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Even her flaws -- the crude drawing style, her lapses of grammar and spelling -- help to get her point across. You couldn't call her stuff childlike -- it's too sophisticated for that -- but it is reminiscent of childhood, without ever being condescending or imitative.
While most of her work is clearly intended as humor (and much of it is indeed howlingly funny), there is a haunting, sweet sadness of tone about a great deal of it too. Barry's not afraid to tackle serious incidents of loss, parental indifference, failure in school, and getting in trouble, but the kids in her stories seem always to take the bad things that happen to them in stride, with aplomb -- as children so often really do.
