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Distortion Import

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Détails sur le produit

  • CD (28 janvier 2008)
  • Nombre de disques: 1
  • Format : Import
  • Label: Nonesuch Variete
  • Autres éditions : Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : 4.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 153.402 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Three way
  2. California girls
  3. Old fools
  4. Xavier says
  5. Mr mistletoe
  6. Please stop dancing
  7. Drive on driver
  8. Too drunk to dream
  9. Till the bitter end
  10. I ll dream alone
  11. The nun s litany
  12. Zombie boy
  13. Courtesans

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0 internautes sur 4 ont trouvé ce commentaire utile  Par Mickael Bathiard le 13 juillet 2011
Format: CD Achat vérifié
Pas de problème, objet conforme à la description en parfait état, prévoir tout de même environ 3 semaines de livraison.
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Amazon.com: 24 commentaires
29 internautes sur 34 ont trouvé ce commentaire utile 
Distorted Dreams 15 janvier 2008
Par Cale E. Reneau - Publié sur Amazon.com
Format: CD
The Magnetic Fields have been around for the better part of two decades, keeping fans happy by releasing albums every couple of years. Distortion comes to us a little less than 4 years after the band's previous album, i. Both i and its predecessor, 69 Love Songs, were concept albums, wrapped around a basic idea. It should come as no surprise then that Distortion follows in much the same way. Though there is no thematic ribbon that ties the songs together, the actual album is in fact a mess of distortion and feedback.

It's an odd thing to hear on a Magnetic Fields album. As a band who has made a name for themselves by making stately and generally straightforward music, something as raw and dirty as distortion seems like a mismatch. Surprisingly though, this new element allows the band to explore some previously uncharted territory. 60s pop is the clear sound that Stephin Merritt and his bandmates are going for this time around, with driving and repetitive guitar lines that are catchy in and of themselves. Album opener, "Three-Way," for example, makes for enjoyable song despite the fact that Merritt's trademarked lyrical wit never makes an appearance. It is, rather, guitars, drums, and keyboards that make the song as enjoyable as it is. It is here that we're first greeted with what Distortion promotes with it's title; a decidedly lo-fi sound with blaring mids and a consistent layer of distortion and feedbacking guitars below the music itself.

Despite it being the theme of the album, however, it is also my least favorite part. While songs like "California Girls" and "Please Stop Dancing" undoubtedly benefit from this aesthetic, others like "Old Fools" would seem better suited to a more traditional Magnetic Fields sound. It's kind of a double-edged sword. Just when you hear a song that you absolutely adore, you're greeted with another that just doesn't seem to fit. Even Stephin Merritt, with all his theatrics, seems somewhat out of place on an album as loud and messy as this. And it is, perhaps, for this reason that the album's better moments are sung, not by Merritt, but by Shirley Simms (who can also be heard on past Magnetic Fields albums).

But that itself is more of a minor annoyance than anything else. Despite the fact that some songs don't benefit from the distortion as many others do, each song on Distortion is undeniably catchy and worth listening to. "California Girls" takes a unabashed beach rock riff and turns it into a funny, catchy song. Shirley Simms sings of the subjects, "They breathe coke and they have affairs with each passing rock star." It is not only one of the better tracks on the album, but also the first song you'll undoubtedly find yourself singing along to. "Please Stop Dancing" finds Merritt and Simms trading off on vocals, and the song's steady rhythm just begs for a good toe-tapping or head-bobbbing.

"Drive On, Driver" is a touching, and still catchy ballad sung once again by Simms. The melody is beautifully written, and will definitely please most listeners. "Too Drunk To Dream" is classic Magnetic Fields, and Merritt's shining moment on the album. The beginning of the song cleverly examines the way things always seem better when you're drunk. It's absolutely hysterical. He later sings (in his typical theatrical manner), "I've gotta get too drunk to dream cause dreaming only makes me blue," in what is sure to be yet another sing-along favorite.

Overall, the album is pretty enjoyable and a clear step up from the disappointment that was i. Though Stephen Merritt really takes a back seat to Shirley Simms, Distortion is no less enjoyable because of it. If you can get past all the blaring noise that is consistently going on in the background and deal with the abnormally high mids, I'm convinced that most anybody can find something to enjoy on this album. For fans of Magnetic Fields, it is an absolute must buy. For everyone else, it comes highly recommended.

Key Tracks:
1. "Three-Way"
2. "California Girls"
3. "Please Stop Dancing"
4. "Too Drunk to Dream"
5. "The Nun's Litany"

7 out of 10 Stars
2 internautes sur 2 ont trouvé ce commentaire utile 
Metal Machine Merritt 5 mars 2012
Par Greg Cleary - Publié sur Amazon.com
Format: CD Achat vérifié
Stephin Merritt is so talented that he has to create challenges for himself in order to keep things interesting. When he challenged himself to write 69 love songs, the resulting album was a spectacular success. He followed that up by recording an entire album of songs that began with the letter "I." Arguably, it was another success, albeit on much more modest terms. For "Distortion," he created a challenge of a different kind. This time, the unifying idea was not about the songs themselves, but rather, the recording process. Every track on the album is bathed in reverb, feedback, and distortion.

The idea is not as weird as it sounds. In a way, it is a throwback to the early days of the Magnetic Fields. The first two albums and the "House of Tomorrow" EP also featured a layered electronic sound. Traces of this sound could still be found in "69 Love Songs"--think of "I Don't Want to Get Over You" or "I'm Sorry I Love You." The name of the band even seems to hint at this approach to recording.

On "Distortion," however, the approach is taken to an extreme, and the results are sometimes hard to endure. It doesn't help that the songwriting is not as strong as it is on most Magnetic Fields albums. Half of the songs are sung by Stephin Merritt and the other half by Shirley Simms, and for whatever reason, the Shirley songs are all better than the Stephin songs. A few of the Stephin songs are almost torturous to listen to, particularly "Mr. Mistletoe" and "Zombie Boy," as his deep voice mingles unappealingly with the murky production.

Among the Shirley songs, though, there are a few gems. "The Nun's Litany" is ostensibly just a long list of sexual perversions in which the song's heroine wishes to indulge, and yet it somehow avoids being crass and is actually kind of touching, as she longs to find some kind--ANY kind--of sexual identity. "California Girls" and "Xavier Says" are also supremely catchy and full of bitter humor. The final song, "Courtesans," has a classic melody that any folk songwriter would be proud to write. In this setting, however, it loses some of its impact, in spite of yet another crisp vocal performance by Shirley Simms. Her voice has a way of cutting through all of this sonic weirdness. Maybe this is why Merritt had a female singer handle all of the vocals on the first two Magnetic Fields albums.

Even when this album succeeds, however, it succeeds in spite of the sound, rather than because of it. Which leads to the question: What was the point of all this noisy production anyway? One thing that can be said for it--although it's not exactly a compliment--is that it demands the total attention of the listener. It doesn't work as background music or as an accompaniment to other activities. I listened to it while driving one time and ended up with a slight headache. I don't mind being challenged by music at times, but listening to "Distortion" is a little bit too much like work.
2 internautes sur 2 ont trouvé ce commentaire utile 
Takes a Risk 7 février 2008
Par Daniel E. Fox - Publié sur Amazon.com
Format: CD
I think he took a big risk here by changing his band's sound so drastically. As other reviewers have mentioned, the usual witty lyrics and hook-filled tunes are absolutely drenched in feedback and recorded in a very "low-fi" manner (see: Guided by Voices, Pavement, Jesus and Mary Chain, Sonic Youth, Joy Division, etc.). If I am in the right mood, and I listen to this sucker all the way through, it absolutely wins me over. I love this sound and it does bring back a lot of 90's alt-rock memories for me. And California Girls is hilarious, memorable, snarky, and in a parallel just and fair universe, it would be a #1 song on the pop charts.
great LP 21 novembre 2008
Par Joseph Broze - Publié sur Amazon.com
Format: CD
While I am not a Stephin Merritt superfan, this is the fourth Magnetic Fields LP I have bought - "Charm of the Highway Strip" is my personal favorite - and I think it's great. I am surprised by the negative reviews.

Be forewarned I guess to all Magnetic Fields fans...this is basically traditional MF songs amped up with a heavy dose of feedback/noise ala The Jesus & Mary Chain. Some might not like it, I think it's a welcome change for the dude - although there are alot of bands playing this style right now, which is fine by me! See Raveonettes, Black Rebel Motorcycle Club, A Place To Bury Strangers, Ceremony, Vandelles, Crystal Stilts, Vivian Girls, Manhattan Love Suicides, Glasvegas, etc.

The songs might get a bit repetitive but that doesn't really bother me. The standout songs are: California Girls (amazing!), Drive on Driver, Too Drunk To Dream, etc.

Overall: don't expect this too sound like any other Magnetic Fields record. It's just a really noisy version of MF. If you can't handle that, you might want to stay away. I love it!
Sonic Entertainment 1 juillet 2015
Par A. Silverstone - Publié sur Amazon.com
Format: CD
The Magnetic Fields are true to their neo-psychedelic twinged synth pop form in "Distortion". As the name implies, the music is heavily laden with distorted synthesizer, but it can often fade to a background drone like the unfingered pipe of a bagpipe, as it does in 'Old Fools'. Nothing could be further from David Lee Roth than Magnetic Fields's 'California Girls' which is a take down of these west coast women, sung to a catchy melody. We also get the hysterical and raunchy 'Too Drunk to Dream'.

Listening to this album, I find the complex, feedback-laden, permanent wave sound, oddly compelling. The intricate harmonies and clever lyrics make for a great listen.
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