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Composing for the Cinema: The Theory and Praxis of Music in Film (Anglais) Broché – 10 octobre 2013


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With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. In Composing for the Cinema, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition.



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5 internautes sur 7 ont trouvé ce commentaire utile 
Not a single note or bar of music from a score 3 janvier 2014
Par Kindle Customer - Publié sur Amazon.com
Format: Format Kindle Achat vérifié
Know what you are getting if you decide to buy this book. This is a 310 page book on composing for film and fully 1/3 of it is bibliographic and end of chapter references, and there is not a single musical note in the entire book let alone even a single musical passage for teaching or analysis. Disappointing. I respect Ennio Morricone and love his music. He has composed 100+ film scores and yet we don't get a single musical bar from any of his scores in this book with commentary, theory, teaching moments? Really? For $25 I will return this book; if it drops to $9.99 I might buy it again, as an interesting read of interviews with a master film composer. Until then I will put my money towards the even more expensive 'On the Track' ebook for which I own two print copies; 'On the Track' contains hundreds of musical passages from film scores, with analysis, commentary, far more useful on a practical level than Morricone's book which is basically interviews with him on his wisdom (which again I respect and admire, just know what you are getting with this book, which will be just that, and no musical bars with analysis/commentary).
1 internautes sur 1 ont trouvé ce commentaire utile 
A welcome addition to the field of film musicology 9 juin 2014
Par Charles - Publié sur Amazon.com
Format: Broché Achat vérifié
Gillian Anderson's translation of this Italian classic is a welcome addition to recent scholarship in the field. Although Morricone and Miceli discuss more about the events that take place before, during, and after composing, they discuss relatively little about the compositional process itself.
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