From Publishers Weekly
Starred Review. A set of linked nouveaux fairy tales, this graphic novel extends the story of Sleeping Beauty into a modern, feminist Chaucer for happy people. After Sleeping Beauty leaves with the prince, the three ladies in waiting, Patience, Prudence and Plenty, stay on in the castle, a hobgoblin-infested structure that becomes a refuge for those in need: a pregnant woman fleeing her abusive husband; Sir Destrier, a horse-headed knight who wants a place to rest between adventures; Beakie, a kindly bachelor merchant; and Sister Peace, a bearded nun. The ladies do things like dye their hair red with henna, but mostly they tell stories of their lives. The art is full of humor; we know each character as soon as we see them. The faces are particularly expressive. The stories of the bearded nuns go on a mite too long, but there's still plenty of humor in their invention of a whole order of nuns dedicated to showing up the idiocies of men. Medley's art is both exquisitely detailed and fantastically lighthearted. Though appropriate for all ages, this one-of-a-kind graphic novel is likely to appeal most to smart women in their 20s and older—much older—and to any man who believes in feminism and knows how to laugh. (May)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 9 Up–With its quiet blend of fantasy, folktales, and character-driven storytelling, this charming collection brings the first 12 issues of an Eisner Award-winning comic-book series to a wider audience. It opens with The Brambly Hedge, which gives the origin of the castle itself. In a comic retelling of Sleeping Beauty, a medieval castle and its loving inhabitants are abandoned when the princess wakes up, finds her Prince Charming, and rides off into the sunset with him. The castle transforms into an outpost of sorts for the unusual, the unwanted, and those just needing a place to hide from the world. Talking chivalrous horses, pregnant mothers on the run, and nuns who were once bearded ladies in the circus are just a few of the colorful inhabitants whose stories fill the remainder of the volume. Medleys storytelling becomes more assured and complex as the series progresses, and she uses flashbacks and stories-within-stories in a manner that creates a rhythm that is both fun and gripping. Hard-edged lines with simple forms create black-and-white artwork that melds nicely with the fairy-tale feel of the stories. This volume is accessible for younger readers but filled with enough layers and depth to satisfy those looking for a bit more sophistication.–Matthew L. Moffett, Fords Theatre Society, Washington, DC
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
