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Concert Du Nouvel An 2009

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Détails sur le produit

  • Format : Classique, DVD-Vidéo, Cinémascope, PAL
  • Audio : Italien (Dolby Digital 5.1), Anglais
  • Sous-titres : Inconnu
  • Région : Toutes les régions
  • Rapport de forme : 16:9
  • Nombre de disques : 1
  • Studio : Decca
  • Date de sortie du DVD : 19 janvier 2009
  • Durée : 90 minutes
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • ASIN: B001L7TDQ8
  • Classement des meilleures ventes d'Amazon: 77.813 en DVD & Blu-ray (Voir les 100 premiers en DVD & Blu-ray)
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Descriptions du produit

LA FETE DE LA MUSIQUE AU MOIS DE JANVIER !!! Le concert du Nouvel An 2009 sera dirigé par l'un des plus grands chefs actuels : Daniel Barenboim, très apprécié du public français. C'EST L'EVENEMENT CLASSIQUE DE CE DEBUT D'ANNEE !!! Le rendez-vous traditionnel du mois de janvier, toujours très attendu, pour tous les amateurs de musique ! L'année dernière, plus de 60 millions de téléspectateurs ont regardé le concert du nouvel an dans 50 pays, sur 5 continents différents. C'est l'évenement télévisé le plus diffusé (+ de 50 chaînes de télévision retransmettent le concert !).

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2 internautes sur 2 ont trouvé ce commentaire utile  Par Merckle le 13 janvier 2010
Format: DVD Achat vérifié
pour ceux qui ont l' habitude d'acheter chaque année le neujahrkonzert, 2009 est un des meilleurs.
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Amazon.com: 13 commentaires
8 internautes sur 8 ont trouvé ce commentaire utile 
Splendid Musical Performance from the Wiener Philharmoniker But..... 24 février 2009
Par John Kwok - Publié sur Amazon.com
Format: DVD
It's an annual treat and tradition of mine to see the New Year's Concert as it is broadcasted live on PBS here in New York, and then, weeks later, to hear this great orchestra perform live at its favorite North American venue, Carnegie Hall (I have had the pleasure of meeting several of its musicians, including one of its concertmasters, and all have spoken enthusiastically about performing at Carnegie Hall.). I was especially looking forward to hearing this year's concert under the baton of Daniel Barenboim, especially when he had taken them on tour to Carnegie Hall a few seasons ago. Musically, I am not disappointed with this year's outing, enjoying once more the excellent sounds of the orchestra in its permanent home, Vienna's Musikverein. But much to my surprise, Barenboim's conducting was more routine in this concert than what I remembered from him here in New York City. More routine except for his humorous conducting of the last movement from Haydn's "Farewell Symphony", performed as a lighthearted tribute to the composer in this, the 200th anniversary of his death.

As New Year Concerts go, this one is replete with the usual assortment of favorites like the two traditional encores, Johann Strauss II's "The Blue Danube Waltz" and his father's "Radetzky March". And then there are some surprising novelties like Johann Strauss II's "Schnellpost-Polka" and Hellmesberger's "Valse Espagnole" (which, to my ears anyway, did evoke musically a fine portrait of Spain.). There's also excellent ballet dancing from dancers of the Vienna State Opera Ballet, especially the children from its school in a lavish, and riveting accompaniment to the "Blue Danube Waltz". I have no doubt that long-time fans of the Wiener Philharmoniker won't be disappointed with this year's concert, but those who remember vividly earlier performances from the likes of Nikolaus Harnoncourt, Riccardo Muti and Zubin Mehta, among others, may be slightly disappointed.
15 internautes sur 18 ont trouvé ce commentaire utile 
Barenboim brings humor, politics and great playing to a new year's institution 9 janvier 2009
Par T. Fisher - Publié sur Amazon.com
Format: DVD
I should start by saying I really like Daniel Barenboim. Besides the fact that he is one of the great musical interpreters of our time, I also enjoy his outspokenness about music, life and politics.

I should also admit up front that I'm not a typical Vienna Philharmonic new year's concert fan. I have a hard time getting excited at the Strauss waltzes and polkas, as I generally like longer works with more development and maybe a slow depressing bit in the middle. Strauss often seems a bit like Sacher cake -- a great dessert, but not a meal. However, I would agree wholeheartedly that the new year's concert is a perfect opportunity to pay Strauss his due once a year, and recognize that these great compositions deserve a special niche in the repertoire.

Barenboim follows the new year's formula here, and he pulls off Strauss II with the best of them. The Strauss II selections are relatively varied and satisfying, and I appreciate that Barenboim included a kind of "mini-suite" from Zigeunerbaron, consisting of a back-to-back overture, Einzugs-Marsch and Schatz-Walzer, and giving at least some semblance of larger scope and context.

His selection of non-Strauss-II pieces was also great, including "Music of the Spheres" by Josef Strauss, which has been performed at the new year's concert before. From Hellmesberger, there is a great performance of "Valse espagnol" -- perhaps not surprising that the Argentinian-born Barenboim brings a Spanish flavor into the Viennese concert.

The real star attraction, however, was surely Haydn's Symphony No. 45 -- I only wish we could have had the whole thing and not just the 4th movement. Haydn was brought in as 2009 marks the 200th anniversary of his death, and will be marked by a flurry of concerts and events across Austria and neighboring countries.

The "Farewell" symphony injected not only variety, but also real humor into the new year concert. The symphony gets its name from the fact that the musicians walk off one by one, leaving just two violins at the end, before they also finally get up and leave. This was a message from Haydn to his Eszterhazy boss at the time that it was time to end an unexpectedly long stay at the Hungarian summer residence and head back home to Eisenstadt. Barenboim and the VPO pull off the piece with great playing and humor. Barenboim acts sufficiently surprised as the orchestra members start walking off. At the end, Barenboim cuts up with one of the remaining violinists and then continues conducting after the last have left the stage.

This all prompts plenty of laughter from the audience -- and for this reason I think it's important to get the DVD rather than the CD of this year's concert. If you only have the music, the audience laughter will be a distraction only. The joke is visual, and won't come across on a CD.

Barenboim almost wouldn't be Barenboim unless he used his speaking opportunity to talk about the Middle East, and he did this here as well. He used his traditional spot for new year's wishes to call for a "year of peace in the world and of human justice in the Middle East." He may not quite have pulled a "Vanessa Redgrave" -- there was no direct criticism of Israel -- but still, this may not be to everyone's taste.

I am ambivalent at best about all the dancing clips thrown into the concert, which became a bit exaggerated in the second half. But even there, I am willing to give a nod to the technical precision this required. All those dances were also broadcast live when the concert went out on TV -- meaning Barenboim and the VPO had to have their tempos down with metronome-like precision to match up with the spliced-in video of happy dancers with flowing gowns waltzing about in Hapsburg-style castles. Hats off to them.

All in all, I think this year's concert was a great success, and I'm sure I will watch it from time to time.
6 internautes sur 8 ont trouvé ce commentaire utile 
A Happy New Year! 20 janvier 2009
Par John Austin - Publié sur Amazon.com
Format: DVD
A Happy New Year! It is a greeting and a wish exchanged in all languages in all countries throughout the world, but nowhere is it better expressed in music than at the annual New Year's Day concert in Vienna. The joy, the fun, the exquisite beauty and the high spirits - all these are found in the music offered here, principally provided by members of Vienna's Strauss Family.

Nineteen items are included in the 2009 program: 14 by Johann Strauss Jnr, 1 waltz by Josef Strauss, 2 items by Johann Strauss Snr, 1 by Josef Hellmesberger Jnr, and - as a special "novelty" item - the final movement of Haydn's "Farewell" Symphony.

Daniel Barenboim presides for the first time at these events. Perhaps the Viennese "lilt" is not as evident as some could wish, but Barenboim certainly allows the side drum to add verve to the proceedings whenever required.

Coinciding with this joyous celebration was an eruption of slaughter and destruction in Gaza, and you'll hear Barenboim adding to his new year greeting the wish that the new year will see a return to peace in that area.
Tales from the Vienna Woods, or New Year's day in Vienna 16 juillet 2013
Par Un client - Publié sur Amazon.com
Format: DVD Achat vérifié
For those who enjoy the music of the Strauss family, particularly the waltzes and polkas of Johann Sr. and Jr., there is probably no better time of the year to hear and see them performed than the first day of each January. Since 1939 is has been a tradition in Vienna for their great Philharmonic orchestra to delight their audiences with an all Strauss, or nearly all Strauss concert. The venue for these performances has been the home of the Vienna Philharmonic, the Musikverein, and its wonderful Golden Hall. Ranked among the very best in the world for its marvelous acoustics, this guilded masterpiece of sound engineering continues the architectural theme of the outside of the building, designed in Greek revival architecture in the late 1860's by the Danish architect Theophil von Hansen. The hall seats 1,744, with standing room that can accommodate an additional three hundred. In years past, particularly under the baton of Willi Boshovsky, between 1955 and 1979, the Viennese tradition became firmly fixed in popular imagination as the concerts were broadcast on Austrian public radio and television, and rebroadcast around the world. In some years the New Year's concerts were held in the ornate hall of the Vienna State Opera, located a short distance from the Musikverein. In more recent years the concerts have been directed by guest conductors, and in 2009 it was Daniel Barenboim who was the invited conductor of the Philharmonic for the year. In the United States these annual concerts are regularly broadcast by PBS as part of its Great Performances series. 2009 also marked the bicentennial of the death of the equally famous Austrian composer, and conductor, Joseph Haydn in 1809. Barenboim, in planning the program, selected as the last work in the performance to be the 45th Symphony of Haydn (in F harp minor), in tribute to that much beloved "Father of the Symphony". One should read up on the history of how this symphony came to be written to fully appreciate the great "theatre" as well as wonderful music that accompany each performance, and Barenboim and the Philharmonic are more that up to the task. It's great fun to watch such a live performance. Three encores complete the program and the last two selections are also a Viennese tradition at almost all music concerts in this cultural capital of Central Europe. They are the "Blue Danube" waltz of Johann Strauss II, and "The Radetzky March" of his father. The latter requires rhythmic clapping to the cadence of the march by the audience, and every concert attendee in Vienna looks forward to participating in this "event" with eager anticipation. The initial broadcast and this DVD is a production of ORF, Austrian public television, and includes special features that showcase some of the dancers from the ballet of the Vienna State Opera, as well as a video tour of Linz, the industrial capital of Upper Austria, as part of its 2009 celebration after being named the European Cultural Capital for that year by the European Union. Inner-cut with the regular program ORF has included video scenes of two of Austria's southern federal states, including its wine country and spectacular Alpine scenery. If one wants a delightful tour of Austrian culture, then this is a great way of experiencing it. Lacking only a slice of the layered cakes so much associated with the Viennese, like a Sacher-torte, and a cup of savory coffee from one of the city's many coffee houses, this is definitely worth the trip.
Another enjoyable success for this popular series 29 juillet 2012
Par I. Giles - Publié sur Amazon.com
Format: DVD
Daniel Barenboim makes his debut appearance at one of these celebratory concerts with this recording. He brings his usual affable personality to the occasion as well as his easy control over all matters musical.

As usual there are a handful of first performances at this series of concerts and on this case they add up to six. One of these is the finale to Haydn's 45th symphony, known as `The Farewell'. The reason for this name is that Haydn chose to make this music to make the point that the court musicians were overdue to return home. The musical message took the form of various members of the orchestra scored to leave as the music progressed to the end, with just Haydn and one other remaining at the end. The message was understood then and was enjoyed by the Viennese audience now! This performance also marked the first opportunity to celebrate Haydn's bicentenary.

Needless to say the remainder of the concert is equally enjoyable and of more normal fare typical of the occasion concluding with a suitably enthusiastic Radetzky March.

There are 2 bonuses which allow for the ballet sequence to be viewed separately plus a 24 minute tour of Linz, the European Capital of Culture at the time of the recording.

The recording delivers crisp HD imaging following the usual pattern of in-hall camera work interspersed with some outside scenes. The sound is clear and precise and is presented in both DTS and stereo. Those who are familiar with the work of the experienced Brian Large productions will know what to expect.

I personally enjoyed this very much and feel that it is very much up with the best of a very successful series of similar concerts over the years. As such it should give great pleasure to a great number of people and 5 stars seems a fair assessment of its quality.
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