily symbolic prose, this mesmerizing first U.S. appearance of Vera's work is sure to garner attention. (Sept.)
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Zimbabwean Vera has received wide acclaim in her homeland but is relatively unknown in the United States, where her work has appeared in an anthology and through a small press. Her latest novel is a rare work of beauty, capturing the oft-tragic poetry of life in a black township of Rhodesia in the 1940s. Surrounded by poverty and oppression, where blacks are not even permitted to walk on the pavement, young Phephelaphi searches for her own freedom and fulfillment in spite of the love of Fumbatha, a construction worker more than twice her age. Vera's phrasing and style make mundane tasks like cutting tall grass or waiting for a train sing with a music all their own and give a simple story of love, longing, and betrayal a lyric quality. Readers of Isabel Allende, A.S. Byatt, or Toni Morrison will all enjoy this introduction to fine African literature. Highly recommended.DEllen Flexman, Indianapolis-Marion Cty. P.L.
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
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› Consultez la page Yvonne Vera d'Amazon
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Commentaires client les plus utiles
Format:Broché
A beautifully written book about colonialism and the alienating influence it has on people who lose touch with their roots as they try to adapt to the changing times. I enjoyed this rich, challenging and fascinating story. The Usurper and Other Stories, The Village of waiting, Anthills of the Savannah, Triple Agent Double Cross are some of the other African titles I enjoyed.
Format:Broché
Butterfly Burning montre combien il est vitale d'avoir le possibilité de pouvoir s'aimer soi-même, être pour soi. La langue d'Yvonne Vera ensorcèle d'une manière qui rend même les choses les plus tragiques et horribles peut-être pas tout à fait belles, mais surtout poétiques. L'impression d'avoir lu pure l'expérience vécue du personnage principale, Phephelaphi, est forte, inoubliable, et fait que ce roman a de l'importance vraie et une rayonnement rare.
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