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Chopin : Concerto Pour Piano N°1 - Liszt : Concerto Pour Piano N°1


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Page Artiste Yundi Li


Détails sur le produit

  • Interprète: Andrew Davis
  • Orchestre: Philharmonia Orchestra
  • Chef d'orchestre: Andrew Davis
  • Compositeur: Franz Liszt, Frédéric Chopin
  • CD (12 février 2007)
  • Nombre de disques: 1
  • Label: Deutsche Grammophon
  • ASIN : B000KP61ZI
  • Autres éditions : Téléchargement MP3
  • Moyenne des commentaires client : Soyez la première personne à écrire un commentaire sur cet article
  • Classement des meilleures ventes d'Amazon: 54.516 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Concerto pour piano et orchestre n°1 en mi minueur, op.11 - 1. allegro maestoso
  2. Concerto pour piano et orchestre n°1 en mi minueur, op.11 - 2. romance (larghetto)
  3. Concerto pour piano et orchestre n°1 en mi minueur, op.11 - 3. rondo (vivace)
  4. Concerto pour piano et orchestre n° 1 en mi bémol majeur, s.124 - 1. allegro maestoso
  5. Concerto pour piano et orchestre n° 1 en mi bémol majeur, s.124 - 2a. quasi adagio
  6. Concerto pour piano et orchestre n° 1 en mi bémol majeur, s.124 - 2b. allegretto vivace - allegro animato
  7. Concerto pour piano et orchestre n° 1 en mi bémol majeur, s.124 - 3. allegro marziale animato

Descriptions du produit

Yundi Li . Philharmonia Orchestra / Andrew Davis . Chopin . Liszt . Concertos pour piano n° 1. Chopin et Liszt sont les compositeurs fétiches de Yundi Li. Le jeune pianiste enregistre aujourd'hui les oeuvres les plus populaires du répertoire romantique. Il interprète avec beaucoup d'émotion ces chefs-d'oeuvre du piano. Yundi Li possède un art de faire sonner le piano tout à fait séduisant: sonorité de rêve, souplesse féline, virtuosité impressionnante . N'oublions pas que Yundi Li était le gagnant du Concours Chopin de Varsovie en l'an 2000 . Ce jeune artiste au talent pianistique exceptionnel n'a pas fini de nous surprendre.

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Amazon.com: HASH(0x954dc4c8) étoiles sur 5 21 commentaires
19 internautes sur 22 ont trouvé ce commentaire utile 
HASH(0x9548b918) étoiles sur 5 Passionate and moving. The best ever from YUNDI LI 23 mars 2007
Par H. ZHANG - Publié sur Amazon.com
Format: CD
I have always been reading reviews but this CD compels me to write one. I have always been a fan of YUNDI LI since I first listened to his performance in 2000 Chopin competition. To me, it is amazing to see someone so young yet possesses such a deep understanding of Chopin's music. I believe technique-wise, there are many brilliant pianists. But to really stand out, you need to also have the soul (not just to show off like Lang Lang). That is also why I love Chopin yet detest List. Very few pianists achieve that level. YUNDI LI is definitely one of them and the youngest among them. When I listened to this CD, especially Chopin's concerto, I was deeply moved to tears. The contrast, the tempo, the touch are all so well integrated. I have seen many reviews. To me, the judgment can only be individual. Each of us would know when the playing speaks to the very deep of our soul. As someone who enjoyed playing piano (especially Chopin's work), I feel blessed that we have this outstanding pianist. I am sure Chopin would have been amazed by him. You need to get this CD and make your own judgment.
21 internautes sur 26 ont trouvé ce commentaire utile 
HASH(0x96b48e18) étoiles sur 5 Yundi Li - Precocious Talent to Interpretive Artist 14 février 2007
Par Music Man - Publié sur Amazon.com
Format: CD
This exquisite CD should put to rest all of the naysayers who dismiss Yundi Li's talent as technically brilliant but interpretively shallow. Granted, when he started his recording career 6 years ago, his youth and lack of seasoning were apparent as they should be for a 19-year old, but so was the clear potential he continues to progress toward. This gourgeous and fully-realized recording is his best yet, and shows his increasingly expressive skills as well as what may be the most technically proficient talent of our time.

He shines in the Liszt Concerto. Throughout the Allegro vivace, he alternates gently textured passages with powerful crescendos of emotional depth of interpretation. He manages these transitions flawlessly and never relies on bombastic showmanship but allows the beauty of the music to flow through his dextrous fingers. Li has also become one of our most eloquent interpreters of the works of Chopin. The Allegro maestoso section of Chopin's Concerto gives Li room to display all of his talents: the almost limitless perfection of his technical skills, the beauty of his gently played though never rushed adagios and, of course, the power of his transitions to the most emotionally expressive passages. Still, this is followed by the one section of this CD that most displays his growth as an artist and musician. Chopin's Romanze, Larghetto is both exuberant and gently moving in Li's interpretation.

This is a young man who is no longer precocious. He has earned his position as one of the world's premiere pianists. Yundi Li is an artist whose growth has been well documented, and his first CD with the Philharmonia Orchestra expands the range we have come to expect from him. It's a thrill to listen to all of these musicians at the top of their game, only to have Li steal the show with a flourish of his fingertips. A must have.
14 internautes sur 18 ont trouvé ce commentaire utile 
HASH(0x956e8dbc) étoiles sur 5 a good Chopin and a great Liszt 1 avril 2007
Par D. Jack Elliot - Publié sur Amazon.com
Format: CD
I find Li's playing of the Chopin concerto here rather too reserved. Chopin's music is as indulgent, passionate, and over-the-top as Romanticism ever managed, but Li offers balanced, moderate phrasing and interpretation that seem to me better suited to the Mozart piano concerti, or to readings of the Beethoven concerti that emphasize Beethoven the Classicist vis-a-vis Beethoven the early Romantic, than to gushing Romanticism. To be sure, this is a good reading, and in fact Li's playing reminds me quite a lot of Murray Perahia's: subtle, poignantly understated, accurate, remarkably astute and insightful. I just wish he would get more carried away with himself, show more can't-sit-still abandon with this piece.

The Liszt, though... I loved it. Another reviewer here thought it was heavy-handed, uneven, and too flashy, but I can't understand such a criticism in this repertoire. Li pulls out all the stops and pounds away at the keyboard to make your heart race, and I can't imagine what else you could ask of a performance of a Liszt concerto, which attends to other concerns before those of structural integrity and coherent emotive logic and development. Pieces of this sort are the action movies of the classical repertoire, not the Lawrence of Arabia. A good action movie needs explosions and car chases and bikini models, and Li's Liszt playing has got the musical equivalents of all those things to spare. It's just great.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x957d6564) étoiles sur 5 Chopin keyboard overly rushed, Liszt quite vigorous 9 mai 2013
Par RLB - Publié sur Amazon.com
Format: CD
Yundi LI has been fully trained at technical piano drills, well developed keyboard technique, reading music, sight reading, piano training, competition winning and publicity. A pianistic superstar. Where does this leave him musically? The Liszt Piano Concerto 1 gets a vigorous reading and performance with no particular insights or glaring shortcomings. The recording is fairly neutral and natural without any prominent miking of the piano. The Philharmonia play well, with rather conventional tempo. Yundi breezes along in his usual techno-keyboard style, consistently playing the notes (oh so well) - but not getting totally to Liszt so to speak. For example, listen to Thibaudet/London or even Zimerman - there is more "depth" to the keyboard contribution - than the kind of "surface skimming" (however technically accomplished) with Yundi's style. For example in the Allegretto of the Liszt (movement 3) I miss the musical insights slower keyboarding would reveal. This Liszt seems to be a modern recording process as Yundi's contract with DG was nearing completion. A reasonable performance of virtuosity and no better than that.

With boatloads of Chopin Piano Concerto recordings in the current catalog, from the slow tinkling of say Arrau, to Zimerman's hand picked DG (Polish Festival), or Argerich - what is new or insightful here, if anything? A rather undifferentiated (rather reverberant) orchestral texture starts the Chopin, and YUNDI begins with a technically assured entrance on the keyboard, and you don't "feel" much Chopin occurring. He begins his traversal of the notes, (piano a bit brittle sounding) and where is the Polish grace and dance? Where is the longing and modulation of the musical argument? Up and down the keyboard, with no Chopin. He is playing the Concerto like an Etude if you will. So it proceeds, in the Rondo Yundi (again so polished with speed) Yundi misses the tonal relation and you miss the sparkling delicacy, the graceful Chopin keyboard for this "pianistic superstar" treatment. DG seems to be giving the Chopin concertos to their newest generation of Competition winners (and such): Yundi, Lang Lang, Pires, Blechacz - (rather mixed results too) so you can add to your collection anything from classic Giulini/Zimerman, to these modern digital performances. I'm not sold on this pairing. DG is featuring this recording on Free DG radio - which is where DG often put low selling discs.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x957d6888) étoiles sur 5 Better ensemble work required. 23 mai 2007
Par Abert - Publié sur Amazon.com
Format: CD
Since his spectacular win in the Chopin Competition at the age of 19, Li Yundi has become the youngest top-notch interpretor of Chopin's works.
He has also won a Lizst Competition earlier, and hence could be said to specialise in those two composers.
Yundi is a very conscientious pianist. His steady progress in technique is undisputed, and so is his interpretative skill for these two composers' works.
Some have criticised Andrew Davies' conducting in this recording - Robert Levine here, and the Sante Fe Listener.
However, it should also be noted that Yundi is also known to be individualistic in his performances with orchestras. He was known to prance ahead ignoring the orchestra in his Liszt No. 1 Concerto at Carnegie Hall this March with Chailly, too. I think the noticeable dichotomy in this recording should be accounted for on both ends.
Compared with the Chopin concerto (a piece he played at the 2000 Chopin Competition), the Lizst No. 1 offered less of the shimmer both in tone and dynamics. A striking comparison of the Li-Davies rendition with the 1979 historical Liu-Osawa (Liu Shi-kun), the latter shows up a much more fiery and glamorous version of the No. 1 Concerto of Liszt, with a breathtaking 3rd to 4th movements done in an almost unsurpassable bravura style that this Li-Davies version lacks sadly. That said, Andrew Davies' unimaginative conducting accounts for this at least 50%. Li's touching in the last movement of the Liszt No. 1 Concerto can be said to be too dry and flimsy, giving in to a fast tempo at the expensive of real expressiveness. The Chopin concerto, however, offers a colourful diverse-hued reading that is a real pleasure.
Unlike his compatriot Lang Lang who has a knack of picking out difficult pieces rather indiscriminately, young Li on the other hand needs to acquire more general musical nurturing apart from specialist works. But don't worry - he has the time to do it.
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