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Cop Town
 
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Cop Town [Format Kindle]

Karin Slaughter

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Descriptions du produit

Extrait

November 1974

Prologue

Dawn broke over Peachtree Street. The sun razored open the downtown corridor, slicing past the construction cranes waiting to dip into the earth and pull up skyscrapers, hotels, convention centers. Frost spiderwebbed across the parks. Fog drifted through the streets. Trees slowly straightened their spines. The wet, ripe meat of the city lurched toward the November light.

The only sound was footsteps.

Heavy slaps echoed between the buildings as Jimmy Lawson’s police-issue boots pounded the pavement. Sweat poured from his skin. His left knee wanted to give. His body was a symphony of pain. Every muscle was a plucked piano wire. His teeth gritted like a sand block. His heart was a snare drum.

The black granite Equitable Building cast a square shadow as he crossed Pryor Street. How many blocks had Jimmy gone? How many more did he have to go?

Don Wesley was thrown over his shoulder like a sack of flour. Fireman’s carry. Harder than it looked. Jimmy’s shoulder was ablaze. His spine drilled into his tailbone. His arm trembled from the effort of keeping Don’s legs clamped to his chest. The man could already be dead. He wasn’t moving. His head tapped into the small of Jimmy’s back as he barreled down Edgewood faster than he’d ever carried the ball down the field. He didn’t know if it was Don’s blood or his own sweat that was rolling down the back of his legs, pooling into his boots.

He wouldn’t survive this. There was no way a man could survive this.

The gun had snaked around the corner. Jimmy had watched it slither past the edge of a cinder-block wall. The sharp fangs of the front sights jutted up from the tip of the barrel. Raven MP-25. Six-round detachable box, blowback action, semiauto. The classic Saturday night special. Twenty-five bucks on any ghetto corner.

That’s what his partner’s life had come down to. Twenty-five bucks.

Jimmy faltered as he ran past First Atlanta Bank. His left knee almost touched the asphalt. Only adrenaline and fear saved him from falling. Quick bursts of recall kept setting off colorful fireworks in his head: Red shirtsleeve bunched up around a yellow-gold wristwatch. Black-gloved hand holding the white pearl grip. The rising sun had bathed the weapon’s dark steel in a bluish light. It didn’t seem right that something black could have a glint to it, but the gun had almost glowed.

And then the finger pulled back on the trigger.

Jimmy knew the workings of a gun. The 25’s slide was already racked, cartridge in the chamber. The trigger spring engaged the firing pin. The firing pin hit the primer. The primer ignited the gunpowder. The bullet flew from the chamber. The casing popped out of the ejection port.

Don’s head exploded.

Jimmy’s memory did no work to raise the image. The violence was etched into his corneas, backdropped every time he blinked. Jimmy was looking at Don, then he was looking at the gun, then he was looking at how the side of Don’s face had distorted into the color and texture of a rotten piece of fruit.

Click-click.

The gun had jammed. Otherwise, Jimmy wouldn’t be running down the street right now. He would be face down in an alley beside Don, condoms and cigarette butts and needles sticking to their skin.

Gilmer Street. Courtland. Piedmont. Three more blocks. His knee could hold out for three more blocks.

Jimmy had never been on the business end of a firing gun. The flash was an explosion of starlight—millions of pinpricked pieces of sun lighting up the dark alley. His eardrums rang with the sound. His eyes stung from the cordite. At the same time, he felt the splash against his skin, like hot water, only he knew—he knew—it was blood and bone and pieces of flesh hitting his chest, his neck, his face. He tasted it on his tongue. Crunched the bone between his teeth.

Don Wesley’s blood. Don Wesley’s bone.

He was blinded by it.

When Jimmy was a kid, his mother used to make him take his sister to the pool. She was so little back then. Her skinny, pale legs and arms poking out of her tiny suit reminded Jimmy of a baby praying mantis. In the water, he’d cup his hands together, tell her he’d caught a bug. She was a girl, but she loved looking at bugs. She’d paddle over to see, and Jimmy would squeeze his hands together so the water would squirt into her face. She would scream and scream. Sometimes she would cry, but he’d still do it again the next time they were in the pool. Jimmy told himself it was all right because she kept falling for it. The problem wasn’t that he was cruel. The problem was that she was stupid.

Where was she now? Safe in bed, he hoped. Fast asleep, he prayed. She was on the job, too. His little sister. It wasn’t safe. Jimmy could end up carrying her through the streets one day. He could be jostling her limp body, careening around the corner, his knee brushing the blacktop as the torn ligaments clashed like cymbals.

Jimmy saw a glowing sign up ahead: a white field with a red cross in the center.

Grady Hospital.

He wanted to weep. He wanted to fall to the ground. But his burden would not lighten. If anything, Don got heavier. The last twenty yards were the hardest of Jimmy’s life.

A group of black men were congregating under the sign. They were dressed in bright purples and greens. Their tight pants flared below the knee, showing a touch of white patent leather. Thick sideburns. Pencil mustaches. Gold rings on their fingers. Cadillacs parked a few feet away. The pimps were always in front of the hospital this time of morning. They smoked skinny cigars and watched the sun rise as they waited for their girls to get patched up for the morning rush hour.

None of them offered to help the two bloody cops making their way toward the doors. They gawked. Their cigarillos stopped midair.

Jimmy fell against the glass doors. Someone had forgotten to lock them. They butterflied open. His knee slued to the side. He fell face-first into the emergency waiting room. The jolt was like a bad tackle. Don’s hipbone knifed into his chest. Jimmy felt the flex of his own ribs kissing his heart.

He looked up. At least fifty pairs of eyes stared back. No one said a word. Somewhere in the bowels of the treatment area, a phone was ringing. The sound echoed through the barred doors.

The Gradys. Over a decade of civil rights hadn’t done shit. The waiting room was still divided: black on one side, white on the other. Like the pimps under the sign, they all stared at Jimmy. At Don Wesley. At the river of blood flowing beneath them.

Jimmy was still on top of Don. It was a lewd scene, one man on top of another. One cop on top of another. Still, Jimmy cradled his hand to Don’s face. Not the side that was blown open—the side that still looked like his partner.

“It’s okay,” Jimmy managed, though he knew it wasn’t okay. Would never be okay. “It’s all right.”

Don coughed.

Jimmy’s gut twisted at the sound. He’d been sure the man was dead. “Get help,” he told the crowd, but it was a whisper, a begging little girl’s voice that came out of his own mouth. “Somebody get help.”

Don groaned. He was trying to speak. The flesh of his cheek was gone. Jimmy could see his tongue lolling between shattered bone and teeth.

“It’s okay.” Jimmy’s voice was still a high whistle. He looked up again. No one would meet his gaze. There were no nurses. No doctors. No one was going to get help. No one was answering the damn telephone.

Don groaned again. His tongue slacked outside of his jaw.

“It’s okay,” Jimmy repeated. Tears streamed down his face. He felt sick and dizzy. “It’s gonna be okay.”

Don inhaled sharply, like he was surprised. He held the air in his lungs for a few seconds before finally letting out a low, baleful moan. Jimmy felt the sound vibrating in his chest. Don’s breath was sour—the smell of a soul leaving the body. The color of his flesh didn’t drain so much as fill like a pitcher of cold buttermilk. His lips turned an earthy, funereal blue. The fluorescent lights cut white stripes into the flat green of his irises.

Jimmy felt a darkness pass through him. It gripped his throat, then slowly reached its icy fingers into his chest. He opened his mouth for air, then forced it closed for fear that Don’s ghost would flow into him.

Somewhere, the phone was still ringing.

“She-it,” a raspy old woman grumbled. “Doctor ain’t never gone get to me now.”

Day One

Monday

1

Maggie Lawson was upstairs in her bedroom when she heard the phone ringing in the kitchen. She checked her watch. There was nothing good about a phone ringing this early in the morning. Sounds from the kitchen echoed up the back stairs: The click of the receiver being lifted from the cradle. The low murmur of her mother’s voice. The sharp snap of the phone cord slapping the floor as she walked back and forth across the kitchen.

The linoleum had been worn away in staggered gray lines from the countless times Delia Lawson had paced the kitchen listening to bad news.

The conversation didn’t last long. Delia hung up the phone. The loud click echoed up to the rafters. Maggie knew every sound the old house made. She had spent a lifetime studying its moods. Even from her room, she could follow her mother’s movements through the kitchen: The refrigerator door opening and closing. A cabinet banging shut. Eggs being cracked into a bowl. Thumb flicking her Bic to light a cigarette.

Maggie knew how this would go. Delia had been playing Bad-News Blackjack for as long as Maggie could remember. She would hold for a while, but then tonight, tomorrow, or maybe even a week from now, Delia would pick a fight with Maggie and the minute Maggie opened her mouth to respond, her mother would lay down her cards: the electric bill was past due, her shifts at the diner had been cut, the car needed a new transmission, and here Maggie was making things worse by talking back and for the love of God, couldn’t she give her mother a break?

Busted. Dealer wins.

Maggie screeched the ironing board closed. She stepped carefully around folded stacks of laundry. She’d been up since five that morning doing the family’s ironing. She was Sisyphus in a bathrobe. They all had uniforms of one kind or another. Lilly wore green-and-blue-checkered skirts and yellow button-down tops to school. Jimmy and Maggie had their dark blue pants and long-sleeved shirts from the Atlanta Police Department. Delia had her green polyester smocks from the diner. And then they all came home and changed into regular clothes, which meant that every day, Maggie was washing and ironing for eight people instead of four.

She only complained when no one could hear her.

There was a scratching sound from Lilly’s room as she dropped the needle on a record. Maggie gritted her teeth. Tapestry. Lilly played the album incessantly.

Not too long ago, Maggie helped Lilly get dressed for school every morning. At night, they would page through Brides magazine and clip out pictures for their dream weddings. That was all before Lilly turned thirteen years old and her life, much like Carole King’s, became an everlasting vision of the ever-changing hue.

She waited for Jimmy to bang on the wall and tell Lilly to turn that crap off, but then she remembered her brother had picked up a night shift. Maggie looked out the window. Jimmy’s car wasn’t in the driveway. Unusually, the neighbor’s work van was gone. She wondered if he was working the night shift, too. And then she chastened herself for wondering, because it was none of her business what her neighbor was doing.

Now seemed as good a time as any to go down for breakfast. Maggie pulled the foam rollers from her hair as she walked down the stairs. She stopped exactly in the middle. The acoustic sweet spot. Tapestry disappeared. There were no sounds from the kitchen. If Maggie timed it right, she could sometimes grab a full minute of silence standing on the stairs. There wouldn’t be another time during her day when she felt so completely alone.

She took a deep breath, then slowly let it out before continuing down.

The old Victorian had been grand at one point, though the house retained no evidence of its former glory. Pieces of siding were gone. Rotted wood hung like bats from the gables. The windows rattled with the slightest breeze. Rain shot a creek through the basement. There was no outlet in the house that didn’t have a black tattoo ghosted around it from bad fuses and shoddy workmanship.

Even though it was winter, the kitchen was humid. No matter the time of year, it always smelled of fried bacon and cigarette smoke. The source of both stood at the stove. Delia’s back was bent as she filled the percolator. When Maggie thought of her mother, she thought of this kitchen—the faded avocado-green appliances, the cracked yellow linoleum on the floor, the burned, black ridges on the laminate countertop where her father rested his cigarettes.

As usual, Delia had been up since before Maggie. No one knew what Delia did in the morning hours. Probably curse God that she’d woken up in the same house with the same problems. There was an unwritten rule that you didn’t go downstairs until you heard eggs being whisked in a bowl. Delia always cooked a big breakfast, a holdover from her Depression childhood, when breakfast might be the only meal of the day.

“Lilly up?” Delia hadn’t turned around, but she knew Maggie was there.

“For now.” Maggie made the same offer she did every morning. “Can I do anything?”

“No.” Delia jabbed the bacon with a fork. “Driveway’s empty next door.”

Maggie glanced out the window, pretending she didn’t already know Lee Grant’s van was not parked in its usual spot.

Delia said, “All we need is for girls to start going in and out of that house at all hours. Again.”

Maggie leaned against the counter. Delia looked exhausted. Even her stringy brown hair couldn’t be bothered to stay pinned on the top of her head. They’d all been picking up extra shifts to pay for Lilly to go to a private school. None of them wanted to see her bussed across town to the ghetto. They had four more years of tuition and textbooks and uniforms before Lilly graduated. Maggie wasn’t sure her mother would last that long.

Revue de presse

“Sly . . . compulsively readable . . . [one of] the summer’s best thrillers.”O: The Oprah Magazine
 
“Intense . . . engrossing . . . evocative . . . [Karin Slaughter’s] first stand-alone novel [has] a gritty, action-packed plot and strong, believable characters.”—Associated Press
 
“Slaughter graphically exposes the rampant racism, homophobia, and misogyny of cop culture in the 1970s. . . . Winning leads, the retro setting, and a riveting plot make this one of Slaughter’s best.”Booklist (starred review)
 
“Superb . . . explosive . . . [Cop Town] is sure to win over readers new to Slaughter’s work while reminding old fans of her enormous talent.”Library Journal (starred review)
 
“Evocative writing . . . amazing characters . . . with edge-of-your-seat suspense and a riveting plot . . . Slaughter’s first stand-alone book is a knockout.”RT Book Reviews
 
“Scintillating . . . Slaughter does her usual fine job of exploring intriguingly troubled characters.”Publishers Weekly

“Karin Slaughter is simply one of the best thriller writers working today, and Cop Town shows the author at the top of her game—relentless pacing, complex characters, and gritty realism, all set against the backdrop of a city on the edge. Slaughter’s eye for detail and truth is unmatched. . . . I’d follow her anywhere.”—Gillian Flynn
 
“Stunning . . . In Karin Slaughter’s first stand-alone novel, she breaks new ground with this riveting story of two young police officers trying to stop a serial killer targeting cops. Her characters, plot, and pacing are unrivaled among thriller writers and if you haven’t yet read her, this is the moment.”—Michael Connelly
 
“A masterpiece . . . Much more than a thriller . . . Karin Slaughter’s unforgettable female characters and stunning evocation of time and place make Cop Town one of the most powerful and moving reads of recent memory.”—Kathryn Stockett

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Amazon.com: 4.3 étoiles sur 5  416 commentaires
63 internautes sur 74 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 If you like Michael Connolly (author of "Harry Bosch" & "Lincoln Lawyer" series), then you should give this a read! 9 juin 2014
Par Pietro - Publié sur Amazon.com
Format:Relié|Commentaire client Vine pour produit gratuit (De quoi s'agit-il?)
I was not aware of Karin Slaughter until about a month ago, when Amazon presented the opportunity to read & review her new crime fiction novel, "Cop Town."
While I love to read detective/mystery stories, I am not one to typically review them...this is my first.
There is no point in my rehashing the plot or describing the characters, since Amazon's product description, and many other reviewers, have already done a fine job in that regard.
What I can say is: if you like any of Michael Connolly's work (eg, the Hieronymous Bosch & Mickey Haller series)...or Robert B.Parker's (eg, the Spenser, Jesse Stone, Sunny Randall series)...or Lee Child's (eg, the Jack Reacher series), then there is a very good chance that you will really enjoy this book.
Karin Slaughter has a terse/descriptive style, and develops her characters nicely, touching upon many interesting subjects and topics along the way, while telling a riveting story that had me wanting to not put the book down.
If I have to be asked more than once to come to dinner when I am reading a book (which did happen with this one), it's a winner.
I am happy to have made an acquaintance with Karin Slaughter's work, and expect I will be reading more of her books in the near future.
I find it difficult to rate a book using the 5-star system...for me it's either "a read" or not...but I would say that this is a very good read, so I'd rate it a 4.5 (perfection is something to strive for and rarely reached, I feel)...and definitely worth investigating!
11 internautes sur 12 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Karin Slaughter got herself a new fan in me. 24 juin 2014
Par Ryan J. Dejonghe - Publié sur Amazon.com
Format:Format Kindle
Karin Slaughter got herself a new fan in me. Oh sure, she starts with the pretty writing, describing the city in metaphors, but then--Pow! Guts dripping down the back; pieces of skull bone stuck in teeth; pimps waiting outside the hospital. And that's just the prologue.

COP TOWN is my first Slaughter novel; maybe you fans can help me out and let me know if all her writing is like this. She pulls and tugs, and slaps and bakes until the scene is vivid in front of you. The characters are commanding, especially the women, but all with their own culpabilities. That's what really impresses me here with COP TOWN, where the chicks are hardcore, tough, kickass, but also carry a burden of faults. Ain't nobody perfect; that's what makes a true diamond shine. I think it'll be impossible for you to read COP TOWN and not love especially Kate and Maggie as characters.

Speaking of characters...this takes place down south in the 70's, Atlanta to be specific. Slaughter catches this whole brutal flavor. This book shows the Good Ol' White Boys Club. They didn't like their new black Chief. They didn't like women playing the part of fellow cop. They didn't like gays. And they think CT (color town) is the place to investigate first. Slaughter shows how bad it was and the environment women police officers had to overcome to perform their duties and survive. This book is so much more than finding a cop killer, it's the whole package.

You know what this book reminded me of? The HBO show THE WIRE. It's like a flashback to yesteryear, when things seemed simpler, but had their own time-specific challenges. THE WIRE and COP TOWN show both sides of the coin, cops and robbers per se, but that didn't necessary always mean good or bad. Like that show, this book shows the real human nature of it all.

I'd imagine Slaughter already has a following, but if you're like me and haven't started, now is the time to dig in.

Thanks to Delacorte and Random House for providing an electronic version of this book for me to review.
28 internautes sur 35 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Spine tingling suspense 19 mai 2014
Par michael a. draper - Publié sur Amazon.com
Format:Relié|Commentaire client Vine pour produit gratuit (De quoi s'agit-il?)
I loved this story and would be first in line if it was made into a movie.

The story is set in 1974 in Atlanta, Georgia. Kate Murphy has just joined the Atlanta P.D. She's a widow whose husband was killed in Vietnam. However she keeps this to herself as well as her Jewish background and family wealth.

Kate experiences the harassment of the male dominated police department from the start. Black cops and white cops stand apart at roll call and black women police officers must wait until the white women cops finish before they can use the locker rooms. There are no women detectives and the feeling is that the only good thing a women is suited for is typing reports.

The heated intensity of the department arises from a cop killer who has just claimed his fifth victim. It was Jimmy Lawson's partner who was shot. Jimmy carried his partner to the hospital but it was too late.

The department is used to doing things their own way and when a black drug dealer was arrested for murder, the cops staged the evidence to insure a conviction. Instead, the tainted evidence was discovered and the man set free. Now, the feeling is, if they find the cop killer, he won't make it to trial.

Kate is teamed up with Maggie Lawson, Jimmy's younger sister. Maggie tries to show Kate the ropes but feels that Kate is just too pretty and refined to have the guts to make it on the job.

The story is told through the eyes of Kate and Maggie and those of the killer. Maggie is from a blue collar family and accepts the harassment she receives. Her brother doesn't try to protect her but joins with his beer drinking fellow cops in taunting and with sexual innuendos. Much of the action takes place in the slums of Atlanta, dominated by minorities. Whores and pimps are questioned in attempt to learn about the killer. In trying to get these people to talk, cruelty to these people is commonplace.

Maggie and Kate get caught up in their attempts to find the killer, and we observe the killer making moves and beginning to stalk Kate.

The dialogue is intense and the pace burns with speed. Maggie tries to take command but her uncle, is the ring leader of the vigilante police who take the law into their own hands.

Karin Slaughter is a writer at the top of her form with "Cop Town." We feel sympathy for Kate and Maggie and dread that they might become victims of the cop killer or submit to the maniacal philosophy of many of the seasoned cops.
23 internautes sur 30 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Brutal and compelling 30 avril 2014
Par J. Prather - Publié sur Amazon.com
Format:Relié|Commentaire client Vine pour produit gratuit (De quoi s'agit-il?)
Cop Town is a brutal, gruesome thriller that features characters that are exceedingly complex, dialogue that is often hard to stomach, and so perfectly captures 1974 Atlanta that it made me very happy that I come from the Midwest. I am a big fan of this author, and although I was disappointed to find out that this wasn't a new Will Trent book, I truly believe that this might be her finest work.

Maggie Lawson and Kate Murphy are the heart of this novel, and I don't think I've ever encountered such a unique, complex partnership. Maggie is from a cop family - a family that gives new meaning to the term "dysfunctional family". Kate is a young widow, raised in a fairly sheltered environment, experiencing her first week on the job. The dynamic between these two is compelling, and the obstacles they have to overcome just because they are women are mind boggling. There are things about each of them that you won't like, things you'll admire, and things that will break your heart.

This book is awash in racism, sexism, homophobia, corruption and just about every other bit of unenlightened nastiness that you can even think of. I don't know if this portrayal of the Atlanta police department in 1974 is accurate or merely a dramatic device, but I do know that it felt real. I could see those good old boys that Slaughter skewers so fiercely in this book. I could hear their voices clearly and smell the booze on their breath as they cruised the streets of Atlanta waiting to beat down all the pimps. They made me angry and terrified, hoping that surely this was not how it was.

So, you've got a story set firmly in place and time, characters that jump off the page, complete with all the baggage you come to expect from a Karin Slaughter character, and a plot that motors along at the speed of light. I was frustrated that I didn't have time to read this straight through, because it would have been very easy. This is a book you get lost in, even when all you really want to do is close your eyes so you don't have to look.

My only reservation about this book is with the killer, Foxy. In a story filled with reprehensible people, I never got the truly evil vibe that I think the author was intending to convey. It didn't hamper my total involvement with the story, and was not enough of a drawback to detract from what was certainly a five star read. Cop Town is a must read for any fan of police fiction. Just be prepared for a brutal trip.
6 internautes sur 7 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 COP TOWN by Karin Slaughter 3 juillet 2014
Par Nancy Goldberg Wilks - Publié sur Amazon.com
Format:Relié
Kate Murphy is not quite the typical rookie one would expect at the Atlanta Police Department. She doesn’t fit, in many ways, especially in 1974, when the book takes place. Nonetheless, she is the star of Cop Town, a novel by Karin Slaughter.

At the beginning of the book, Jimmy Lawson’s partner, Don Wesley, is murdered, bringing the total of executed police officers to five in three months. The other murders, however, were executions, with the pair of officers each being shot once in the head while on his knees. According to the old guard at the police department, the issue is racial – it is time, they believe, for the white males to take back the power that is rightfully theirs.

It is into this environment that Kate Murphy begins her job as a police officer. She is an unlikely rookie, performing unlikely actions, and growing into the profession at an unlikely rate.

I did not particularly care for Cop Town. There are, roughly, three reasons for this.

First, in my opinion, the start is very slow. I had a difficult time getting into the book. Although the pace picks up, I almost did not stick with the book long enough to reach that point.

Second, I found the plot to be somewhat predictable. Although I did not correctly select “who-done-it”, I was in the right ballpark.

And, third, I found the book to be weak on character development. In my opinion, but for a few exceptions, the characters are flat – one dimensional. There is not one character with whom I connect, or for whom I feel particularly empathetic, and so many of the characters are simply stereotypes. Perhaps this is what Slaughter intends. But, I think her message would hit harder if she were more subtle. This complaint, however, might be a result of my own preferences. My interests lean more towards drama, not true mysteries or thrillers in which extensive character development is not as important.

Cop Town provides interesting descriptions of the many different areas of Atlanta. The novel does not feel realistic to me. It does not resonate with my own recollections of 1974; however, I am unfamiliar with 1974 Atlanta, Georgia.

If you like straightforward thrillers, you might enjoy Cop Town. It did not, however, appeal to me.

NOT RECOMMENDED
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