- Publié sur Amazon.com
Format: Format Kindle
Plot/Storyline: 4 Stars
While the plot was not overly original, Mr. Reed did use one new aspect. Instead of having his main character be psychic from childhood, delving into all the little moments in the past where the kid shows talent, but no one believes, his main character, Cass, receives her psychic powers in the beginning of the novel by getting hit on the head. This gave the novel an even flow without a lot of flashbacks trying to explain aspects of Cass' new `talent.' Instead, the reader was allowed to learn about it along with Cass.
As Mr. Reed is known for penning Gay/Lesbian novels, it was no surprise that Cass was a lesbian. However, any reader can enjoy this novel without worry that Cass' sexual orientation will be offputting. There were no graphic sex scenes, for one thing. For another, Cass could just as easily have been straight as far as the storyline was concerned. This, for me, gave the novel a more realistic feel.
The storyline flowed smoothly with a good pace, until the last quarter. At that point, there seemed to be a lot of `filler' designed to make the novel longer, since it was fairly short, drag out the suspense, or both. I'm thinking it was a little of both reasons. I don't mind a little added suspense, but, at times, the buildup was rather cheap. There is a scene (not right at the end) where someone has to tell Cass something, and, instead of coming out and saying it, the person says something else, implying that Cass' son was dead. I would think that if you had a desperate mother looking for her son, you would immediately tell her that what you had to say had nothing to do with her child.
The `psychic' portion of the story was handled wonderfully. I didn't feel that there was any "cheating." I also enjoyed the ending.
Character Development: 4 3/4 Stars
Cass was a sympathetic character, easily understood by any woman, especially a mother. From the opening "Prologue", I am hoping that there might be a sequel featuring Cass solving other murders, kidnappings, etc.
The reporter was also a terrific character. I wouldn't be upset to see them together in a sequel.
The police were pretty realistic in the beginning, reacting as I would have expected when confronted with a woman claiming to have visions. However, I did feel that the female officer's character could have grown a little more once she was shown proof.
Writing Style: 5 Stars
The sentence structure was excellent. There was just enough complexity for good literature, but not so much as to ruin the flow of a good thriller. The dialogue was realistic, with the exception mentioned above. The descriptions were terrific, concise and vivid.
Editing/Formatting: 4 3/4 Stars
There were a couple of instances of missing words. There was also one incorrect pronoun, calling a 'she', `he'. Otherwise, the editing was very good.
The formatting was of professional quality.
Rating: PG-14 for Violence and Child Molestation
2 internautes sur 3 ont trouvé ce commentaire utile
Vince A. Liaguno
- Publié sur Amazon.com
Hot on the heels of his enjoyable gay serial killer novel - last year's "IM" - Rick Reed returns with another gripping thriller, "Deadly Vision." Reed is quickly developing his own unique formula that blends suspense, fast-moving narratives, fully-realized gay characters, and a touch of the occult. His seeming bid to become a gay hybrid of James Patterson and Dean Koontz will not be lost on readers with this latest offering.
Cass D'Angelo, single mother to seven-year-old Max, is toiling away as a waitress in a small, depressed river town in Ohio. When Cass goes off after Max when he wanders off one afternoon during a thunderstorm, she runs afoul of a lightning strike and a falling tree limb. She awakens days later in the hospital - relieved to find Max safe - and discovers that the resulting concussion has left her with a newfound psychic ability. Before you can say Psychic Friends Network, Cass receives disturbing images of several local girls gone missing - their grisly fates playing out behind her mind's eye. Fearing more deaths, the reluctant psychic reaches out to the police and to one of the missing girl's parents - all of whom are skeptical. But when the father of a second missing girl begs Cass' help in finding his daughter and her decomposing body is found along the Ohio River banks, Cass finds herself the center of unwanted attention from a pair of devil-worshipping killers desperate to find out how she found their carefully hidden grave. It's here that the story kicks into even higher gear with a kidnapping, a manhunt, and - to a lesser extent - hints of a budding romance with a sympathetic female journalist.
As in "IM," Reed again opts to tell his story through multiple points of view. And, again, it works surprisingly well even when minor characters like Cass' mother get their chance at the storytelling bat. Laying out the actions and motives of your villains for readers is a tricky proposition - give too much and risk predictability at the expense of the suspense. But Reed expertly walks the tightrope between disclosure and omission, crafting passages told from the killers' perspective that are appropriately chilling and give just enough away to readers so that their acquired insight translates into dread when the action switches back to Cass and company. It's foreboding at it s finest with readers left muttering, "If you only knew what I know" at the book itself.
Reed also imbues "Deadly Vision" with a strong sense of setting, creating in Summitville a bleak tableau of working class hardship. One gets a strong sense of inevitability for the fictional denizens of the town, like they surrendered master status of their own destinies somewhere between unplanned pregnancies and factory closings. He nails the idea of familiarity and disconnection as analogous functions of small-town life:
"When Sheryl McKenna's mother opened the door, Cass felt as though she had already seen her. And maybe she had. Summitville was, after all, a small town. She could have passed the tired-looking woman on the street downtown, or served her in the diner. The woman stared at her with bright gray eyes, looking her over as if Cass were something she had discarded in the yard that had managed to make its way back to the porch. Mrs. McKenna was small, with no fat on her bones; she looked almost skeletal. Her skin was weathered, the result of too much sun, too much smoke. Her skin, combined with straw-like bleached blonde hair and hard eyes made her, Cass was sure, look older than her years. She held a cigarette in her hand, and the smell of tobacco smoke came out of the house in a wave when she opened the door."
Unlike "IM," the lesbian romance is relegated to the background here, never even a glimmer of possibility until the third act - and even then it's only alluded to in a near future. This is the novel's only misstep - and a slight one at that - and an area where Reed missed an opportunity for deeper emotional investment in the reporter character of Dani Westwood. The lack of romantic connection to Cass keeps her at arm's length for much of the action, consigning her to stock character status.
The novel's supernatural elements are handled quite well, with Cass' understanding of her precognitive abilities evolving gradually over the course of the book and never coming off as forced or over-the-top. Only toward the end when Cass encounters the spectral vision of one of the victims does one get the sense that they're smack dab in the middle of an episode of "Cold Case" or "The Ghost Whisperer" - and that's either criticism or commendation depending upon your level of tolerance for either of those shows.
The literary equivalent of a hybrid vehicle, "Deadly Vision" powers forward on a combustion of supernatural suspense, murder mystery, and breakneck thriller. With psychics and serial killers rendered with the same deft hand in a propulsive narrative likely to increase respirations, it takes no psychic ability to see that Rick Reed is headed for the top of the suspense class.