From Publishers Weekly
Morgan and his wife leave their middle-aged Arkansas lives behind to move to France and follow in the footsteps of the painter Henri Matisse, the author's hero. Part travelogue, part biography and part memoir, the book chronicles the couple's journey as they travel from Paris to such distant destinations as Corsica, Morocco and Nice, all the while eating good food, drinking fine wine and staying in luxury accommodations. Morgan, who depicted his coast-to-coast road trip in 1999's The Distance to the Moon, also sketches and paints interiors, landscapes and people as they go. But his drawings, included in the text, appear amateurish when coupled with his unoriginal musings ("artists are by nature and necessity self-centered, if not outright narcissistic") and his need to compare himself to his subject ("While I painted my offbeat [Christmas] ornaments, I thought of Matisse's struggle in 1892 following his first failure to qualify for the Ecole des Beaux Arts"). The book's strength lies in Morgan's ability to incorporate secondary sources to enliven and enrich the narrative, such as biographies of Matisse by Hilary Spurling and John Elderfield. In the end, though, Morgan's journey to "chase" Matisse is too personal; readers who admire the artist and hope to understand him with greater depth and sensitivity won't be satisfied by this effort. 28 illus.
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Booklist
First-person travel books often come in the form of vision quests, and Morgan's is no exception. At 59, he parlayed a writing career into a liberating spree around France. His mission: to "read, write, paint, think and travel." (All that and his wife, also a writer, went along, too.) An amateur painter, he aimed his brushes toward an obsession with the "affirming spirit" of Henri Matisse and, voila, a book is born. Chasing Matisse joins the genre of boomers in search of the luxe life; think A Year in Provence (1990). Readers who revel in such tales, and who have a passion for art, will likely identify with Morgan's effort to follow in Matisse's footsteps, and to find his light, colors, and inspiration in Morocco, Corsica, and Venice. Morgan's record of learning to draw and paint in Matisse's shadow is imbued with good humor and intelligence, though also an abundance of closely observed rituals of travel, as if shopping for office supplies in Paris is somehow more of a transforming experience than it is in Little Rock. Steve Paul
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
