From Library Journal
This is one studio handbook that lives up to the overused adjective "creative." In a colorful and inspiring layout, the book touches on the obvious clip-and-paste methods, incorporates other traditional media (rice paper, watercolor, acrylic), and then expands to consider a riot of materials, including found objects, clay, copper, beads, cloth, and rhinestones. In addition, it mines the history of collage for ideas and grounds the artist in modern legal concerns (i.e., the copyright issues involved in using others' work in your collage). This handbook will be useful to both beginning and advanced artists, and its wealth of examples make it more attractive than Anne Brigadier's more technical Collage: A Guide for Artists (Watson Guptill, 1970). Highly recommended.
Daniel J. Lombardo, Jones Lib., Amherst, Mass.
Copyright 1994 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Daniel J. Lombardo, Jones Lib., Amherst, Mass.
Copyright 1994 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Booklist
Collage is a versatile and dynamic medium suitable for artists with any level of skill and experience. Collage can be spontaneous and inexpensive when artists use materials at hand, such as magazines or newspapers, or collage can involve elaborate designs, precise detail, and exquisite craftsmanship. Materials suitable for collage are limited only by the creator's imagination and include papers of all kinds, fabric, photographs, and three-dimensional objects. Media such as watercolor, ink, and acrylics can be used to create varied effects and textures. Instructor, artist, and author Leland and her collage-artist coauthor Williams provide readers with step-by-step instructions for increasingly sophisticated collage techniques. Charts highlight recommended materials such as adhesives, protective coatings, types of paper, and supports. Numerous examples of finished collages are displayed in color reproductions, from homey family projects to beautifully textured abstractions. While Leland and Williams excel at covering technique and practical concerns, they spend some time discussing design principles and the matching of materials to subject or theme. This is as comprehensive and useful as a how-to on collage can be. Donna Seaman
--Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
