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E2-E4: 25eme Anniversaire

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Page Artiste Manuel Gottsching

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Détails sur le produit

  • CD (3 avril 2007)
  • Nombre de disques: 1
  • Label: Mg Art
  • ASIN : B000O58ZMQ
  • Autres éditions : CD  |  Album vinyle
  • Moyenne des commentaires client : 2.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 736.558 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Disque 1 piste 1 - Manuel Göttsching

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3 internautes sur 11 ont trouvé ce commentaire utile  Par monolab le 23 février 2012
Format: CD Achat vérifié
je trouve ce disque bien décevant. si vous recherchez la guitare magique d'Ash ra tempel, vous allez avoir du mal à la trouver. Certes M.G est un bon musicien mais ce qui est produit ici me donne plus l'impression d'une longue jam (qui aurait pu aussi bien durer 2h de plus) sans vraiment d'inspiration. pour les complétistes .
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Amazon.com: 24 commentaires
21 internautes sur 21 ont trouvé ce commentaire utile 
A Techno-Trance Milestone 8 mai 2003
Par Louie Bourland - Publié sur Amazon.com
Format: CD
After many years performing with Ash Ra Tempel (who later became Ashra), Manuel Gottsching released "E2-E4", his first album under his own name. Recorded in 1981 and released three years later, "E2-E4" paved the way for what was to become known as 'techno' or 'trance' music. Although there are nine track titles listed, the album is essentially one single uninterrupted piece of music which is close to an hour long. The music was also recorded live in one take with no overdubs. The first half of the album consists mostly of a subtle rhythmic sequencer pattern along with a rhythm machine. As the piece unfolds, so do the variations of this sequence. At about the half-hour mark, Manuel brings in a stellar electric guitar lead which sounds like a cross between George Benson or maybe a mellow Eric Clapton. He continues with the guitar playing while alternating between his electronics and sequencers providing further variations on the repetitive chord structure heard throughout the piece. Towards the end, the guitar fades out, the rhythm pattern echoes into silence and finally this long piece comes to its end. I highly recommend this album not just to the old-school electronic music buffs (ie: people who like Tangerine Dream, Klaus Schulze et.al) but also to fans of todays techno/trance/chillout/etc music. This is definitely music that is ahead of its time and has been a blueprint for dance artists both old and new. It's not only great music to dance to. It's also great music to sit back and relax to as well. A classic in every way, shape and form.
10 internautes sur 10 ont trouvé ce commentaire utile 
Blissful and amazing 2 août 2006
Par 77Jim - Publié sur Amazon.com
Format: CD Achat vérifié
Listening to this album makes an hour go by in what seems like minutes. In short E2-E4 is a wonderous work of musical accomplishment. I am glad to have stumbled upon this album (ultimately by reading Amazon lists from various Tangerine Dream fans) I was curious and looking for something new and exciting. The simple but attractive cover design also triggered some curiousity in me I must admit. Something drew me to this album and I am thankful.

Do not let the words "electronic" and "avante garde" scare you off. There is melody and bliss to be found in abundance here. The album is worth the ticket price. I feel it is my duty to pass along this torch of greatness. Share this one. It's a keeper!
8 internautes sur 8 ont trouvé ce commentaire utile 
A Krautrock Landmark 24 juin 2006
Par Juan Mobili - Publié sur Amazon.com
Format: CD Achat vérifié
At the turn of Sixties and intensely through the first half of the Seventies, German Rock and Electronica influenced music all over the Western World. CAN, or Kraftwerk or even Ash Ra Tempel-- Gottsching's group--influenced different but important artists here, from Talking Heads to Anthony Kiedis, David Bowie or even Johnny Rotten.

Gottsching's second solo album--"E2-E4"--leaves behind the brand of Space Rock he helped invent for a crisp but extremely poetic dialogue between his guitar and Electronica. More human than Kraftwerk, Gottsching travels similar but less paved landscapes than the classic Autobhan.

Along with Michael Strother and CAN's Michael Karoli, one of the best guitar players of Rock and Electronica to ever come out from Germany. This album is a classic, a classic that remains adventurous even after almost thirty years.
4 internautes sur 4 ont trouvé ce commentaire utile 
Astounding! 2 février 2000
Par DAC Crowell - Publié sur Amazon.com
Format: CD
This release is an essential purchase for anyone who wants to know where the current wave of electronic dance music comes from. Back in 1981, when Gottsching created this, dance music pioneers in NYC and Detroit picked up on this hour-long work and would mix in and out of constantly to organize their sets. You _still_ hear this thing, in fact...most recently in the guise of an inferior but well-known track called "Sueno Latino" from a few years ago that was a wholesale bite of this work. Many have speculated, in fact, that had this track not existed, the explosion of equally-important dance music from the Detroit scene in the late 80's (the one that led to techno heading to Europe for that important summer back in 1987) might not have occurred. As equally important as works like Kraftwerk's "Trans-europe Express", and even more trancey and certainly more fun that that great and seminal Teutonic work. Critically important!
4 internautes sur 4 ont trouvé ce commentaire utile 
Checkmate. E2-E4 30 mars 2001
Par John Paloy - Publié sur Amazon.com
Format: CD
One of the first major attempts at ambiance/techno with an emphasis on being vertical rather than horizontal. While all music tends to be constructed with rhythms and beats measured in a timescale manner (hence horizontal timeline), Manuel Goettsching has attempted to create vertical music. The result is a focus on texture, layers of sound and richness of ideas. Possibly on par with Thursday Afternoon by Brian Eno. As a good subtext, the metaphor of a chess game being played out in all of it's quiet intensity and emotional peaks and valleys is quite fitting. Perhaps another good analogy would be the Kind of Blue sessions that Miles Davis recorded, where the emphasis was on texture, sound and melody, versus trite patterns and tired old ideas that only give the impression of being innovative. Worth a listen.
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