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Chasing the Ghost Import

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Page Artiste Collide

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Détails sur le produit

  • CD (26 octobre 2000)
  • Nombre de disques: 1
  • Format : Import
  • Label: Mis
  • ASIN : B000050YAK
  • Autres versions : Téléchargement MP3
  • Classement des meilleures ventes d'Amazon: 646.596 en Musique (Voir les 100 premiers en Musique)
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Descriptions du produit

Descriptions du produit



Collide is the perfect balance of precisely engineered electronic synthpop layered as the foundation for the amazingly sexy vocals provided by kaRIN. Together, they show remarkable range while maintaining a trademark style that stands high above their genre contemporaries. At times, brooding and lingering, then sliding smoothly into energetic danceable club favorites, and always powerful. --Blueblood Magazine

Collide's music is like an H.R. Geiger painting: It's dramatic, messy and dismally monochromatic, but its wicked array of macabre imagery never fails to evoke an immediate emotional reaction. --Cmj

The time spent waiting for Collide to release a follow-up to their impressive debut, Beneath The Skin, has proven to be more than worthwhile; Chasing The Ghost not only improves on their elegant gothic stirrings and industrial grind, but further defines it into truly something to behold. From the opening of Transfer, kaRIN's seductively breathy voice is punctuated by crunchy percussion and distorted guitar effects. This dichotomy of angelic beauty and mechanical Hell proves itself Collide's distinguishing trait, and Chasing The Ghost explores this territory with staggering results. --Electroage

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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 69 commentaires
20 internautes sur 20 ont trouvé ce commentaire utile 
KaRIN And The White Rabbit Collide On The Way To Wonderland 23 mars 2006
Par Brian E. Erland - Publié sur Amazon.com
Format: CD
If Tim Burton remade the film 'Alice In Wonderland', 'Chasing The Ghost' would be the soundtrack. With its slow, melodic pace and electronic dissonant sound evoking a near trance-state, the listener is progressively hypnotized with each successive track moving you deeper and deeper into a dreamy, surreal world of multi-layered shadow.

KaRIN is not so much singing, but whispering to us to follow her on a journey down the rabbit hole. It has a somewhat disquieting affect, as though someone else is listening in and she doesn't want them to hear.

All -10 tracks- work well together as they seamlessly weave there way through the ever-shifting darkness. I particularily enjoyed -track 4- 'Dreamsleep', -track 5- 'White Rabbit' (great cover of the Jefferson Airplane classic) and -track 8- 'Monochrome.'

So turn out the lights and sit back and enjoy. No need to light any candles, the Cheshire Cat will arrive shortly and his glowing eyes and wide, mocking grin will provide all the illumination necessary.
43 internautes sur 50 ont trouvé ce commentaire utile 
In the river of darkness there is a light 29 novembre 2003
Par Clarissa - Publié sur Amazon.com
Format: CD
For the longest time I've been wanting to express my feelings towards this extraordinary record and have failed miserably at every thwarted attempt. There's simply no just way to articulate how wonderful it is for me to have this unparalleled masterpiece in my collection (I actually feel honored) and even now I'm at a loss for words. At this point, depletion has taken over and I'm at my lowest low with frustration but I'm determined to take a pathetic shot at praising Collide's most accomplished effort to date because this truly is a work of art.
I've owned 'Chasing The Ghost' for well over a year now and its been in heavy rotation ever since. It's hands-down my favorite album and nothing's come remotely close to outdoing that position. Many people describe their music as erotic and I'd have to agree with them. KaRIN's voice is like a dark siren call that's seductive and distinctly alluring as her ethereal singing style caress the senses with poetic lyrics and beats laced with trance-like quality.
As much as I love their debut, 'Beneath The Skin', and their latest release, 'Some Kind Of Strange', 'Chasing The Ghost' is lifetimes ahead of them both and far less alternative. Collide's remix excursion with 'Distort' apparently set the groundwork for a more electronic-based sound that fuses guitars and drums with a dancier EBM flow that's incredibly hypnotic. Collide (a two person group: kaRIN - voice/lyrics, and Statik - "noise") may never garner the inconceivable attention and recognition they deserve but, in my eyes, they will forever remain one of the world's greatest Goth bands. The melodies are all unforgettable and they never cease to draw me in deep as they run with remarkable consistency. And while every track is beyond amazing, none other has surpassed the trip-hop of "Razor Sharp" as my all-time favorite Collide song.
This is sure going to be hard to exceed.
12 internautes sur 13 ont trouvé ce commentaire utile 
Not quite what I expected - but it impresses anyway! 31 octobre 2000
Par MTJones - Publié sur Amazon.com
Format: CD
I was fortunate enough to receive a promotional copy of this album before the release date. Some people might argue that five advance days mean nothing in the grand scheme of things, that it hasn't had enough time to soak in.
I would argue that five days of nonstop listening is more than enough.
I think I should clarify that I'm a huge Collide fan. Goth music in general doesn't cut it for me, but this duo's unique electrogoth sound moves me like no other. So I have to mention that I have a slight bias toward this album before even hearing it; although I know Collide is far from perfect, and I've criticized some work in the past, I had a feeling from the start that Chasing the Ghost will be good.
Statik's extensive production work with such groups as Love & Rockets, Powerman 5000, and Eve 6, among others, leads to a very crisp sound quality. It fits the music, which is itself less raw and jagged than on past albums. Even though Chasing the Ghost dares to experiment more with guitars and exotica - creating a wider, more general appeal - the mellow/dance element remains a dominant force. kaRIN still has the voice of an (as the cover art suggests) angel, and my wish has come true - her voice is brought to the front of the mix, giving it a larger role than on Beneath the Skin.
I must admit, I love Collide's earlier output and was hoping for something along those lines, but this more emotional and musically sophisticated release, while not quite in the style I expected, made my jaw drop anyway. Great artists are those who can reinvent themselves, after all, and Collide has done just that without losing an iota of appeal.
As I said, the dance elements are still there, and are especially present in the wicked, percussive groove of "Transfer." But Chasing the Ghost has much softer moments, as in the trip-hop influenced, crooning nuances of "Razor Sharp." And "Ocean," one of the most dynamic tracks on the album, combines laid-back 'verse' segments with atmospheric and vocal-driven choruses; it's sure to be a hit.
The louder/noisier moments do not dominate the album, by any means - Chasing the Ghost still remembers Collide's mellow roots. Nonetheless, tracks like "Dreamsleep" have occasional bursts of grinding guitar activity. No, it's not like P5000 - the riffs on "White Rabbit" are tasteful and muted; they only flesh out the track, not mar it.
However, the best moments on the album are by far the exotic ones. "Halo" comes to mind immediately - it uses a sitar (the Indian equivalent of a guitar) to back up kaRIN's vocals, and the sweeping string/electronics combination is unforgettable.
Collide claims that making this album was a torturous process. I can believe it. The pure emotion infused within each track, the precise timing and placement of the songs, the impeccable vocals - these all reflect love and effort, two qualities that cannot be faked.
Although this statement may not carry as much weight as I would like after only three albums, I have to say it: Chasing the Ghost is the best Collide album, by far. It's well worth the wait and the money. I only hope Collide continues to raise the bar with each release, as it evidently did with this one.
7 internautes sur 7 ont trouvé ce commentaire utile 
SHEER BRILLENCE (and then some) 3 août 2002
Par DeathfromAFar - Publié sur Amazon.com
Format: CD
Normally I dont write album reviews, but this is a truely remarkable album. There should be a warning sticker on the cover saying that it is more addictive than crack cocaine- yes, boys and girls it is that good.
If you like-Faithless, Sisters of Mercy, Massive Attack, Delerium, Portishead, Garbage or Curve you will more than love this.
The CD combines an absolutly gorgeous female voice with stunning soundscapes and grooves which hit you in various ways.
The closest that can be compared to is Curve, who despite my great love for have well and truely been knocked off there perch. Dont pass this album up!
12 internautes sur 14 ont trouvé ce commentaire utile 
like you want to believe 24 avril 2004
Par Erica Anderson - Publié sur Amazon.com
Format: CD
I finally got around to buying Collide's "Chasing the Ghost". I bought their last studio album "Some Kind of Strange" several months ago and liked what I heard. I was quickly reminded of Switchblade Symphony and Curve with its sensual vocals and trip hop-influenced grooves. I had been putting off "Chasing the Ghost" for awhile because I kept finding cds that I really wanted. I finally got "Chasing the Ghost" in the mail yesterday and have been listening to the cd non-stop. I absolutely love kaRIN's sensual vocals. She reminds me of Toni Halliday of the band Curve as well as Lucia Cifarelli of KMFDM/MDFMK/Drill fame. As good as "Some Kind of Strange" is, I find myself enjoying "Chasing the Ghost" slightly more. I was rather blown away with the duo's cover of Jefferson Airplane's "White Rabbit". When I first listened to the song, I didn't recognize the song but I knew I had heard it before and then I looked on the back of the cd and saw it was the old Jefferson Airplane song. Collide gives a darker edge to the psychedelic classic rock song. I thought it was cool that Faith and the Muse's William Faith and Monica Richard contributes on the album for a couple of tracks. William Faith contributes his guitar playing on "White Rabbit" and "Dreamsleep" while Monica sings background vocals on "Monochrome". All those songs are great songs. kaRIN sounds incredible on all the songs. I particularly loved listening to her sing on "Razor Sharp" and "Dreamsleep", two of my personal songs on the cd. Statik does an equally great job giving the music that dark, sensual, electronic edge. Collide is truly one of the better up and coming neo-goth bands that exists today.
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