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The Death of Rhythm and Blues [Anglais] [Broché]

Nelson George

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Descriptions du produit

Revue de presse

“George has uncovered a lot of fresh information, not just on the artists themselves, but on the booking agents, arrangers, and record men.” —Newsweek



“[George’s] reading of history is not only interdisciplin- ary, it has a musical score.... His accounts of the colorful characters who populate this uncharted realm are often informative and...delightful.” —The Washington Post Book World

Présentation de l'éditeur

This passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative,  Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.


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Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
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Amazon.com: 4.1 étoiles sur 5  13 commentaires
37 internautes sur 39 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A Forgotten Past 2 mars 2000
Par Drew Hammond - Publié sur Amazon.com
Format:Poche
Nelson George's arguments are clear, well-organized, and powerful. While reading, I was forced to look at things differently than I ever had before. The ideological vision of integration is an honorable one, but the simple fact demonstrated in The Death of Rhythm & Blues is that integration is forever indebted to black utility for white profit. It is likely that race relations in this country would be quite different if whites had not benefited from the talent and ingenuity of black athletes and performers in such a profitable fashion. This is ground that history teachers rarely, if ever, tread on. It is quite tragic to know that the unique and powerful black culture from which basically all popular music is derived, can be so easily forgotten or ignored. George's position is most intriguing in that it reminded me that history may belong to the teller, but there are many stories to be told. I consider myself fortunate to have heard this one.
22 internautes sur 27 ont trouvé ce commentaire utile 
2.0 étoiles sur 5 Let's get real 22 décembre 2010
Par wahwahpedal - Publié sur Amazon.com
Format:Broché|Achat vérifié
The thing that bothers me about books like this is, disco gets ALL the blame for the demise of "black music" but rap/hiphop always gets a free pass.
No I don't like it that disco seemed to take over & knock the superior Funk genre out of the way but at least in disco, people were still playing INSTRUMENTS.
What is considered R&B,since the mid 90s is basically just beats & nothing more.
There is nothing in this book expressing dismay at the thought of DJs & sampling replacing LIVE BANDS,which is the true death of R&B.
20 internautes sur 25 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Finally an honest book the goes beyond dates and names 23 août 1998
Par Un client - Publié sur Amazon.com
Format:Poche
I've read a lot of books on musical roots in the last 30 years...to understand what really happened in the history of black music in America you have to understand what went down for the African-American in a white controlled enviroment. Mr. George holds nothing back and lets true history smack us all in the face. I would like to comment on a couple of points relating to white men playing black-roots music. Nelson commented that although Elvis was totally involved in black music ( and hair styles, clothe,etc.) that he essentially became a "wimp". I feel his material got wimpy, because of the white-music-machine & Tom Parker..but,I beleive the inner Elvis had "soul" in it's truest form. Then Nelsons examples of white boys who actually could play the blues 1. Eric Clapton, who I find leaves me cold with the text-book perfect licks pumped out with computer accuracy & 2. Johnny Winter, who to my ear does the classic wanna-be style playing of "more- notes-faster"...typical of the white boy trying so hard to over compensate, that it loses what it was all about in the first place, FEELING! These are just small things that bugged me a bit...the book is not about white boys wanting to play black music...it has a much deeper and more important message...a very eye openning look at reality in the music buisness and the black experience...I will continue to read Nelson George, he is saying things I'd like my children to understand. People deserve to here the truth.
5 internautes sur 6 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Nelson George's Best Work 27 février 2011
Par Jerry - Publié sur Amazon.com
Format:Broché
Nelson George's best work, the book he was born to write. His most sincere and true book, everything else he has done seems experimental. I read somewhere that he was influenced by Leroi Jones. His admiration of Leroi Jones' Blues People shows through and through. If you enjoyed The Death of Rhythm and Blues, then you would enjoy Blues People: it reads like a prequel to the Death of Rhythm and Blues.

Sadly both writers were content in becoming 'black writers' and perhaps it couldn't have been avoided. One wishes that Nelson George and Leroi Jones (since calling himself Amiri Baraka) would have followed up with biographies of some of the great musicians.
2 internautes sur 3 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 (Almost) Excellent History On Black Music since the 1930's 14 mars 2010
Par Da6cents - Publié sur Amazon.com
Format:Broché|Achat vérifié
Great and informative book on the pre and post world war I history of Black music. It is said that 'history repeats itself for those who refuse to study it'. Thus, this book actually gave me a historical understanding as to why Hip Hop is in the state it's currently in (dying). The only issue I had with it is that Nelson ends the book on the issue of Hip Hop when its obvious he hasn't quite done the proper homework. There was no mention of Kool Herc or Bambaata as the originators of the art form and instead the credit is given to DJ Hollywood declaring the "rap started in the discos" (it actually started in the STREETS of the bronx at least 10 years before it found it's way into the discos). HOWEVER, roughly 10 years later, Nelson authors 'Hip Hop America' (which I'm currently reading) and (so far) totally redeems himself. He has used the time wisely to reflect on his own historical relationship with the art form (having been one of the first, if not THE first, journalists to cover Hip Hop in 1979 - not to mention his monumental Source interview with 'the 3 Fathers of Hip Hop', Kool Herc, Afrika Bambaata and Grand Master Flash) and accurately depicts Hip Hop's organic and humble beginnings.

Still 'The Death of Rhythm and Blues' is a MUST-READ for anyone seriously concerned about the future of Black music as well as the the Black community for, as Nelson bluntly puts it, "it is clear that Black America's assimilationist obsession is heading it straight towards cultural suicide" .
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