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Chopin : Les Nocturnes - Barcarolle - Fantaisie

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Page Artiste Claudio Arrau


Détails sur le produit

  • Compositeur: Frédéric Chopin
  • CD (28 septembre 2001)
  • Nombre de disques: 2
  • Label: Decca
  • ASIN : B00005IB57
  • Moyenne des commentaires client : 5.0 étoiles sur 5 2 commentaires client
  • Classement des meilleures ventes d'Amazon: 30.256 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. 21 nocturnes - nocturne no.1 in b flat minor, op.9 no.1
  2. 21 nocturnes - nocturne no.2 in e flat, op.9 no.2
  3. 21 nocturnes - nocturne no.3 in b, op.9 no.3
  4. 21 nocturnes - nocturne no.4 in f, op.15 no.1
  5. 21 nocturnes - nocturne no.5 in f sharp, op.15 no.2
  6. 21 nocturnes - nocturne no.6 in g minor, op.15 no.3
  7. 21 nocturnes - nocturne no.7 in c sharp minor, op.27 no.1
  8. 21 nocturnes - nocturne no.8 in d flat, op.27 no.2
  9. 21 nocturnes - nocturne no.9 in b, op.32 no.1
  10. 21 nocturnes - nocturne no.10 in a flat, op.32 no.2
  11. 21 nocturnes - nocturne no.11 in g minor, op.37 no.1
  12. 21 nocturnes - nocturne no.12 in g, op.37 no.2
  13. 21 nocturnes - nocturne no.13 in c minor, op.48 no.1

Disque : 2

  1. 21 nocturnes - nocturne no.14 in f sharp minor, op.48 no.2
  2. 21 nocturnes - nocturne no.15 in f minor, op.55 no.1
  3. 21 nocturnes - nocturne no.16 in e flat, op.55 no.2
  4. 21 nocturnes - nocturne no.17 in b, op.62 no.1
  5. 21 nocturnes - nocturne no.18 in e, op.62 no.2
  6. 21 nocturnes - nocturne no.19 in e minor, op.72 no.1
  7. 21 nocturnes - nocturne no.20 in c sharp minor, op.posth.
  8. 21 nocturnes - nocturne no.21 in c minor, op.posth.
  9. - barcarolle in f sharp, op.60
  10. - fantaisie in f minor, op.49

Descriptions du produit

ARRAU CLAUDIO


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5.0 étoiles sur 5
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Par Un client le 13 février 2002
Format: CD
Les Nocturnes de Chopin portent bien leur nom : ce sont des créatures de la nuit, sombres, secrètes, intimistes, douces et tristes. Rien de mièvre là-dedans, pour peu que le pianiste soit à la hauteur. Juste une sensibilité infinie, avec le zal (l'équivalent polonais du spleen baudelairien) en fil rouge.
Tout ça magnifiquement mis en son par Claudio Arrau, plus déprimé (et déprimant) que jamais ! À mon avis, la plus belle interprétation des Nocturnes à ce jour.
Avec Arrau, la musique se fait également chair : derrière le son du piano, on entend le souffle de l'homme, le bruissement des pages qu'il tourne. Réjouissant, en ces temps où le son se doit d'être aussi aseptisé que possible.
Une dernière chose : les titres dont sont affublés les premiers nocturnes (Murmures de la Seine, Les zéphyrs, etc.) ne sont pas d'origine. Là, pour le coup, on atteint au sommet de la niaiserie. Un bon conseil : oubliez-les !
Pas de mots, de la musique avant toute chose... Cette musique-ci.
Remarque sur ce commentaire 12 sur 12 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Par Un client le 31 janvier 2006
Format: CD
Arrau signe sans doute la plus belle version des nocturnes.Le travail du son,la respiration intèrieure des oeuvres, tout est sublimé!
A acheter d'urgence tellement ces "petites musiques" vous arrachent à votre quotidien.
Remarque sur ce commentaire 5 sur 6 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9eb59600) étoiles sur 5 9 commentaires
31 internautes sur 32 ont trouvé ce commentaire utile 
HASH(0x9eef5060) étoiles sur 5 Arrau's dark Chopin Nocturnes 9 octobre 2001
Par Alex Serrano - Publié sur Amazon.com
Format: CD
A couple of years ago i happened to find in an old out-of-the-way store in my home country Ecuador, almost hidden in a back shelf Arrau's complete set of Chopin recorded for phillips. This 6 cd set included a large number of works of which probably the most amazing were the waltzes and the nocturnes. As for the waltzes, Arrau's rendition was a true revelation as he showed deep angst and sadness in them - a feature rarely stressed in these works.
And then were the Nocturnes. In his interpretation, and useing that so unique grave tone of his, Arrau delivers not only all the music but also darker, almost sinister visions. Psychology, always one of Arrau's favorite topics is pushed to the most and in the most revealing way - you can sense through these performances that beyond all the light of the filigree figurations and melodies lies the extremely troubled soul of Chopin as portrayed by Arrau. Trills, figurations so abundant in these works are played as part of the melodies and not just as ornaments - Arrau in interviews sopke many times of the various ways of playing and interpreting trills as taught to him by his teacher Martin Krause (home my memory serves me right) and here is the perfect example of what he meant.
I have heard other fine renditions of the nocturnes as played by Rubinstein, Barenboim, Biret - but as worthy as they are, doubtfully will they ever be appreciated as the unique, unapologetic, bold, understanding performances Arrau delivered here. This is not necesarilly Chopin to be enjoyed - rather to be disturbed by. Most likely the most truthfull and faithfull performances ever to be recorded of this music, and also by Arrau.
15 internautes sur 17 ont trouvé ce commentaire utile 
HASH(0x9eef5468) étoiles sur 5 Arrau's Somber Chopin Nocturnes 4 janvier 2003
Par John Kwok - Publié sur Amazon.com
Format: CD
Available elsewhere as part of a collection of impromptus, Claudio Arrau's distinguished performances of Chopin's Nocturnes and other works sound richer and more vibrant in this remastered set; among the latest in the Philips 50 series. Arrau's performances may not be enjoyable to most, since his playing tends to be quite dramatic, with a darker, more somber vision of Chopin's scores than found elsewhere from the likes of Barenboim and Rubinstein, among others. Still these are remarkable, distinctive performances which should be recognized as among the finest recordings of Chopin's Nocturnes. I doubt I have heard anyone else probe more successfully into the most melancholy aspects of Chopin's personality, done with much elegant, refined playing. Without question this is a splendid two CD set worth owning.
13 internautes sur 15 ont trouvé ce commentaire utile 
HASH(0x9eef54e0) étoiles sur 5 The Chopin that Would Last 27 septembre 2005
Par BLee - Publié sur Amazon.com
Format: CD
I often come back to him for his Chopin. For an alternative of the Nocturnes, Samson Francois's (a French pianist with a strong personality) is a good choice. Moravec's are very impressing too. For a more recent version, viewers might perhaps check out Dang Thai Son (first Asian Chopin International Competition gold medalist), Ashkenazy's regular partner.

I also like Cortot, but you have to withstand the archive sound and some wrong notes. Rachmaninov's Chopin is great too. But the recordings are even more primitive and it is incomplete, so is the case of Sauer. Furthermore, like Friedman, Rachmaninov would alter the score a bit here and there...

So the Chopin that I refer to most are Arrau's other than Cortot. You can go over to him again and again without getting tired: beautiful tone, perfect phrasings beautifully recorded that goes right into the heart of music, and some say he is "deep and searching"...
9 internautes sur 11 ont trouvé ce commentaire utile 
HASH(0x9eef5870) étoiles sur 5 One of the best 2 avril 2008
Par Randall Couch - Publié sur Amazon.com
Format: CD Achat vérifié
I've owned Arrau's nocturnes ever since they were first released on vinyl. They are an old man's Chopin, in the best sense--reflective, melancholy, aching. Arrau investigates the local detail in these inexhaustible pieces to a degree just short--an important qualification--of mannered, and so may not be to everyone's taste (compared, say, to Rubenstein). But Arrau's control and elegance keep him just on the right side of that emotional knife-edge, lending great poignancy to the performances and keeping them interesting on repeated hearings. The only weakness for years had been the constricted frequency extremes of the Phillips recording, which is noticeably improved on this higher-resolution remastering, especially in the ethereal upper registers. It still can't compete with the richness of David Jones's historic recordings of Ivan Moravec (no doubt helped by Moravec's Bosendorfer) in what are without doubt the greatest interpretations of the nocturnes ever committed to disc. But I would not be without both, and Arrau's readings carry the air of a world, and a performance tradition, that we will never see again.
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x9eef58a0) étoiles sur 5 Polished and refined interpretations in warm, rich, remastered sound 24 décembre 2015
Par John J. Puccio - Publié sur Amazon.com
Format: CD
Chopin didn't invent the nocturne; Wikipedia defines it as "a musical composition that is inspired by, or evocative of, the night. Historically, 'nocturne' is a very old term applied to night Offices and, since the Middle Ages, to divisions in the canonical hour of Matins." Credit goes to Irish composer John Field for writing the first nocturnes under the specific title 'nocturne,' but Chopin did quite a lot to perfect and popularize the genre in the early decades of the nineteenth century. We think of nocturnes today as romantic mood pieces with expressive melodies and broad, buoyant, sustained accompaniment, and no one before or since has done them quite as eloquently as Chopin.

Frederic Chopin (1810-1849) must have loved the form because he continued writing nocturnes all his short life, the first ones penned in his teens and early twenties, the final ones written just a couple of years before his death. They're all here in the present collection, exquisitely beautiful, done up in raptly concentrated and deeply committed performances by Chilean pianist Claudio Arrau. In addition to the Nocturnes, including the posthumous C sharp minor, Arrau adds the Barcarolle in F sharp and the popular Fantaisie in F minor.

Arrau's way with these nocturnes is strong and emotional rather than purely poetic. Not that they aren't also warm and loving, especially as taken at the moderately slow speeds Arrau adopts, but they have a firm cohesiveness about them, along with some deliberate, solidly molded phrasing. Arrau's playing may not be as lyrical as Arthur Rubinstein's (RCA), who for me still holds pride of place, but Arrau's approach is still among the better, more-decisive interpretations of these works you'll find on disc.

Philips recorded the music in 1978 analogue and remastered them in 2001 using 96 kHz, 24-bit Super Digital technology for smooth all-around sound and reasonably low noise. The resultant sound isn't as quiet or as dynamic as some of today's all-digital recordings, to be sure, but after the first few seconds of listening you hardly notice the small amount of background noise present, and the dynamic range seems as wide as necessary. Otherwise, the sonics are rich and smooth.

This Chopin set was among the first of Philips's line of remastered classics, among which I can also recommend Bernard Haitink's Mahler Ninth Symphony (289 464 714-2), Stephen Kovacevich's Grieg Piano Concerto (289 464 702-2), Kiril Kondrashin's Rimsky-Korsakov Scheherazade (289 464 735-2), and John Eliot Gardiner's Handel Water Music (289 464 706-2). Philips used these and other recordings to celebrate their first fifty years of music making and, thus, they called the series "Philips 50: Great Recordings." Unfortunately, Philips went out of business shortly thereafter. Such is fate, I suppose. In any case, in my comparisons of a few of the remasters to their previous CD counterparts, the remasterings bring a touch more refinement and polish to the sound, without losing much vitality in the process. And the good thing is that you can still find most of these discs new or used.

John J. Puccio
Classical Candor
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