I'm a fan of contemporary British mysteries, and Ian Rankin's extraordinary John Rebus series ranks among the best. This recent entry in the Edinburgh police procedural series is a great starting point for a new reader; for the long-time Rebus-fan, it's a look inside Rebus's dark past. When the son of a former love goes missing, Rebus takes up the (unofficial) investigation; never mind that he's already got his professional life full of a few other major cases including the suicide of a colleague, a hunt for a former child molester, and a manipulative, charismatic serial killer released into Edinburgh and wooed by a glory-seeking journalist. A "perfect" detective would solve every one of the cases, wrapping all four cases up by the final chapter in time for a drink and a witty denouement at the local pub. Thankfully, Rebus is not such a cliche. A happy ending isn't the goal here--cases are flubbed, go awry, and entangle Rebus's personal life, friends, and family in dangerous ways.
Sounds dark, no? But that's one of the reasons I love the Rankin mysteries. No one is better than Rankin at setting the scene of Edinburgh: from the crowded, tempestuous housing projects to the smoke and lager filled pubs. But it's the characters, razor-sharp dialogue, and personalities that make Rankin the master he is: once again Rebus is the troubled hero, his time and attention divided between his complicated personal life and police cases. He doesn't just make an attempt to figure out whodunit, he digs deep into the human mind to find out "why"...and drags himself deeper into his own personal hell in the process. He is motivated by a sense of justice--whether or not it conflicts with the law or the wishes of his long-suffering superior "The Farmer." We aren't along for the ride to watch Rebus crack the cases--we're along for his personal triumphs, no matter how small, and for his darkest moments, from alcoholism to cigarette addiction to remembering the loss of his innocent youth. These moments, set to Rebus's own personal "soundtrack" of classic rock music when he retreats to his armchair with his headphones for just one moment of peace, make this dark, nuanced, and many-layered psychological crime series a classic.
For those keeping score of the Rebus mysteries: several of the subplots in this book were first used in Rankin's novella "Death is Not the End." I gave that one four stars as a great introduction or brief look into the psychology of Rebus. "Dead Souls" gets a full five stars: as a full-length novel, Rankin's dark and nuanced writing continues to show that he's one of the top talents in British crime fiction today. If you want a British mystery with a clever-clever ending and a witty twist solution, this one might not be for you. But if you want some of the best writing about all the aspects of Edinburgh society...the best in *and* out of a crime novel...then run, don't walk, to grab a Ian Rankin novel.