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Enduring Love (Anglais) Broché – 1111

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Détails sur le produit

  • Broché
  • Editeur : Vintage (1111)
  • Langue : Anglais
  • ISBN-10: 0099276585
  • ISBN-13: 978-0099276586
  • ASIN: B003X865D2
  • Dimensions du produit: 20 x 13,2 x 2,2 cm
  • Moyenne des commentaires client : 3.0 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
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Commentaires client les plus utiles

Par Cécilia sur 5 novembre 2013
Format: Broché Achat vérifié
Un histoire assez tordue, un peu sinueuse pour une rélévation assez inattendue !
Le style est assez moderne et très compréhensible.
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Par D. Legare TOP 1000 COMMENTATEURSVOIX VINE sur 31 août 2011
Format: Broché
Joe and Clarissa are in love and their couple seems quietly uneventful, you could call that peaceful love. On the day Joe wants to celebrate Clarissa's birthday with a nice picnic in the countryside, a terrible accident occurs, followed by the death of a man. On that day, Joe briefly comes across Jed Parry, and from then on, his life and Clarissa's will be chaos. Jed Parry is a rare case of the de Clérambault syndrome, a delusional state that makes him fixate on Joe, and harass him, only him.

This is not a bad book because Ian McEwan is a talented writer, however it should have been a great book because the subject was captivating. I read it with both pleasure and a great interest, but I wasn't entirely convinced by the characters, especially Clarissa, who seems too detached from the whole thing, completely averse to facing problems and dealing with them. Her attitude is just highly unlikely, how can she deliberately ignore that her love and companion is being stalked. On the other hand, some unnecessary digressions about Joe's work weaken the plot and tend to lessen the reader's rising unease. In conclusion, Enduring Love is quite a good book but it is certainly not as good as Atonement.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 223 commentaires
54 internautes sur 57 ont trouvé ce commentaire utile 
An engrossing, beautifully written book 15 janvier 2000
Par Marion D. - Publié sur Amazon.com
Format: Broché
Many have praised the opening of this novel, and rightfully so, but that is only the first step in Ian McEwan's masterful creation. Told from the perspective of Joe Rose, a frustrated scientist turned journalist, the story captures our attention and never lets go. We share Joe's despair as the balloon rocks in the wind in the opening scene; we shiver as he finds himself being stalked by a delusional, obsessive intruder who thinks Joe is the love of his life. But Joe doesn't seem to trust himself entirely, and McEwan gives us plenty of reasons to distrust him even more, creating a tension in the narrative that makes us read on with a growing sense of impending calamity. In-between, McEwan explores the dichotomy of science and religion, logic and intuition, sanity and delusion. The writing is beautiful, as sharp and witty as we've come to expect of McEwan, but far more intricate and thoughtful. All that and a page-turner? It's a near-perfect read.
29 internautes sur 30 ont trouvé ce commentaire utile 
An Enduring Impression 22 août 2000
Par Bryan Bickford - Publié sur Amazon.com
Format: Broché
What strikes me about this book is the lasting impression it's left on me. I read it last summer and still find myself thinking about it and talking about it a year later. I recently finished another book and my wife asked me to compare it to any two others as a point of reference. Better than one book we'd both read, I said, but not as good as Enduring Love. For contemporary fiction, this one sticks with you.
McEwan does a fine job in painting the lead character Joe Rose, as well as the secondary players. His use of language is clear and simple, yet never elementary. The opening chapter is as powerfully imagined as any other I've read. The reader is literally hanging by a rope at the suspense of the scene. And it sets the tone for the psychological terror to come.
More than a summer read, Enduring Love explores corners of our psyches and personalities that we don't often come face to face with. Suspense, terror, humor, and the very real idea of love and romance are alive in this book, which I reccommend as enjoyable to readers of any of these genres.
44 internautes sur 48 ont trouvé ce commentaire utile 
Hitchcock would love this book 24 avril 2000
Par Ian Muldoon - Publié sur Amazon.com
Format: Broché
A very well crafted tale of horror, suspense, and an understanding of the psychological minutia of relationships which I read in one sitting. If you, dear reader, are interested in psychiatry, the place of scientists and science in the modern world, scientific fashion, obsessive behaviour, religious faith, love, jealousy, murder, moral choices, guilt, and fear then this is the book for you. It's also funny eg, '" I'll tell you in four words and nothing more. Someone wants to kill me." In the silence everyone, including me, totted up the words.'(p216) But if there is a common theme binding all these elements together, it's that no matter how well educated or intelligent you are there is no escaping the strait-jacket of your feelings, and its these feelings, of cowardice, of guilt, of fear, of the protaganist, Joe Rose, which propel the story forward in true Hitchcockian manner. The effects of love going sour, the hilarity of buying a gun from ex-hippies, the strangeness of an ordinary day turning weird are some of the many highlights of this book.
20 internautes sur 21 ont trouvé ce commentaire utile 
No Good Deed Goes Unpunished 29 août 2005
Par mrliteral - Publié sur Amazon.com
Format: Broché Achat vérifié
The Ian McEwan novel Enduring Love opens with a picnic. Joe Rose and his girlfriend/common-law wife Clarissa are enjoying each other's company after a week's separation when they hear a call for help. Joe, along with several other men, wind up trying to control an errant hot-air balloon, an effort that will not only fail but will kill one of them in the process. In the shock following the death, Joe sympathetically glances at one of the other men, beginning a strange nightmare that will plague both his and Clarissa's life.

It turns out that this other man, Jed, is deeply disturbed, and from that one exchanged look, he falls in love with Joe. Beyond that, he is certain that Joe loves him, and that Joe's every gesture is some sort of secret communication of affection. This leads to a "Fatal Attraction"-like obsession which is a little less violent but maybe even more disturbing.

What separates this from just being another Fatal Attraction rip-off is Joe, who has problems of his own. Utterly rational - to the point of irrationality - Joe's attempts to clinically deal with his problems actually exacerbate them. His absolute certainty in the correctness of his actions lead to paranoia and alienation; instead of getting assistance with Jed, he winds up looking crazy himself...and due to the first-person narrative, the reader may start assuming Joe is insane as well.

Although Ian McEwan may not be known as a suspense writer, Enduring Love shows that he is good at writing such tales. But this is not merely a thriller; it's also a tale of obsession and guilt and how the two can intertwine. This is a book well worth reading.
12 internautes sur 12 ont trouvé ce commentaire utile 
A Good Ride, Until the Tailspin 16 janvier 2000
Par Un client - Publié sur Amazon.com
Format: Broché
Though "Enduring Love" is only two-thirds of an excellent novel, the book as a whole has a lot to recommend it: an abundance of vivid character detail and insights, wonderful language, and McEwan's scary ability to walk a grueling mile in very strange shoes indeed. (Readers of "The Child In Time" and "The Innocent" will find themselves half-convinced that McEwan himself once lost a child in an unexplained kidnapping, or that he personally spent some sweaty hours dismembering a corpse with a hack-saw). Sadly, after a bravura beginning, he loses control, starting with the shooting in the restaurant. This scene is preposterous: how could an unworldly shut-in like Jed Parry so quickly find a pair of professional killers willing to commit a brazen public murder, and why bother anyway, since he has Joe's address? After that, McEwan cannot pick up the threads again; his narrative, while still beautifully written, becomes a string of absurdities, from a farcical scene with hippy gun-dealers to a melodramatic climax. What the hell threw him? The answer may be that McEwan was trying to amuse himself at the expense of his own story. Many people know that the first chapter of the book--the balloon accident--ran in the New Yorker, word for word, months before the novel appeared. At that time, there was no suggestion that it was anything other than a short story, and in fact it stood very well on its own. But McEwan was having fun, jogging the readers' memories, gloating a little over his achievement: several years before this, the New Yorker had published its first Ian McEwan story. It was about a murder in a crowded restaurant, and its heroes were Joe and Clarissa. Maybe as a challenge to himself, McEwan re-worked this story into his novel--with a shoe-horn, apparently. He made few changes, but the original details (such as the setting, a near-future London fraught with Algerian-style, Fundamentalist violence; and Clarissa's physique, which is described as that of a midget), though strange, made perfect sense in context. McEwan thought he could make this elegant trifle richer and more resonant by throwing it into the pot that became "Enduring Love". Unfortunately he failed to incorporate it convincingly, and the icy logic of his fine novel was totally derailed.
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