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Empress Dowager Cixi: The Concubine Who Launched Modern China (Anglais) Broché – 26 septembre 2013

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Chapter One, Concubine to an Emperor (1835–56)
In spring 1852, in one of the periodic nationwide selections for imperial consorts, a sixteen-year-old girl caught the eye of the emperor and was chosen as a concubine. A Chinese emperor was entitled to one empress and as many concubines as he pleased. In the court registry she was entered simply as ‘the woman of the Nala family’, with no name of her own. Female names were deemed too insignificant to be recorded. In fewer than ten years, however, this girl, whose name may have been lost for ever,* had fought her way to become the ruler of China, and for decades – until her death in 1908 – would hold in her hands the fate of nearly one- third of the world’s population. She was the Empress Dowager Cixi (also spelt Tzu Hsi). This was her honorific name and means ‘kindly and joyous’.
She came from one of the oldest and most illustrious Manchu families. The Manchus were a people who originally lived in Manchuria, beyond the Great Wall to the northeast. In 1644, the Ming dynasty in China was overthrown by a peasant rebellion, and the last Ming emperor hanged himself from a tree in the back garden of his palace. The Manchus seized the opportunity to smash across the Great Wall. They defeated the peasant rebels, occupied the whole of China and set up a new dynasty called the Great Qing – ‘Great Purity’. Taking over the Ming capital, Beijing, as their own, the victorious Manchus went on to build an empire three times the size of the Ming empire, at its peak occupying a territory of 13 million square kilometres – compared to 9.6 million today.
The Manchu conquerors, outnumbered by the indigenous Chinese, the Han, by approximately 100:1, imposed their domination initially by brutal means. They forced the Han males to wear the Manchu men’s hairstyle as the most visible badge of submission. The Han men traditionally grew their hair long and put it up in a bun, but the Manchu men shaved off an outer ring of hairs, leaving the centre part to grow and plaiting it into a trailing queue. Anyone who refused to wear the queue was summarily beheaded. In the capital, the conquerors pushed the Han out of the Inner City, to the Outer City, and separated the two ethnic groups by walls and gates.* The repression lessened over the years, and the Han generally came to live a life no worse than that of the Manchus. The ethnic animosity diminished – even though top jobs remained in the hands of the Manchus. Intermarriage was prohibited, which in a family-oriented society meant there was little social intercourse between the two groups. And yet the Manchus adopted much of the Han culture and political system, and their empire’s administration, extending to all corners of the country like a colossal octopus, was overwhelmingly manned by Han officials, who were selected from the literati by the traditional Imperial Examinations that focused on Confucian classics. Indeed, Manchu emperors themselves were educated in the Confucian way, and some became greater Confucian scholars than the best of the Han. Thus the Manchus regarded themselves as Chinese, and referred to their empire as the ‘Chinese’ empire, or ‘China’, as well as the ‘Qing’.
The ruling family, the Aisin-Gioros, produced a succession of able and hard-working emperors, who were absolute monarchs and made all important decisions personally. There was not even a Prime Minister, but only an office of assistants, the Grand Council. The emperors would rise at the crack of dawn to read reports, hold meetings, receive officials and issue decrees. The reports from all over China were dealt with as soon as they arrived, and rarely was any business left undone for more than a few days. The seat of the throne was the Forbidden City. Perhaps the largest imperial palace complex in the world, this rectangular compound covered an area of 720,000 square metres, with a moat of proportional size. It was surrounded by a majestic wall some 10 metres high and nearly 9 metres thick at the base, with a magnificent gate set into each side, and a splendid watchtower above each corner. Almost all the buildings in the compound displayed glazed tiles in a shade of yellow reserved for the court. In sunshine, the sweeping roofs were a blaze of gold.
A district west of the Forbidden City formed a hub for the transportation of coal, bound for the capital. Brought from the mines west of Beijing, it was carried by caravans of camels and mules, wearing tinkling bells. It was said that some 5,000 camels came into Beijing every day. The caravans paused here, and the porters did their shopping from stores whose names were embroidered on colourful banners or gilded on lacquered plaques. The streets were unpaved, and the soft, powdery dust that lay on top in dry weather would turn into a river of mud after a downpour. There was a pervasive reek from a sewage system that was as antiquated as the city itself. Refuse was simply dumped on the side of the roads, left to the scavenging dogs and birds. After their meals, large numbers of vultures and carrion crows would flock into the Forbidden City, perching on its golden roofs and blackening them.
Away from the hubbub lay a network of quiet, narrow alleys known as hu-tong. This is where, on the tenth day of the tenth lunar month in 1835, the future Empress Dowager of China, Cixi, was born. The houses here were spacious, with neatly arranged courtyards, scrupulously tidy and clean, in sharp contrast to the dirty and chaotic streets. The main rooms had doors and windows open to the south to take in the sun, while the north was walled up to fend off the sandy storms that frequently swept the city. The roofs were covered with grey tiles. The colours of roof tiles were strictly stipulated: yellow for the royal palaces, green for the princes, and grey for all others.
Cixi’s family had been government employees for generations. Her father, Huizheng, worked as a secretary and then a section chief for the Ministry of Officials. The family was well-off; her childhood was carefree. As a Manchu, she was spared foot-binding, a Han practice that tortured their women for a millennium by crushing a baby girl’s feet and wrapping them tightly to restrict their growth. Most other customs, such as male–female segregation, the Manchus shared with the Han. As a girl of an educated family, Cixi learned to read and write a little Chinese, to draw, to play chess, to embroider and to make dresses – all deemed desirable accomplishments for a young lady. She was a quick and energetic learner and developed a wide range of interests. In the future, when it was the ceremonial duty of the empress dowager, on a certain auspicious day, to cut the pattern for a dress of her own – as a symbol of womanhood – she would perform the task with tremendous competence.
Her education did not include learning the Manchu language, which she neither spoke nor wrote. (When she became the ruler of China, she had to issue an order for reports written in Manchu to be translated into Chinese before she was shown them.) Having been immersed in Chinese culture for 200 years, most Manchus did not speak their own original tongue, even though it was the official language of the dynasty and various emperors had made efforts to preserve it. Cixi’s knowledge of written Chinese was rudimentary, and she may be considered ‘semi- literate’. This does not mean that she lacked intelligence. The Chinese language is extremely hard to learn. It is the only major linguistic system in the world that does not have an alphabet; and it is composed of numerous complicated characters – ideograms – which have to be memorised one by one and, moreover, are totally unrelated to sounds. At Cixi’s time, written texts were completely divorced from the spoken form, so one could not simply write down what one spoke or thought. To qualify as ‘educated’, therefore, learners had to spend about a decade in their formative years imbibing Confucian classics, which were severely limited in range and stimulation. Fewer than 1 per cent of the population were able to read or write the bare minimum.
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance.
The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’
Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitter- ness of arbitrary punishment, she would make an effort to be fair to her officials.
As he had raised a sizeable sum of money to pay the fine, Cixi’s father, Huizheng, was rewarded in 1849 with an appointment from the emperor to be the governor of a large Mongolian region. That summer he travelled there with his family, setting up home in Hohhot, today’s provincial capital of Inner Mongolia. For the first time Cixi journeyed out of crowded Beijing, beyond the decaying Great Wall and along a stony route that led to the Mongolian steppes, where uninterrupted open grassland extended to a very distant horizon. Throughout her life Cixi would feel passionate about fresh air and unrestricted space.
In his new job as governor, Cixi’s father was responsible for collecting taxes and, in line with prevailing and age-old practice, he fleeced the local population to make up for the family losses. That he should do so was taken for granted. Officials, who were paid low salaries, were expected to subsidise their income with whatever extras they could make – ‘within reason’ – from the population at large. Cixi grew up with corruption of this kind as a way of life.
In February 1850, months after the family settled in Mongolia, Emperor Daoguang died and was succeeded by his son, Emperor Xianfeng. The new emperor, then nineteen years old, had been born prematurely and had been in poor health since birth. He had a thin face and melancholy eyes, as well as a limp, the result of a fall from a horse in one of the hunting expeditions that were obligatory for the princes. As an emperor is referred to as a ‘dragon’, gossips in Beijing nicknamed him ‘the Limping Dragon’.
After his coronation, an empire-wide operation began to select consorts for him. (At this point, he had one consort, a concubine.) The candidates, teenage girls, had to be Manchu or Mongol; the Han were excluded. Their families had to be above a certain rank, and had been obliged by law to register them when they reached puberty.
Cixi was on the list and now, like other girls from all over China, she travelled to Beijing. She settled back into the family’s old house and waited for the occasion when all the candidates would parade in front of the emperor. After he had made his pick, some of the girls would be given to the princes and other royal males as consorts. Those who failed to be chosen were free to go home and marry someone else. The inspection in the Forbidden City was scheduled for March 1852.
The procedure for the inspection had been passed down over the generations. On the day before the fixed date, the candidates were taken to the palace in mule-drawn carts – ‘taxis’ of the day – which were hired by their families and paid for by the court. These carts were like a trunk on two wheels, and were hooded with woven bamboo or rattan that had been soaked in tung-oil to become rain- and snow-proof. Curtains of bright blue were draped over it, and felt and cotton mattresses and cushions were piled inside. This was a common conveyance even for the families of princes, in which case the inside would be lined with fur or satin, depending on the season, while the outside bore markers of its owner’s rank. On seeing such a vehicle passing by silently and disappearing into the gathering darkness, Somerset Maugham (later) mused:
you wonder who it is that sits cross-legged within. Perhaps it is a scholar . . . bound on a visit to a friend with whom he will exchange elaborate compliments and discuss the golden age of Tang and Sung which can return no more; perhaps it is a singing girl in splendid silks and richly embroidered coat, with jade in her black hair, summoned to a party so that she may sing a little song and exchange elegant repartee with young blades cultured enough to appreciate wit.
The cart that seemed to Maugham to be carrying ‘all the mystery of the East’ was singularly uncomfortable, as its wooden wheels were secured by wire and nails, without springs. The occupant was bounced up and down on the dirt-and-stone roads, banging on all sides within. It was particularly challenging for Europeans, who were not used to sitting cross-legged without seats. The grandfather of the Mitford sisters, Algernon Freeman-Mitford, soon to be an attaché in the British Legation in Beijing, remarked: ‘After ten hours of a Chinese cart a man is fit for little else than to be sold at an old rag and bone shop.’
Walking at a sedate pace, the carts of the candidates converged outside the back gate of the Royal City, the outer enclosure that cradled the Forbidden City. As the Forbidden City itself was already enormous, this gigantic outer area was similarly encircled by broad crimson-red walls under roof tiles glazed with the same royal yellow colour. It housed temples, offices, warehouses and workshops, with horses and camels and donkeys coming and going, providing services for the court. On this day, at sunset, all activities stopped and a passage was left clear for the carts bearing the candidates, which entered the Royal City in a prescribed order. Passing by the artificial hill Jingshan, and crossing the moat, they arrived outside the north gate to the Forbidden City, the Gate of Divine Prowess, which had an imposing and ornate two-tiered roof over it.
This was the back entrance to the Forbidden City. The front, south gate, was prohibited to women. In fact, the entire front – and main – section was for men only. Constructed for official ceremonies, it consisted of grand halls and vast, empty, stone-paved grounds, with a most noticeable absence: plants. There was virtually no vegetation. This was by design, as plants were thought to convey a feeling of softness, which would diminish the sense of awe: awe for the emperor, the Son of Heaven – ‘Heaven’ being the mystic and formless ultimate god that the Chinese worshipped. Women had to stay well within the rear part of the Forbidden City, the hou-gong, or harem, where no men were permitted except the emperor, and the eunuchs, who numbered many hundreds.
The potential entrants for the harem now stopped outside the back entrance for the night. Under the towering gate, the carts parked on an enormous paved ground as darkness descended, each lantern casting its own dim circle of light. The candidates would spend the night cooped up in their carts, waiting for the gate to open at dawn. They would then alight and, directed by eunuchs, walk to the hall, where they would be scrutinised by the emperor. Standing before His Majesty, several in a row, they were specifically exempted from performing the obligatory kowtow: going down on their knees and putting their foreheads on the ground. The emperor needed to see them clearly.
Apart from the family name, ‘character’ was a key criterion. The candidates must demonstrate dignity as well as courteousness, gracious- ness as well as gentleness and modesty – and they must know how to behave in the court. Looks were secondary, but needed to be pleasing. In order for them to show their pure selves, the candidates were not allowed to wear richly coloured clothes: the gowns they wore had to be simple, with just a little embroidery along the hems. Manchu dresses were usually highly decorative. They hung from the shoulders to the floor and were best carried with a straight back. Manchu women’s shoes, daintily embroidered, had the elevation at the centre of the soles, which could be as high as 14 centimetres and compelled them to stand erect. Over their hair, they wore a headdress that was shaped like a cross between a crown and a gate tower, decorated with jewels and flowers when the occasion demanded. On such occasions, a stiff neck was needed to support it.
Cixi was not a great beauty; but she had poise. Though she was short, at just over 1.5 metres, she looked much taller, thanks to the gown, the shoes and the headdress. She sat erect and moved gracefully, even when she was walking fast, on what some described as ‘stilts’. She was blessed with very fine skin and a pair of delicate hands, which, even in old age, remained as soft as a young girl’s. The American artist who later painted her, Katharine Carl, described her features thus: ‘a high nose . . . an upper lip of great firmness, a rather large but beautiful mouth with mobile, red lips, which, when parted over her firm white teeth, gave her smile a rare charm; a strong chin, but not of exaggerated firmness and with no marks of obstinacy’. Her most arresting feature was her brilliant and expressive eyes, as many observed. In the coming years during audiences she would give officials the most coaxing look, when suddenly her eyes would flash with fearsome authority. The future – and first – President of China, General Yuan Shikai, who had served under her and had a reputation for being fierce, confessed that her gaze was the only thing that unnerved him: ‘I don’t know why but the sweat just poured out. I just became so nervous.’
Now her eyes conveyed all the right messages, and Emperor Xianfeng took notice. He indicated his liking, and the court officials retained her identification card. Thus being shortlisted, she was subjected to further checks and stayed one night in the Forbidden City. Finally she was chosen, together with several other girls, out of hundreds of candidates. There can be no doubt that this was the future she wanted. Cixi was interested in politics and she had no knight in shining armour awaiting her return. Segregation between male and female precluded any romantic liaison, and the threat of severe punishment for any family who betrothed their daughter without her first having been rejected by the emperor meant that her family could not have made any marital arrangement for her. Although, once admitted to the court, Cixi would rarely see her family, it was officially stipulated that elderly parents of royal consorts could obtain special permission to visit their daughters, even staying for months in guest houses in a corner of the Forbidden City.
A date was set for Cixi to take up her new home: 26 June 1852. This followed the formal ending of the mandatory two-year mourning for the deceased Emperor Daoguang, signalled by the new emperor visiting his late father’s mausoleum west of Beijing. During that mourning period he had been required to abstain from sex. Upon entering the palace, Cixi was given the name Lan, which seems to have derived from her surname Nala, which was sometimes written as Nalan.  Lan was also the name for magnolia or orchid. To name a girl after a flower was a common practice. Cixi did not like the name, and as soon as she was in a position to ask the emperor for a favour, she had it changed.
The harem she entered on that summer day was a world of walled-in courtyards and long, narrow alleyways. Unlike the all-male front section, this quarter had little sense of grandeur, but quite a lot of trees, flowers and rockeries. Here the empress occupied a palace, and each of the concubines had a mini-suite. The rooms were decorated with embroidered silk, carved furniture and bejewelled ornaments, but little display of individual personality was permitted. The harem, like the whole of the Forbidden City, was governed by rigid rules. Exactly what objects the girls could have in their rooms, the quantity and quality of the textiles for their clothes, and the types of food for each day’s consumption were meticulously determined in accordance with their rank. For food, an empress had a daily allowance of 13 kilos of meat, one chicken, one duck, ten packages of teas, twelve jars of special water from the Jade Spring Hills, as well as specified amounts of different kinds of vegetables, cereals, spices and other ingredients.* Her daily allowance also included the milk produced by no fewer than twenty- five cows. (Unlike most of the Han, the Manchus drank milk and ate dairy products.)
Cixi was not made the empress. She was a concubine, and a low- rank one at that. There were eight rungs on the ladder of imperial consorts, and Cixi was on the sixth, which put her in the lowest group (the sixth to the eighth). At her rank, Cixi had no private cow and was only entitled to 3 kilos of meat a day. She had four personal maids, while the empress had ten, in addition to numerous eunuchs.
The new empress, a girl named Zhen, meaning ‘chastity’, had entered the court with Cixi. She had also started as a concubine, but of a higher rank, the fifth. Within four months and before the end of the year, however, she had been promoted to the first rank: the empress. It was not on account of her beauty, for Empress Zhen was quite plain. She was also of poor physique, and the gossip that had dubbed her husband ‘the Limping Dragon’ named her ‘the Fragile Phoenix’ (phoenix being the symbol of the empress). But she possessed the quality most valued in an empress: she had the personality and skill to get on with the other consorts, and manage them, as well as the ser-vants. An empress’s primary role was to be the manageress of the harem, and Empress Zhen fulfilled this role perfectly. Under her, the harem was remarkably free of the backbiting and malice that were endemic in such places.
There is no evidence that Cixi was favoured as a concubine by her husband. In the Forbidden City the emperor’s sex life was diligently recorded. He picked his sexual partner for the night by marking her name on a bamboo tablet presented to him by the chief eunuch over dinner, which he mostly ate alone. He had two bedrooms, one with mirrors on all sides, and the other with silk screens. The beds were draped with silk curtains, inside which hung scent bags. The bed-curtains in both rooms were lowered when the emperor went into one of them. This was apparently for reasons of security, so that even intimate servants did not know for certain which bed he went to. Court rules forbade the emperor to sleep in his women’s beds. They came to his, and if legend were to be believed, the chosen one was carried over by a eunuch, naked and wrapped in silk. After sex, the woman went away; she was not permitted to stay overnight.
The Limping Dragon loved sex. There are more stories about his sexual activities than about any other Qing emperor. His consorts soon increased to nineteen, some of whom had been elevated from among the palace maids, who were also chosen from all over China, mostly from low-class Manchu families. In addition, women were brought to his bed from outside the court. Rumour had it that most of them were well-known Han prostitutes, who had bound feet – for which he apparently had a penchant. As the Forbidden City had strict rules, they were said to have been smuggled into the Old Summer Palace – the Yuan-ming-yuan, Gardens of Perfect Brightness – a gigantic landscaped complex some 8 kilometres to the west of Beijing. There, the rules were more relaxed, and the emperor could indulge in sexual ventures more freely.
For nearly two years, a sexually active – even frenetic – emperor showed no particular fondness for Cixi. He left her at Rank 6, while elevating those lower in status to her rank. Something put him off her. And it seems that the teenage Cixi, in her eagerness to please her husband, made the mistake of trying to share his worries.
Emperor Xianfeng faced monumental problems. As soon as he ascended the throne, in 1850, the biggest peasant rebellion in Chinese history, the Taiping, broke out in the southern coastal province of Guangxi. There, famine drove tens of thousands of peasants into a desperate last resort – armed rebellion – though they risked the most horrific consequences. For their leaders, the mandatory punishment was ling-chi, ‘death by a thousand cuts’, during which the condemned was sliced piece by piece in public. Even this was not enough to deter the peas- ants who faced the slow death of hunger, and the Taiping rebel army quickly grew into hundreds of thousands. By the end of March 1853, it had swept into the old southern capital, Nanjing, and set up an opposing state, the Taiping Heavenly Kingdom. The day he received the report, Emperor Xianfeng wept in front of his officials.
And this was not the emperor’s only woe. Most of the eighteen provinces inside the Great Wall were thrown into turmoil by numerous other uprisings. Countless villages, towns and cities were devastated. The empire was in such a mess that the emperor felt obliged to issue an Imperial Apology, in 1852.This was the ultimate form of contrition from a monarch to the nation.
It was just after this that Cixi entered the court. Her husband’s problems could be felt even in the depths of the Forbidden City. The empire’s state silver reserve fell to an all-time low of 290,000 taels. To help pay for his soldiers’ upkeep, Emperor Xianfeng opened the purse of the royal household, in which, eventually, only 41,000 taels remained, barely enough to cover daily expenditure. Treasures in the Forbidden City were melted down, including three giant bells made of pure gold. To his consorts he wrote stern admonitions like these in his own hand:
No big ear clips or jade earrings.
No more than two jewelled flowers for the hair, and anyone who wears three will be punished.
No more than one cun [roughly 2.5 cm] for the elevation of the shoes, and anyone whose shoes are more than one and a half cun high will be punished.
The disasters of the empire also directly affected Cixi’s family, with whom she maintained contact. Prior to her entry into the court, her father had been transferred to the east-central province near Shanghai, Anhui, to be the governor of a region that administered twenty-eight counties, with its seat in Wuhu, a prosperous city on the Yangtze. But this was close to the Taiping battleground, and a year later her father was forced to flee when the rebels attacked his city. Terrified of the emperor’s wrath – some officials who fled their office had been decapitated – and exhausted by the flight, Huizheng fell ill and died in summer 1853.
The death of her father, to whom she was very close, made Cixi feel she really must do something to help the empire – and her husband. It appears that she tried to offer him some suggestions as to how he might deal with the upheavals. Coming from a background in which her advice was sought and acted on by her own family, it seems that she assumed that Xianfeng too would appreciate her counsel. But it only annoyed him. The Qing court, following ancient Chinese tradition, strictly forbade royal consorts from having anything to do with state affairs. Emperor Xianfeng told Empress Zhen to do some- thing about Cixi, using derogatory words to describe her advice – ‘crafty and cunning’. Cixi had violated a basic rule and risked deadly punishment.* A well-known story has it that Emperor Xianfeng later gave a private edict to Empress Zhen, saying that he worried Cixi would try to interfere in state affairs after he died and, if she ever did so,
Empress Zhen was to show the edict to the princes and have her ‘exterminated’. As it happened, or so the story goes, Empress Zhen showed the lethal piece of paper to Cixi after the death of their husband, and then burned it.
Empress Zhen was a brave woman, and her contemporaries also praised her for her kindness. When the emperor was angry with a concubine, she always mediated. Now, it seems, she put in a good word for Cixi. And her argument might well have been that Cixi was only trying – perhaps trying too hard – to express her love and concern for His Majesty. At this most vulnerable time for Cixi, Empress Zhen protected her. This helped lay the foundation of Cixi’s lifelong devotion to the empress. The feelings were mutual. Cixi had never been underhand in her dealings with Empress Zhen. Although she must have been dissatisfied with her position at the bottom of the consort ladder, while Zhen rose to be empress, Cixi never did anything to undermine Zhen. Even her worst enemies did not accuse her of such scheming. If there was any jealousy, which in Cixi’s position would seem to have been unavoidable, Cixi kept it well under control and never let it poison their relationship. Cixi was not petty – and she was wise. So, instead of being rivalrous, the two women became good friends, with the empress addressing Cixi intimately as ‘Younger Sister’. She was actually a year younger than Cixi, but this indicated her seniority as the empress.
Empress Zhen may well have been instrumental in persuading the emperor to promote Cixi in 1854 from Rank 6 to 5, lifting her out of the bottom group. To accompany this elevation, he gave her a new, carefully considered name, Yi, which means ‘exemplary’. A special edict in the emperor’s own hand, in crimson ink that signalled the authority of the monarch, publicly announced Cixi’s new name, together with her promotion. A ceremony was held for her to receive the honour formally, during which eunuchs from the Music Department of the court played congratulatory compositions.
For Cixi, the whole episode taught her that to survive at court she must hold her tongue about state affairs. This was difficult, as she could see that the dynasty was in trouble. The victorious Taiping rebels not only consolidated their bases in southern China, but were sending military expeditions with a view to attacking Beijing. Cixi felt that she had practicable ideas – in fact it was under her rule that the Taiping rebels were later defeated. But she could not say a word, and could only share non-political interests with her husband, such as music and art. Emperor Xianfeng was an artistic man. His paintings from his teenage years (figures, landscapes and horses with endearing eyes) were remarkably accomplished. Cixi too could draw. She designed embroidery when she was a young girl, and her painting and calligraphy would blossom in older age. For now, at least, she could talk about this common interest with her husband. Opera provided a closer bond. Emperor Xianfeng not only loved to watch operas, but also composed tunes, wrote lyrics and directed performances. He even put on make-up and took part in acting. Keen to improve his skills, he got actors to teach eunuchs while he looked on, and learned by watching. His favourite instruments were the flute and drum, which he played well. As for Cixi, her lifelong love affair with the opera would one day help to create a sophisticated art form.
On 27 April 1856, Cixi gave birth to a son. This event was to change her destiny. --Ce texte fait référence à l'édition Broché .

Revue de presse

"Jung Chang tells a story and what a colourful tale it is.This is history at its most readable." (George Walden Evening Standard)

"A truly authoritative account of Cixi's rule. Her story is both important and evocative." (Orville Schell New York Times)

"Filled with new revelations, it's a gripping and surprising story of an extraordinary woman in power. Using Chinese sources, totally untapped by western books, this reappraises one of the great monstresses of modern history... Jung Chang's revisionism means that this book reveals a new and different woman: ambitious, sometimes murderous, but pragmatic and unique. All of this adds up to make Empress Dowager Cixi a powerful read." (Simon Sebag Montefiore BBC History Magazine)

"If there is one woman who mattered in the history of modern China, it is the empress dowager Cixi.[Her] conventional image is queried in this detailed and beautifully narrated biography, which at long last restores the empress dowager to her rightful place. Chang's book relies heavily on the vast holdings in the imperial archives in Beijing... She has a wonderful eye for the telling detail and excels at unravelling palace intrigues and corridor politics." (Frank Dikotter Sunday Times)

"Chang has a proven Midas touch... Empress Dowager, by returning to female experience in the style of Wild Swans yet focusing, like Mao, on a controversial ruler, should appeal to fans of both." (Jeffrey Wasserstrom Financial Times)

Détails sur le produit

  • Broché: 464 pages
  • Editeur : Jonathan Cape (26 septembre 2013)
  • Langue : Anglais
  • ISBN-10: 0224087444
  • ISBN-13: 978-0224087445
  • Dimensions du produit: 15,3 x 3,4 x 23,4 cm
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 83.966 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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Format: Broché
Based on contemporary documents , this book rewrites the role of Cixi in a much more positive light. Especially , her reformist , moderate , nationalist sides are denied by many modern chinese , convincingly asserted in the book . The limits of the reforms are also explained .
However , the author feels much empathy for Cixi and often takes sides for her , so that the period of Boxers War is unclear , Cixi's actions then remain mysterious . The flight from Beijing to Huailai and Xian has been described in detail by the eunuch Danshi (who hated Cixi) ; we have only a cursory glance of these dire moments in this book .
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54 internautes sur 57 ont trouvé ce commentaire utile 
Read it if you want to understand China today 4 septembre 2013
Par Dale Dellinger - Publié sur Amazon.com
Format: Relié Commentaire client Vine pour produit gratuit ( De quoi s'agit-il? )
This is a very interesting book about Chinese history in the 19th and early 20th centuries, from the point of view of the central government -- specifically the Qing court.

At first look, this book appears to be a biography of one person, but in fact it gives great insight into China during an important (and I'd say misunderstood time) as it emerged from its isolation in the 19th century.

I must admit I didn't know much about the Empress Dowager Cixi before reading this book. When I was in Beijing several years ago, I had heard about her taking money earmarked for modernizing the navy and diverting it to build a stone pavilion shaped like a boat at the Summer Palace. My impression was that she was very backward, ignorant of the west, and controlling. On the contrary, the author, Jung Chang, is very sympathetic towards Cixi and he often showed me how my original impression of her was wrong, and she was much more than the caricature I had in my mind. She cared for China -- her motto was "China Strong". She was curious about the West and was impressed by the West's technology, their political systems, and how the West treated it's own citizens, and she adopted (or tried to adopt) many facets of the West. Many times, she was hampered by conservatives who didn't want to change.

This is also a book about a smart woman who became leader of 1/3 of the world's population -- not by birth, but by her own will -- when she was in her 20s and remained a strong force in a country for most of the rest of her life. It's telling that historians are not clear of what her original name was -- Cixi is an honorific name -- women's names weren't important enough to record, even when they were the emperor's mother.

The book got a little tiresome to me somewhere in the second half, but keep with it and be sure to read the epilogue. This one chapter outlines Cixi's lasting impacts and ties together the rest of the book with modern day China.

By the way, about that stone boat story -- Cixi did pay for some of the renovation of the Summer Palace with funds that were earmarked for the navy, but Chang quickly points out that she paid for much of it out of her household budget and that it didn't have an effect on the strength of the navy. She was much more frugal in many other ways than that extravagance would imply.

If you would like to know how China got to where it is today, this book is one you should read along the way. After reading it, I feel that Cixi has gotten a bad rap and this book might reverse some of that.
31 internautes sur 33 ont trouvé ce commentaire utile 
Compelling and engaging study of the Empress Dowager Cixi 17 septembre 2013
Par Z Hayes - Publié sur Amazon.com
Format: Relié Commentaire client Vine pour produit gratuit ( De quoi s'agit-il? )
When I was teaching in Singapore, the history syllabus covered the reign of the Empress Dowager Cixi, or Tzu- Hsi, as she was also known. I find her to be a complex and incredibly intelligent woman who bucked the restrictions imposed upon her gender during a period where females were extremely oppressed to rise through the ranks and become one of the most powerful women in China's history. Though Cixi has been reviled by many as a despot, author Jung Chang, who also wrote the amazing Wild Swans: Three Daughters of China, provides a starkly different perspective, one that shines the spotlight on the Empress Dowager's many achievements.

The book also provides the reader with a compelling look into the politics of governing China during the period. As one of Emperor Xianfeng's many royal concubines, Cixi distinguished herself not only because she provided the emperor with a son, but was also known for her political acumen, and this proved helpful when the Emperor died five years later. Employing cunning strategies, Cixi positioned herself as the real ruler of China, with her son installed as the Emperor Tongzhi.

Using recently accessible historical documents, primarily in Chinese, the author paints a compelling portrait of a woman who went against the grain and helped propel China into the modern era with significant strides being made in diverse fields such as economy, military, education, etc. One of the significant social reforms, at least in my opinion, was the banning of the cruel and antiquated practice of female foot-binding which saw many young women crippled way before their time, and prevented women from being more productive participants in society.

I admit that it was difficult to reconcile the dominant view of the Empress Dowager as a cruel, ultra conservative with this reformist Empress, but Jung Chang makes a compelling case and backs up her work with historical evidence. I'm no historian, but I found this book to be well-written and cogent, and think it will appeal to those who are interested in Chinese history and politics.
55 internautes sur 62 ont trouvé ce commentaire utile 
A Consumate Political Animal 11 janvier 2014
Par Loves the View - Publié sur Amazon.com
Format: Relié
In total contravention to informed opinion, this author holds The Dowager Empress Cixi in awe and considers her a reformer. I was looking forward to what the author of Wild Swans: Three Daughters of China might have to say about Cixi and was disappointed that not much in the premise holds up. The Dowager's actions, as cited in this very text, contradict the author's premise.

Women's roles in history are obscured and underrated. Cixi is not obscure and takes on her shoulders the centuries of tradition and resistance to change that put China in a weak position to deal with the modern world. Jung Chang gives no information to show that Cixi's leadership did anything to reverse this trend. What she does show is that Cixi is a consummate politician.

Cixi lucked out in producing the first male child for the Emperor Xianfeng and was befriended his wife the empress. Upon the emperor's death, Cixi aligned with Empress Zhen and they plotted their way to power. Upon the death of her son, the Emperor Tongzhi, on whom her position depended, she adopted her three year old nephew who became Emperor Guangxu. She controlled him and wheedled his power away from him. When he became an adult, discredited and imprisoned him. She later murdered him, for the good of China... of course. None of her power was used to reform China. It seems to have been used to appoint people who would perpetuate her own power and kill others who (may have) threatened it. As could easily be predicted, she was against the Boxer rebels until they were effective; then she supported them; and then when they were squelched by the westerners, she cozied up to the westerners. She promised China a constitutional monarchy... after her death, of course.

The text is often a paean that contradicts Cixi's life and actions. Page 344 tributes "Cixi's sense of fairness... penchant for consensus". This hardly fits the narrative to this point, the most dramatic example being Jade (the Emperor Guangxu's favorite concubine) for whom there was no room in the flight from the Boxers. Jade did not obey Cixi's orders to commit suicide, nor did Cixi notice the consensus of the eunuchs who did not step forward to push her into the well (p. 279) as she had ordered. Cixi had to order specific Eunuch to do this, who would surely not have done it had he thought he had a choice. On p. 354, after a whole book showing how Cixi excluded Han Chinese from the inner councils of running their own country, we learn that "she was not given to racial prejudice".

The last section, on the "Real Revolution of Modern China" is replete with examples of how the text, itself, discredits the thesis that Cixi is a reformer. In this "reform period" Cixi is enjoying her new western friends, to whose countries China is indebted; they shower her with gifts and attention. Cixi (p.326) issued an edict banning foot-binding and "approached the implementation ... with characteristic caution ... not her style to force drastic change" and it took a generation (i.e. regime change) because "Cixi was prepared to wait". Later, on p. 371 Jung Chung calls foot-binding a practice to which Cixi "put an end." It took a boycott (p. 349) of a reception by her British friends for her to issue an edit banning "bastinado" - the beating of prisoners to death. Future eliminations use various other methods and were covered up.

The book is good for its easy to follow chronology. The descriptions of the pageantry; crimson ink, seals and boxes; eunuch life; the education of young emperors; the culture of outbursts (weeping, banging heads on the floor, prostration for apology); and the mundane (what pipe attendants do and how they are trained) are excellent. The photographs, like the cover are great.

Are Cixi's mistakes, for which she apologized, greater than Mao's, for which he didn't? (p.373) Jung Chang, who was on the receiving end of Mao's "mistakes" considers Cixi's minimal compared with her achievements. From this volume, I appreciate Cixi's political achievements for herself, but find achievements for China lacking.
31 internautes sur 38 ont trouvé ce commentaire utile 
Great Leap Forward: Reforming Empress Dowager Cixi 29 août 2013
Par William Garrison Jr. - Publié sur Amazon.com
Format: Relié Commentaire client Vine pour produit gratuit ( De quoi s'agit-il? )
"Empress Dowager Cixi: The Concubine Who Launched Modern China" by Jung Chang (Oct. 2013).

[My interest in China started back in 1963 when, at my request for my high-school World Studies class, I received an autographed photograph from ROC Pres. Chiang Kai-shek - okay, so condemn me for being a "name dropper".] Born in Nov. 1835, the Chinese Empress Dowager Cixi essentially controlled the Manchu Qing Dynasty from 1861 to her death in late 1908.

During her reign she supported the Boxer Rebellion/Uprising (c. 1900) which sought to oust foreign (European) trade control and pro-democracy influences in China, but led to the Empress fleeing her throne room as foreign military forces entered Peking (Beijing). A negative depiction of her was impressed upon the American conscience in the 1963 war film: "55 Days at Peking".

This book's China-born author, Jung Chang, argues that the commonly perceived repressive Cixi was actually more "progressive" than her detractors acknowledge. The author attempts to rehabilitate the Empress Cixi.

No need to recount Cixi's entire bio here; the author provides a very extensive 370 pages detailing Cixi's interesting, complex life. But why did she fail to preserve the Imperial way - just three years after her death when the Republican government was proclaimed by Sun Yat-sen? Could Cixi have forestalled the kingdom's demise with political reforms - or was she just giving lip service to reforms as if merely rearranging deck chairs on an already floundering ship-of-state?

Besides calls for political reforms from the ever toiling and over-taxed peasants, foreign powers grabbed at China's wealth. As the author noted, "The Treaty of Shimonoseki [which in 1895 forced China to pay massive, debilitating funds to Japan for the return of the Liaodong Peninsula] ruined China" (p. 201) ... The life-blood was being pumped out of China ... her accusers have asserted that she depleted the navy in order to build her Summer Palace" the author claimed that Cixi "was the only person in the court who unambiguously advocated rejecting Japan's demands and fighting on" (p. 202).

And then the Germans began demanding special control over certain Chinese territories, along with other countries, such as Russia. And opium was made more readily available to the Chinese people to generate revenue to repay foreign loans.

Ah, yes, high government expenses, weak revenues; threatening foreign military forces versus the poorly trained Chinese army that was ill equipped to fight them off. And the Emperor was weak-willed, and the administrative courtiers were corrupt in seeking graft from the peasants. The author noted that "Cixi's father was responsible for collecting taxes and, in line with prevailing and age-old practice, he fleeced the local population ... The he should do so was taken for granted ... Cixi grew up with corruption of this kind as a way of life" (p. 7-8).

But the over-taxed peons eventually rebelled in the great Boxer Uprising.

In response, the author contended that the Emperor "positively sought Cixi's guidance ... His office forwarded proposals about reforms to her ... He was the pupil, and she was the teacher". A resulting edict "launched an historical movement, the Reforms of 1898", but while "History books ... invariably credit it to Emperor Guangxu" they "condemn Cixi as an ultra-conservative opponent" (p. 221). The author contends that "The plain fact is that it was she who initiated the Reforms". As Kitty Carlisle on "What's My Line" might ask: "So will the real Cixi please stand up?"

The author continues for another 150 pages in her attempt to rehabilitate Cixi. No need to list all of them here, except to say that the author has written, I believe, a very well researched and detailed biography of Empress Cixi, and presents well her arguments that Cixi was reform minded.

But as my autographed photograph of Chiang Kai-shek reminds me, two former power greats of China failed to reform the mainland in time before being forced to flee the Forbidden City.
18 internautes sur 21 ont trouvé ce commentaire utile 
Excellent biography about China's last empress 17 octobre 2013
Par Suzi Hough - Publié sur Amazon.com
Format: Relié Commentaire client Vine pour produit gratuit ( De quoi s'agit-il? )
I have previously read a fictional account of the life of Empress Cixi in Pearl Buck's Imperial Woman, which I quite enjoyed, but I have wan'ted to know more about this woman and how she rose to power. This biography is fascinating; Jung Chang is a natural storyteller, and her words help rehabilitate the Empress past her Western reputation as an aged dragon upon the throne. I mean, she doesn't transform Cixi into a benevolent, enlightened, democratic ruler - nothing crazy like that! - Chang simply provides much of the context that explains how Cixi's worldview was formed and why she made many of the choices that she did.
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