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Catwoman Vol. 3: Death of the Family (The New 52) [Anglais] [Broché]

Ann Nocenti , Rafa Sandoval
3.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
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Description de l'ouvrage

22 octobre 2013
Writer Ann Nocenti begins her run with the feline fatale! Catwoman must stay one-step ahead of the Joker as he terrorizes Batman and his allies during the Bat-Family crossover event "Death of the Family." But there's no rest for the wicked as hot on the heels of her encounter with the Clown Prince, Catwoman is hired to break into the Black Room to steal the Black Diamond--the source of power for the villainous Eclipso!

Collects CATWOMAN #0, 13-18 and a story from YOUNG ROMANCE #1.

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Produits fréquemment achetés ensemble

Catwoman Vol. 3: Death of the Family (The New 52) + Catwoman Vol. 2: Dollhouse (The New 52)
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Descriptions du produit

Biographie de l'auteur

Ann Nocenti is thrilled to be back in comics, writing CATWOMAN and KATANA for DC Comics.  She wrote for Marvel Comics in the late-1980s, writing Daredevil, editing the X-Men, and creating the characters Longshot, Typhoid, Spiral, Blackheart and more. Nocenti teaches filmmaking at the Indigenous Film Circle in Norway, to Native Americans in Tulsa, and in Haiti for two years. Her journalism has appeared in Details, Utne, HEEB, Stop Smiling, PRINT, Filmmaker, Scenario, and more. She has written about Baluchistan (The Most Expensive Road Trip in the World, Best Travel Writing 2008). Her feature script Taking Chances was produced in 2009. Her work can be found at her website annienocenti.com.

Détails sur le produit

  • Broché: 176 pages
  • Editeur : DC Comics (22 octobre 2013)
  • Langue : Anglais
  • ISBN-10: 1401242723
  • ISBN-13: 978-1401242725
  • Dimensions du produit: 25,9 x 17 x 0,7 cm
  • Moyenne des commentaires client : 3.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
  • Classement des meilleures ventes d'Amazon: 70.780 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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1 internautes sur 1 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Entre haute voltige et haut vol 9 décembre 2013
Par Présence TOP 50 COMMENTATEURS
Format:Broché
Ce tome fait suite à Dollhouse (épisodes 7 à 12). Il comprend les épisodes 13 à 18, et 0, initialement parus en 2012/2013, tous écrits par Ann Nocenti, dessinés par Rafa Sandoval (sauf l'épisode 0 dessiné par Adriana Melo et encré par Júlio Ferreita), encrés par Jordi Tarragona. Il comprend également une histoire courte (8 pages) initialement parue dans "Young romance", également écrite par Ann Nocenti, dessinée par Emanuela Luppacchino et encrée par Jaime Mendoza.

Épisdes 13 & 14 - Ces 2 épisodes s'intègrent dans une attaque généralisée du Joker contre tous les équipiers de Batman, intitulée Death of the family. Catwoman est engagé par Trip Winter, un intermédiaire mystérieux qui lui demande d'intervenir dans une partie d'échec géante en déplaçant un pion situé sur un balcon d'un appartement dans un immeuble. Bien vite, Catwoman va se retrouver à défendre la vie de Milo (un jeune garçon) mis en danger par le Joker cherchant à tester l'allégeance de Catwoman. Épisodes 15 & 16 - Trip Winter commandite un nouveau vol à Catwoman : dérober un diamant noir dans une des bases de l'organisation A.R.G.U.S. Elle se fait passer pour un professeur érudit et réussit à pénétrer sans encombre dans la pièce où est entreposé le diamant.
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1 internautes sur 1 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Une relance en voie d'essoufflement ? 11 novembre 2013
Par Stan FREDO TOP 500 COMMENTATEURS
Format:Broché|Achat vérifié
Ann NOCENTI se présente pour son site Internet en tant que "journaliste, cinéaste, écrivain, photographe et enseignante", dans cet ordre.

Dans le monde des comics, NOCENTI reste principalement connue comme l'un des meilleurs auteurs du personnage marvélien de Daredevil (1986-1991). Elle reprend ici Catwoman à la suite de Judd WINICK qui s'était chargé de la relance du personnage dans le cadre de "The New 52!" (Catwoman #1-12, ou 'Catwoman Vol. 1: The Game' et 'Catwoman Vol. 2: Dollhouse').

Ce troisième trade paperback regroupe un #0 consacré aux origines de Catwoman, 6 n° de la série en cours (#13-18) et l'histoire de Catwoman et Batman parue dans le spécial d'avril 2013 'Young Romance: The New 52 Valentine's Day Special #1' (celui avec sur la couverture Supes et Diana qui se bécotent).

Le dessinateur majorquin Guillem MARCH cède la place à son compatriote de Grenade Rafa SANDOVAL pour l'essentiel de ce recueil, sauf l'épisode "Young Love" (c'est Emanuela LUPACCHINO qui s'y colle) et les deux épisodes traitant des origines de Catwoman.

NOCENTI poursuit quelques-unes des pistes mises en place par WINICK mais apporte aussi sa propre pâte pour une direction qu'il n'est pas aisé de détecter. Cela tient bien entendu à la complexité du personnage, qui est une monte-en-l'air qui s'efforce de ne pas commettre de méfait plus grave que des cambriolages, mais dont le comportement risque-tout entraîne moultes catastrophes pour ses proches.
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Amazon.com: 2.7 étoiles sur 5  13 commentaires
4 internautes sur 4 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 A boring soap opera villain searches for a plot 7 décembre 2013
Par Alt - Publié sur Amazon.com
Format:Broché
There isn't much of a plot here. Most of the story is overshadowed by the attempt to flesh out the sorrowful backgrounds of Catwoman and the Joker in an apparent attempt to help the reader understand their criminal motivations. Have your hanky ready because it's a typically sad story of bad parenting and orphanages and ... well, actually, you don't need a hanky, but keep your pillow nearby because the story might put you to sleep. Really, when characters have been around for more than half a century, I'm not sure why it's necessary to delve into their backgrounds. The tiny violins playing in the background didn't help me engage with the story.

Speaking of characterization, when the Joker tells Catwoman that she should stop being a Batman groupie, I think he has a point. Between her pining for Batman, her endless moaning about her rotten childhood, and all the good deed she does, Catwoman has become one of the least interesting supervillains in comic book lore. Beyond that, the current trend in DC to introduce cheesy love stories worthy of afternoon soap operas is on full display here in a sophomoric "I hate you/I love you" scene between the Bat and the Cat.

The self-consciously literary prose falls well short of the excellence for which it strives. When Batman says, "Even a lone wolf needs a pack sometimes," I had to guffaw. If a lone wolf needed a pack, it wouldn't be a lone wolf. As for the art, it would be nice for Selena Kyle to look like the same person for two panels in a row, but that doesn't happen. The only thing consistent about her from page to page are her ridiculously supersized breasts. Sometimes the sense of perspective was so bad that characters seemed to be growing and shrinking over the course of a page.

There are moments when the story's theme resonates, as when Selena Kyle struggles to get a grip on her identity, and the story moves briskly. About half of it (maybe less) is worth reading. The other half (maybe more) I could have done without.
1 internautes sur 1 ont trouvé ce commentaire utile 
2.0 étoiles sur 5 Great art but lousy story 25 juillet 2014
Par deepinmud - Publié sur Amazon.com
Format:Broché
Rafa Sandovals art honestly is what makes this title worthwhile. The first joker storyline is ok but it's told in a way with little continuity and in general the title hurts from Ann Nocenti's story which is not much more than a running narrative of Selina's thoughts. What really hurts the title though is just the lack of dimension given to her character, Selina's exactly what her comic stereotype is a bad girl who with a twisted self righteous edge with pathological materialism. I honestly would knock this to a 1-star but even if you may not agree with the somewhat over sexualized portrayal of Catwoman one cannot take anything away from the lush original whole page spreads and the fantastic use of dynamic perspective and details. Sandoval's pencils are shown in the back and it's really spectacular but unfortunately cannot justify this title. Pass.
6 internautes sur 9 ont trouvé ce commentaire utile 
1.0 étoiles sur 5 This used to be a quality book. Unfortunately, that is no longer the case... 2 décembre 2013
Par N. Beitler - Publié sur Amazon.com
Format:Broché
Title: Catwoman Vol 3: Death of the Family
Publisher: DC
Writer: Ann Nocenti
Artists: Rafa Sandoval, Adriana Melo, Emanuela Lupacchino (pencils), Jordi Tarragona, Julio Ferreira, Jaime Mendoza (inks), Sonia Oback, Jason Wright, Gabe Eltab (colors), Tony Daniel & Tomeu Morey (covers)
Collects: Catwoman #0, 13-18
Price: $16.99

Whoa! What happened!? Talk about a drop in quality! This train didn't just jump the rails, it dove head-long into the side of a barn! Yikes! This book is suddenly nothing like what it was before, and I can't even tell where it's going anymore!

I knew that Judd Winick was leaving this book after the first year was finished, but I truly expected better from veteran comic write Ann Nocenti! She has been writing comics for years, and most of those issue and characters written by her I enjoyed. On this title, though, she is really floundering and isn't sure what she wants to do with the character or what direction the book should be going it. While part of this is due (I'm sure) to the Death of the Family crossover that is thrusting its way into all comics that are centered in or peripheral to the world of Batman, I can't excuse what a mess she is making of things.

This book no longer has any direction or focus. I can't make heads nor tails of where it's going. The book is jam-packed with all sorts or rambling dialogue that gets us nowhere fast. We get another meaningless and joyless fight with Batman, an incomprehensible museum heist of mystical relics, two issues worth of pointless mind games with the Joker, and all sorts of other nonsense. Little is carried over from Winick's work, and that was some good stuff. This new stuff is a chore to read. If I see Nocenti's name on the next volume, I will be skipping it altogether.

Art on this book is decent, but definitely a step down from Guillem March. Sandoval seems to be trying his hardest to channel Marvel artist Joe Quesada. His characters have loads of detailed line work on their faces and Catwoman's swing lines and whips are impossibly long and swirly - looking more like Spider-Man's web-lines than taunt cords. I actually enjoyed the artwork from #0-issue artist Emanuela Lupacchino better than that of the main artist Rafa Sandoval. Lupacchino's softer line work and more feminine-looking Catwoman seemed better suited to this title.

Overall, this book was a huge disappointment. Enough so, that I will not be looking to pick up any more TPBs in this series until I see a new writer has been given the reins.

Writing: 1/10
Artwork: 7/10
Cool Factor: 1/10
Value: 2/10

Overall: 2.75/10
2 internautes sur 3 ont trouvé ce commentaire utile 
1.0 étoiles sur 5 Pointless and Messy 14 mai 2014
Par cinewhore - Publié sur Amazon.com
Format:Broché|Achat vérifié
What the hell did I read? There's a lot of going nowhere plot-wise, pointless action, silly dialogue, even some magic. The artwork is pretty, but poor in visual storytelling (to be fair, the script's quite awful, so I don't even know if it's possible to save it with art), making it just a collection of pin-ups.
0 internautes sur 1 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Many Crossovers Creates a Rocky Path for a New Team 11 décembre 2013
Par A. Bonomo - Publié sur Amazon.com
Format:Broché
As a long time fan of Catwoman who didn’t like the first collection of her New 52 series I eagerly awaited a new creative team. Paying close attention to the internet chatter the was not good. Writer Ann Nocenti took over for the #0 issue, DC’s anniversary event in honor of the re-launch. The issue doesn’t have much to do with anything that came before it. Artist Adriana Melo does some funny faces, but over all the art is fine. The biggest criticism of the issue was that it used the thrown from a building and revived by cats set up from “Batman Returns”. Nothing in the 0 issue ever gets brought up again in the pages of “Catwoman”. In retrospect the issue’s plot looks like an early draft of something Geoff Johns was working on to explain her presence in “Justice League of America”. There, if anywhere is where the story will be carried over.

The next two issues (#13-14) are part of the “Death of the Family” crossover. They take place early in the story and Catwoman isn’t involved in the climax, so it probably stands better on its own than some of the other titles.

Issues #15-16 tie into the New 52’s reintroduction of Eclipso, the demon in the Black Diamond. In “Team 7” The Black Diamond was captured and put into the Black Room in ARGUS. Catwoman steels it so Eclipso can torture the characters in “Sword of Sorcery”. The story doesn’t quiet work, part because the history of Eclipso can’t really be added into the plot. The reveal character who hires Selina is supposed to be a surprise, but unless you read Team 7 you’re likely to shrug. More importantly pairing a heist with the story of an object that can demonically take over whomever posses it, doesn’t really mesh. A heist story generally is about breaking in and out. Possession stories are more about spiritual resistance. This chooses to focus on the possession angle, but if you aren’t familiar with Eclipso, her the fact that she never succumbs to possession isn’t all that impression.

Much to my surprise issue #17 is where things start coming together as well as the set up for the next arc. It’s set mostly in the day before steeling some painting about the history of Gotham. During the day she becomes a ware of a burgeoning gang war, visits a kid the Joker kidnapped, and rehearses the heist, setting up the first encounter with Batman since issue #6. Which is actually another crossover.

The Batman in Issue #18 is coming off of a shocking event that happened in “Batman Inc” and the issue more directly ties into the story that started concurrently in “Batman and Robin” #18. No mistake about it, Batman’s behavior here is shockingly violent. In real life it could be fatal. But it is keeping in with what goes on in the other titles. As for Catwoman’s response, I’d argue that it’s a lot more complicated that people thought at first.

Rafa Sandoval’s art is distinct. It it’s great for action, less so for the pretty. It can also be confusing, never worse than in the Black Room. At this point, for emos reason, stuck with a really grungy palate. They eventually broaden it, which makes the art much better, but that’s not in this collection.
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