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The English: A Portrait of a People
 
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The English: A Portrait of a People [Relié]

Jeremy Paxman


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What is it about the English? Not the British overall, not the Scots, not the Irish or the Welsh, but the English. Why do they seem so unsure of who they are? As Jeremy Paxman remarks in his preface to The English, being English "used to be so easy". Now, with the Empire gone, with Wales and Scotland moving into more independent postures, with the troubling specter of a united Europe (and despite the raucous hype of "Cool Britannia"), the English seem to have entered a collective crisis of national identity.

Jeremy Paxman has set himself the task of finding just what exactly is going on. Why, he wonders, "do the English seem to enjoy feeling so persecuted? What is behind the English obsession with games? How did they acquire their odd attitudes to sex and food? Where did they get their extraordinary capacity for hypocrisy?" He ranges widely in pursuit of answers, sifting through literature, cinema, and history. It is an intriguing investigation, encompassing many aspects of national life and character (such as it is), including the obligatory visit to that baffling phenomenon, the funeral of Princess Diana. Yet Paxman finds something fresh and interesting to say about even that now rather threadbare topic. In the end, he seems to find further questions to ask instead of answers. But why not? To him it is a sign that the English are acquiring a new sense of self. And some indication of this might lie in the obvious response to his remark that the English, being top of the British Imperial tree, had nicknames for their fellow nationalities--Jock, Taffy, Paddy, and Mick--but there was no corresponding name for an Englishman. Of course, there is one now, and it comes from one of the bits of empire to which so many undesirables were exported: Whinging Pom. --Robin Davidson, Amazon.co.uk

From Publishers Weekly

As the last of the United Kingdom's protectoratesAScotland, Wales, IrelandAare wiggling free from their imperial mother, a question poses itself: What does it mean to be English these days? That's what journalist and TV quiz master Paxman (Friends in High Places: Who Runs Britain?) wonders in this study of British identity. A humorous, ironic, nostalgic, skeptical, dilettantish, mildly eccentric, self-deprecating and proud account (like its subject), the book surveys the various aspects of stereotypical English identity one by oneAin realms ranging from sex to food. Although he occasionally gives too much credence to flimsy stereotypes and is unnecessarily harsh on the subject of the cult of the English countryside, on the whole, Paxman offers an intriguing investigation. His sociohistorical survey rambles through characteristic attitudes toward foreigners, the weather, religion, the home, sport, language and the countrysideAsometimes fondly, sometimes iconoclastically. He finds evidence of the English spirit (if not the English identity, which he considers to be historically underdeveloped) everywhere: in the National Trust's successful efforts at historic preservation, the classically British propensity toward certain S&M practices and the offices of the Oxford English Dictionary. Based on book research, personal observation and Paxman's interviews with Brits including John Cleese and the Duke and Duchess of Devonshire, this odd collection of theoretical musings, historical tidbits and quirky observations should serve as both a corrective and a comfort for AnglophilesAin Britain and elsewhere. (July)
Copyright 2000 Reed Business Information, Inc.

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