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Debussy: Nocturnes; la Mer; Prélude À l'Après-Midi d'un Faune Import

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Détails sur le produit

  • Interprète: Georg Solti
  • Orchestre: Chicago Symphony Orchestra
  • Chef d'orchestre: Georg Solti
  • Compositeur: Claude Debussy
  • CD (5 octobre 1992)
  • Nombre de disques: 1
  • Format : Import
  • Label: Decca
  • ASIN : B00000420X
  • Autres versions : Téléchargement MP3
  • Classement des meilleures ventes d'Amazon: 473.994 en Musique (Voir les 100 premiers en Musique)
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 10 commentaires
16 internautes sur 18 ont trouvé ce commentaire utile 
Opposite of Amazon.com Review 26 mars 2005
Par Musician2005 - Publié sur Amazon.com
Format: CD
I find this Debussy quite stimulating, in contrast to the Amazon.com review which is rather unkind to this work. Hearing a conductor like Solti, known for harshness, doing something like Debussy is interesting in itself - and the music here speaks quite plainly for itself. It is not romantically or impressionistically molded and crafted, but instead played with characteristic Solti/CSO boldness and "tang." If you like music with some life, not lush/plush plodding of cool intellectualism, this CD is a great buy. Solti I often find to be underated, most likely due to his brash sound not always being welcomed by the ears of more sensitive subjects. Debussy pulsates with life, though, and I personally find a a good match here with Solti, though as all reviews created equal, whether by some top notch critic or a simpleton, that's only my opinion.
9 internautes sur 10 ont trouvé ce commentaire utile 
Highly Regarded, for Good Reason 10 septembre 2009
Par Music Is Everything - Publié sur Amazon.com
Format: CD
It's too bad that Amazon managed to find one of the lackluster reviews for this recording, since the vast majority of reviews have been glowing, and for good reason. This is a later effort by the Chicago Symphony and Georg Solti--a team that has an astonishing recorded legacy and a string of Grammy awards. If there is a consistent criticism of their earlier recordings, it's the London/Decca label's close mic-ing and two-dimensional approach to sound, but London/Decca had moved into a new phase by this time. They still had plenty of close microphones for clarity, but they were doing a much better job capturing the full sound of the orchestra and the resonance of the concert hall. The result here is one of the best recordings of Debussy I've ever heard. Solti has a knack for Debussy, even if he had mixed results in the rest of the French repertoire, and his command of these three masterpieces results in completely persuasive performances. The Chicago Symphony is uncannily solid, while the new recording methods go a long way to capturing the warmth and depth of their sound, not just the volume. "Nocturnes" is fantastically colorful and powerful, especially the orchestral powerhouse movement "Fetes," while the Chicago Symphony Chorus women are convincing "Sirenes" in the final movement. "La Mer" is so subtly layered and flowing that you'll smell the salt air--a rare gift in recorded performances of this masterpiece. And "Afternoon of a Faun" is so transparent and sensuous that it only gets better with repeated listenings. In these days of overrecorded repertoire, Debussy recordings come and go, but this one has the mark of enduring excellence. Enjoy.
7 internautes sur 8 ont trouvé ce commentaire utile 
Sharp-edged and robust at times, but still quite enjoyable 27 avril 2007
Par Santa Fe Listener - Publié sur Amazon.com
Format: CD
The Amazon reviewer is right to point out that the latter Solti of the 90s could be a bit anemic, but this wasn't the CD to use to make that point. It's too robust if anything, and the CSO brass bark too much. But for sheer precision and excellence in the recorded sounnd, this Debussy colleciton has few peers. Of the Trois Nocturnes, I've come to think that the masterpiece is the third movement, Sirenes, and here the women of the Chicago Sym. chorus are truly exceptional, singing with amazing accuracy and beauty of tone.

Solti is up against dozens of rivals in La Mer, including Reiner and the same CSO at the top of their game. Like Reiner, Solti's reading attempts little in the way of interpretation but offers many thrills in its virtuosic execution. Conductors tend to use La Mer as a showpiece now, and this recording is no exception. The Prelude to the Afternoon of a Faun is suitably erotic and relaxed, although Solti doesn't dawdle by any means. In all, this live recording is about as agreeable as any Solti CD I can think of.
1 internautes sur 1 ont trouvé ce commentaire utile 
Best of the best 1 juin 2015
Par Maurice Gianesin - Publié sur Amazon.com
Achat vérifié
I have been listening to both the Nocturne's and La Mer since I was a teenager. I am now sixty years old. I have heard so many interpretations over the years. This is by far the greatest and best interpretation I have ever heard. To be able to treat both pieces as a Romantic piece of music and never forget that you, "see" Debussy's music is truly an interpretation on the level of genius. This is near hallucinatory and completely grounded in solid musical ideas. An absolute must have for any collection.
3 internautes sur 4 ont trouvé ce commentaire utile 
Lush and Definitive 30 mars 2010
Par A reader - Publié sur Amazon.com
Format: CD
The Amazon review is indeed way off the mark. The performances here are lush and definitive, without hard edges. The Nocturnes span the gamut of emotion just as they should. The only reasons this does not merit a fifth star (from me at least) is that there are intrusive performer noises-music stands clattering, I think, and the overall recording is a trifle distant for my tastes. All that aside, for several years, this has been my benchmark.
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