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Discovering the Waterfront CD, CD+DVD, Import

5 étoiles sur 5 2 commentaires client

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Page Artiste Silverstein

Produits fréquemment achetés ensemble

  • Discovering the Waterfront
  • +
  • When Broken Is Easily Fixed
Prix total: EUR 28,31
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Détails sur le produit

  • CD (16 août 2005)
  • Nombre de disques: 2
  • Format : CD, CD+DVD, Import
  • Label: Mis
  • ASIN : B000A2HA0G
  • Autres éditions : CD  |  Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5 2 commentaires client
  • Classement des meilleures ventes d'Amazon: 234.103 en Musique (Voir les 100 premiers en Musique)
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Format: CD Achat vérifié
Discovering the Waterfront est sans doute l'album qui a fait passer un cap à Silverstein, tant par ses thèmes abordés, le soin apporté aux accompagnements musicaux, ainsi qu'à la variance de voix du chanteur. Les morceaux sont travaillés et respirent la maîtrise, qui pouvait parfois manquée précédemment. Le groupe confirme tout le bien qu'on pourrait attendre par le biais de leurs anciennes productions, et nous amène ici un classique de Post rock à réécouter encore et encore.
Remarque sur ce commentaire 1 sur 1 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Format: CD
Voila un de ces groupes ke vous connaissez de nom et ke vous n avez jamais ecouté!! Et pourtant... Des les premiere notes de l album vous etes transporté dans le monde de Silverstein!

Mélange réussi de voie cool et de voie plus "metal" ou "hardcore" ce groupe vous met une gifle dont vous aurez du mal a vous remettre!!

Vous voulez acheter un album? ne cherchez plus vous l avez trouvé!!

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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9032fed0) étoiles sur 5 72 commentaires
3 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x90368930) étoiles sur 5 Progress For The Better 17 août 2005
Par Kevin - Publié sur Amazon.com
Format: CD
I would say that Silverstein is breaking even here. It's not quite at the level mediocrity, nor is it a sell-out record by any means, these guys did deliver...but I felt semi-short changed after the last track was said and done.

Vocally it's more medolic at times, and although the amount of screaming is reduced in comparison to "When Broken Is...", the abscence of that was balanced out with the instrumentals. The first half of the album is stunning, the rest kinda/sorta gives you a mesh of redundancy. I would've really liked to hear the entire thing push the envelope with the intricate sound that was written all over the first 5 tracks. Had they done that, "Discovering.." could've been the strongest piece of work to date for the band. I was very impressed, but not as impressed as I had anticipated to be.


My Sword Vs. Your Dagger -- A good opener, probably the most aggressive track. There really aren't many others that come close to the pace of 'My Sword' -- though, had it been put somewhere in the middle of the album, it would've stuck out as the remaining songs go on to be a little more indifferent.

Fist Wrapped in Blood -- Really complex. After hearing this on purevolume a while back I was definately blown away by how many change-ups ran through this song of only 2 minutes and 57 seconds.

The Ides of March -- A bit catchy and predictable at times. It shows how unique these guys can be on a song without screwing it up like most bands do while trying to be innovative. They nailed it.

Discovering The Waterfront -- Hands down the best thing to come out of this record. The only real ballad-esque track, the vocals alone are amazing/haunting, solid from start to finish. Some would say 'meh it's just another emo song', but it rightly defines a good chunk of the album. Even if the lyrics aren't ultra strong, it's profound enough to relate to. As far as sound goes, the breakdown of the chorus is rough, perfect to match the harmonic flow. Clocking in at almost 5 minutes, I'm glad the most impressve song also turned out to be the longest of the record.

Overall, "Discovering the Waterfront" isn't a massive step for Silverstein but at the same time it was a good step. "When Broken" was also amazing, but I still think they're holding back from making a full on masterpiece.
4 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x90368984) étoiles sur 5 Brilliant. 2 avril 2006
Par Hayley - Publié sur Amazon.com
Format: CD
At first, I thought Silverstein was just some run-of-the-mill emo crap like Aiden, but after listening to 30-second clips of their songs it intrigued me to buy their CD.

The opening song, "Your Sword VS My Dagger" seemed to be an aggressive grab into the ambience of the bombardment of percussion and kick-in-the-throat-screaming seemed to start off well, giving you the feeling of being tossed into a hurricane. When you get sucked into this hurricane, you hear "Smile in Your Sleep" the hit single, but nothing like the rest of the CD. The track resembled some 80s dream pop song with a quick punk pace and occasional screaming of course--the track underscores the twisting and twirling of a hurricane when you enter the eye of the storm. You suddenly land on a dark island with dead trees in the middle of a drafty fall evening after being regurgitated out of the eye of the storm, walk the road and enter into an angsty rage at the sight of a wall of corpses. The next track, "A Fist Wrapped in Blood" takes a Beethoven-esque guitar intro--you set the island on fire, the ghastly aroma of burning corpses arouses all of your senses as you try to "anger the sky" by polluting it with the smells of dead the sky opens up, letting you in. "Discovering the Waterfront", one of the most emotional songs on the CD--the sky opens, letting the slightest wisp of light out, hitting your skin, feeling so secure, trying to make you forgive the sky, but you wake up from the reverie and immerses you into the raging ocean instead, which resembles hell on earth. "Defend You", a dynamic track--emulates the fight between you and the waves but you try to keep your guard up, struggling and being swallowed into hell. You speak to the devil and he puts you to sleep--"My Heroine", a generic emo track, annoying at first glance, masterpiece at next--you look back at the Earth you once thrived on with life, not being able to forget how "bad" you thought the world was, repenting and laughing at your stupidity. "Always and Never"--you devise a plan to go back to Earth, but you have to go through the devil first in a battle to the death that eventually turns to an assault of insults. You win and go back into the eye of the storm, hoping it will reguritate you. "Already Dead", another Beethoven-esque guitar intro--you go into the storm, but come out unsuccessful losing your arms but landing in a meadow, the sun shines, you move on forgetting the struggle. "3 Hours Back", a mellow intro transitioning into the angst-filled path of life--you walk farther into this abyss of green, seeing one large sunflower sprouting out of the ground, leading you to heaven. Confused, you climb onto the leaves forgetting about your lost arms feeling invincible. "Call It Karma", the finale to end it all--you finish climbing the sunflower, when you reach the top, you reach a void,but you turn to a vapor and rain upon the Earth. Brilliant. Basslines are well-defined, guitar solos porved to resemble a Beethoven/Toccata-Fugue piece, the drums bombarded with raw emotional screaming; this isn't your everyday emo crap like Hawthorne Heights, it means something, enough for me to develop some type of story from it.
2 internautes sur 2 ont trouvé ce commentaire utile 
Par thursday57 - Publié sur Amazon.com
Format: CD
I agree with the person below me on some points. I like the last album, but felt that the lyrics were a bit immature. I was hoping to find a change with the sophmore effort, but i did not. But on the other hand... i listen to a lot of emo/hardcore... so I'm used to lyrics like this. The first four or five songs on Discovering the Waterfront are really a lot heavier than When Broken Is Easily Fixed. There are actually a few attempted breakdowns! I really like the first half of this album. The last half is kind of up-beat and not as heavy... but those songs aren't bad. The SCREAMING IS WAAAAAYYYYY BETTER. That's what i'm most impressed with on this album. I think Silverstein gets my vote for most improved band... for now.
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x903711a4) étoiles sur 5 Silverstein "Amazing" 14 décembre 2006
Par Samantha S. Dow - Publié sur Amazon.com
Format: CD
I Have listened to both Discovering the Water Front and When Broken is Easily Fixed but i have to say DTWF is much much better. Unlike many modern bands who enhance their voices to make them sound better SIlverstein dosent do it and they sound great. I saw them live in pittsburgh in october and it was amazing. All of their songs are good to listen to unlike some bands who have boring terrible songs just to fill space on the album. Currently my favorite song on the album is Call it Karma but i still think all the other songs are great too. Overall if you like emo/scremo music buy it see how you like it u might be supprised.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x90371288) étoiles sur 5 Not a sophomore slump 27 septembre 2005
Par Bando - Publié sur Amazon.com
Format: CD
Lately, a lot of bands that I like have released sophomore albums that haven't really been up to par. EX- Emery's The secret.

At first I was skeptical about this one because I really liked when broken is easilly fixed but with all the bad 2nd tries happening lately, I assumed it would not be worth the money, that I should just wait an buy it used. Well, finally I broke and decided to get her...

Wow, good idea! This album is in no way a weak follow up to the band's debut. In fact it much improves on their sound. it's catchier, more technical, and just better. The one beef I had with Silverstien's debut was that for every awesome song on there, following it would be one after it that would be slow and sucky. That doesn't occur nearly as much on here. There's only like 2 slow songs and they aren't that bad either. So your getting a more band for your buck here.

I also must say that the dudes have really given themselves a tune up. Sure the same Silvertien song structure is here: the usual slow sad and catchy intro followed by the rest of the song that manages to pick you up and throw you across the room.

Not only that, but the guitar work is a lot more technical here. I admit at first listen, some of the riffs here sounded a bit trivial at times, but after you get used to it, things start to come together. Plus, the drumming on here is done a lot better than last time around. The fills aren't repetive as was the case sometimes on WBIEF.

However, I so have a few problems with this one. Remember when I said that this one was a lot catchier that WBIEF. Well, in the process of "popifying" the sound, they sacrifice a lot of the heaviness they used to have. Don't get me wrong though, DTWF is still very heavy, but not quite as much as I liked before. I guess they were told if they didn't make this one a bit more radio friendly, they wouldn't make it to their third CD deal. But this happens to a lot of bands. This scares me though, because this is a route reminiscent of the one Hawthorne heights took earlier this year, and I think we all know what happened to them. (No more real fans just teenie boopers ECT)

Still, despite those minor things, this one still retains a sound that defies the mainstream emo. TOld still screams a lot and let me tell you he does it just as good as before. The lyrics are a bit better too. It's not the sad whinney emo stories of WBIEF. The subject matter here reminds of a more mature silverstien.

So what can I say about this overall? Silverstien refine their sound and it works too! Pros-Catchier, Better drums and guitar, and less throway tracks. Cons-not as heavy, a little repetive but just barely.

I would tell you to go get this if you like Screamo or even emo. If you like WBIEF and are fearing the Sophomore slump, don't worry! This one delivers!
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