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Première phrase
Since mankind first told stories, we have been both fascinated and frightened by monsters of the imagination, but it was only with the invention of moving pictures that showmen could begin to create fantastic creatures and characters that had true realism, Lire la première page Parcourir les pages échantillon
Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
Since mankind first told stories, we have been both fascinated and frightened by monsters of the imagination, but it was only with the invention of moving pictures that showmen could begin to create fantastic creatures and characters that had true realism, Lire la première page Parcourir les pages échantillon
Couverture | Copyright | Table des matières | Extrait | Index | Quatrième de couverture
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3 internautes sur 3 ont trouvé ce commentaire utile
Format:Broché
Voila un très bon livre pour les fous d'effets spéciaux (dont je suis, j'avoue !) qui vous entraine dans les coulisses des plus grands films en compagnie des meilleurs spécialistes dans leur domaine. Des photos pas centaines, souvent inédites, qui montrent tout le travail effectué par des artistes talentueux. Les anecdotes et interviews tout au long du livre viennent renforcer l'impact des photos. A posséder absolument, au même titre que "AVP - The creature effects of ADI".
0 internautes sur 1 ont trouvé ce commentaire utile
Par Lamotte
Format:Broché
Ce livre est vraiment pas mal, il explique quelques techniques et présente différents maquilleurs en exposant leurs travaux, idéal pour une première approche en maquillage SFX!
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4.6 étoiles sur 5
10 commentaires
5 internautes sur 5 ont trouvé ce commentaire utile
5.0 étoiles sur 5
Filled with variety and interesting production stories
21 mars 2009
Par Parka
- Publié sur Amazon.com
Format:Broché
The full title of the book is Designing Movie Creatures and Characters: Behind the Scenes with the Movie Masters. The title cannot be more accurate.
The movie masters included are ADI, Aaron Sims, K.N.B. (Robert Kurzman, Greg Nicotero, Howard Berger), Carlos Huante, Steve Wang, Patrick Tatopoulos, Mitch DeVane, The Art of Making Molds, Monster Materials, The Science of Appliance, Kazuhiro Tsuji, Mark Setrakian, Jon Dawe, Beth Hathaway, Jeff Himmel, Spectral Motion (Mike Elizalde), Brian Steele, Weta Workshop, Cristina Patterson Ceret and Walt Conti.
Through each of them, they have create creatures, models, sculptures, animatronic characters, make up for countless blockbuster films. Titles include old movies like King Kong, Jaws to modern day blockbusters King Kong (Peter Jackson), Chronicles of Narnia, Hellboy, etc.
Each design studio or artist is given a few pages of coverage in this book. They talk about their production process, sculpting the models, mold making, doing make-up for actors, the type of equipment they use, challenges they face and compromises made. Each studio has they unique way to creating these characters and their specialty. The work is always different, depending on the plot requirements. The huge number of studios, artists and movies provides much insight into how these movies are made.
This book is great for sculptors, animators, or anyone with interests in movie making involving non-human characters.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
The movie masters included are ADI, Aaron Sims, K.N.B. (Robert Kurzman, Greg Nicotero, Howard Berger), Carlos Huante, Steve Wang, Patrick Tatopoulos, Mitch DeVane, The Art of Making Molds, Monster Materials, The Science of Appliance, Kazuhiro Tsuji, Mark Setrakian, Jon Dawe, Beth Hathaway, Jeff Himmel, Spectral Motion (Mike Elizalde), Brian Steele, Weta Workshop, Cristina Patterson Ceret and Walt Conti.
Through each of them, they have create creatures, models, sculptures, animatronic characters, make up for countless blockbuster films. Titles include old movies like King Kong, Jaws to modern day blockbusters King Kong (Peter Jackson), Chronicles of Narnia, Hellboy, etc.
Each design studio or artist is given a few pages of coverage in this book. They talk about their production process, sculpting the models, mold making, doing make-up for actors, the type of equipment they use, challenges they face and compromises made. Each studio has they unique way to creating these characters and their specialty. The work is always different, depending on the plot requirements. The huge number of studios, artists and movies provides much insight into how these movies are made.
This book is great for sculptors, animators, or anyone with interests in movie making involving non-human characters.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
3 internautes sur 3 ont trouvé ce commentaire utile
5.0 étoiles sur 5
A great who's who in the Creature Effects world of today
17 juillet 2008
Par Harold V. Merkinbush
- Publié sur Amazon.com
Format:Broché
Where reading an article about a certain effects studio is nice, it's great to finally meet the real people and unsung heroes inside the studios/big names that actually are doing the work. Great book! Cheers to Richard Rickitt!
1 internautes sur 1 ont trouvé ce commentaire utile
5.0 étoiles sur 5
Another great Focal Press title
16 mai 2011
Par Stop Motion Maniac
- Publié sur Amazon.com
Format:Broché
I haven't been disappointed by any Focal Press title I've purchased (and that's quite a few) and this one is no different. The book is organized by artist and I like this approach. If you want more in depth analysis I suggest buying titles specifically on that artist (e.g. WETA Workshop). This is a great overview of different facets of creature creation exemplified by specific artists.
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4.6 étoiles sur 5
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