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Excession
 
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Excession [Format Kindle]

Iain M. Banks
5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)

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Extrait

The ship shuddered; the few remaining lights flickered, dimmed and went out. The alarms dopplered down to silence. A series of sharp impacts registered through the companionway shell walls with resonations in the craft's secondary and primary structure. The atmosphere pulsed with impact echoes; a breeze picked up, then disappeared. The shifting air brought with it a smell of burning and vaporization; aluminium, polymers associated with carbon fibre and diamond film, superconductor cabling.

Somewhere, the drone Sisela Ytheleus could hear a human, shouting; then, radiating wildly over the electromagnetic bands came a voice signal similar to that carried by the air. It became garbled almost immediately, then degraded quickly into meaningless static. The human shout changed to a scream, then the EM signal cut off; so did the sound.

Pulses of radiation blasted in from various directions, virtually information-free. The ship's inertial field wobbled uncertainly, then drew steady and settled again. A shell of neutrinos swept through the space around the companionway. Noises faded. EM signatures murmured to silence; the ship's engines and main life support systems were off-line. The whole EM spectrum was empty of meaning. Probably the battle had now switched to the ship's AI core and back-up photonic nuclei.

Then a pulse of energy shot through a multi-purpose cable buried in the wall behind, oscillating wildly then settling back to a steady, utterly unrecognisable pattern. An internal camera patch on a structural beam nearby awakened and started scanning.

It can't be over that quickly, can it?

Hiding in the darkness, the drone suspected it was already too late. It was supposed to wait until the attack had reached a plateau phase and the aggressor thought that it was just a matter of mopping up the last dregs of opposition before it made its move, but the attack had been too sudden, too extreme, too capable. The plans the ship had made, of which it was such an important part, could only anticipate so much, only allow for so proportionally greater a technical capability on the part of the attacker. Beyond a certain point, there was simply nothing you could do; there was no brilliant plan you could draw up or cunning stratagem you could employ that would not seem laughably simple and unsophisticated to a profoundly more developed enemy. In this instance they were not perhaps quite at the juncture where resistance became genuinely without point, but--from the ease with which the Elencher ship was being taken over--they were not that far away from it, either.

Remain calm, the machine told itself. Look at the overview; place this and yourself in context. You are prepared, you are hardened, you are proof. You will do all that you can to survive as you are or at the very least to prevail. There is a plan to be put into effect here. Play your part with skill, courage and honour and no ill wilt be thought of you by those who survive and succeed.

The Elench had spent many thousands of years pitting themselves against every kind of technology and every type of civilisational artifact the vast spaces of the greater galaxy could provide, seeking always to understand rather than to overpower, to be changed rather than to enforce change upon others, to incorporate and to share rather than to infect and impose, and in that cause, and with that relatively unmenacing modes operandi, had become perhaps more adept than any--with the possible exception of the mainstream culture's semi-military emissaries known as the Contact Section--at resisting outright attack without seeming to threaten it; but for all that the galaxy had been penetrated by so many different explorers in all obvious primary directions to every periphery however distant, enormous volumes of that encompassing arena remained effectively unexplored by the current crop of in-play civilizations, including the Elench (quite how utterly that region, and beyond, was comprehended by the elder species, or even whether they really cared about it at all was simply unknown). And in those swallowingly vast volumes, amongst those spaces between the spaces between the stars, around suns, dwarfs, nebulae and holes it had been determined from some distance were of no immediate interest or threat, it was of course always possible that some danger waited, some peril lurked, comparatively small measured against the physical scale of the galaxy's present active cultures, but capable--through a developmental peculiarity or as a result of some form of temporal limbo or exclusionary dormancy--of challenging and besting even a representative of a society as technologically advanced and contactually experienced as the Elench.

The drone felt calm, thinking as coldly and detachedly as it could for those few moments on the background to its current predicament. It was prepared, it was ready, and it was no ordinary machine; it was at the cutting edge of its civilisation's technology, designed to evade detection by the most sophisticated instruments, to survive in almost unimaginably hostile conditions, to take on virtually any opponent and to suffer practically any damage in concentric stages of resistance. That its ship, its own manufacturer, the one entity that probably knew it better than it knew itself, was apparently being at this moment corrupted, seduced, taken over, must not affect its judgement or its confidence.

The displacer, it thought. All I've got to do is get near the Displace Pod, that's all...

Then it felt its body scanned by a point source located near the ship's AI core, and knew its time had come. The attack was as elegant as it was ferocious and the take-over abrupt almost to the point of instantaneity, the battle-memes of the invading alien consciousness aided by the thought processes and shared knowledge of the by now obviously completely overwhelmed ship.

With no interval to provide a margin for error at all, the drone shunted its personality from its own AI core to its back-up picofoam complex and at the same time readied the signal cascade that would transfer its most important concepts, programs and instructions first to electronic nanocircuitry, then to an atomechanical substrate and finally--absolutely as a last resort--to a crude little (though at several cubic centimetres also wastefully large) semi-biological brain. The drone shut off and shut down what had been its true mind, the only place it had ever really existed in all its life, and let whatever pattern of consciousness had taken root there perish for lack of energy, its collapsing consciousness impinging on the machine's new mind as a faint, informationless exhalation of neutrinos.

The drone was already moving; out from its body-niche in the wall and into the companionway space. It accelerated along the corridor, sensing the gaze of the ceiling-beam camera patch following it. Fields of radiation swept over the drone's militarised body, caressing, probing, penetrating. An inspection hatch burst open in the companionway just ahead of the drone and something exploded out of it; cables burst free, filling to overflowing with electrical power. The drone zoomed then swooped; a discharge of electricity crackled across the air immediately above the machine and blew a hole in the far wall; the drone twisted through the wreckage and powered down the corridor, turning flat to its direction of travel and extending a disc-field through the air to brake for a corner, then slamming off the far wall and accelerating up another companionway. It was one of the full cross-axis corridors, and so long; the drone quickly reached the speed of sound in the human-breathable atmosphere; an emergency door slammed shut behind it a full second after it had passed.

A space suit shot upwards out of a descending vertical tubeway near the end of the companionway, crumpled to a stop, then reared up and stumbled out to intercept the machine. The drone had already scanned the suit and knew the suit was empty and unarmed; it went straight through it, leaving it flapping halved against floor and ceiling like a collapsed balloon. The drone threw another disc of field around itself to match the companionway's diameter and rode almost to a stop on a piston of compressed air, then darted round the next corner and accelerated again.

A human figure inside a space suit lay half-way up the next corridor, which was pressurising rapidly with a distant roar of gas. Smoke was filling the companionway in the distance, then it ignited and the mixture of gases exploded down the tube. The smoke was transparent to the drone and far too cool to do it any harm, but the thickening atmosphere was going to slow it up, which was doubtless exactly the idea.

The drone scanned the human and the suit as best it could as it tore up the smoke-filled corridor towards it. It knew the person in the suit well; he had been on the ship for five years. The suit was without weaponry, its systems quiet but doubtless already taken over; the man was in shock and under fierce chemical sedation from the suit's medical unit. As the drone approached the suit it raised one arm towards the fleeing machine. To a human the arm would have appeared to move almost impossibly quickly, flicking up at the machine, but to the drone the gesture looked languid, almost leisurely; surely this could not be all the threat the suit was capable of--

The drone had only the briefest warning of the suit's holstered gun exploding; until that instant the gun hadn't even been apparent to the machine's senses, shielded somehow. There was no time to stop, no opportunity to use its own EM effector on the gun's controls to prevent it from overloading, nowhere to take cover, and--in the thick mist of gases flooding the corridor--no way of accelerating beyond the danger. At the same moment, the ship's inertial field fluctuated again, and flipped a quarter-turn; suddenly down was directly behind the drone, and the field strength doubled, then redoubled. The gun exploded, tearing the suit and the human...

Revue de presse

"Banks is a phenomenon...wildly successful, fearlessly creative."
--William Gibson

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 646 KB
  • Nombre de pages de l'édition imprimée : 464 pages
  • Editeur : Orbit; Édition : New Ed (4 septembre 2008)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B002TZ3DEO
  • Synthèse vocale : Non activée
  • X-Ray : Non activée
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: n°20.478 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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Commentaires client les plus utiles
1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Iain M. BANKS - Excession 13 janvier 2010
Format:Broché|Achat authentifié par Amazon
Les IA seront-elles le nouveau loup pour l'homme ? Du grand Banks : impossible d'être décu.
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Amazon.com: 4.1 étoiles sur 5  114 commentaires
58 internautes sur 65 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Irony, Affrontery and Iain Banks 8 mars 2001
Par James D. DeWitt - Publié sur Amazon.com
Format:Poche
Reading your first Iain Banks novel is like nothing else in literature. It's a little like being in the washing machine on spin cycle. You emerge dizzy but refreshed. Machine gun pacing, vivid characterization, universe-spanning cultures and, of course, The Culture. Smug, self-satisfied, hedonistic and vain, The Culture is also bifurcated between more-or-less humankind and Minds, advanced AI's that are not always tolerant of their "meat-based" co-citizens.

More than any other novel of The Culture, this one involves those Minds and, without spoilers, they turn out to be human, all too human. Banks handles very well the problem of writing dialog for beings who are far, far more intelligent and think millions of times faster than we do. As others have noted, it sometimes makes for dense reading, but it is very believable. In some ways, this is a novel about the psychology and motives of Minds.

As always, Banks laces the story with sly humor, word play and wholly believable aliens. The Affront, the most conspicuous aliens in this tale, are a wonderful invention. As always, the structure of the novel itself with its interlacing of different story lines and physical organization is a part of the story itself, although less obviously so than in the earlier _Consider Phlebas_.

The Excession of the title is the focus of the attention of most of the characters in the story, but Banks is far too gifted a writer to make it the whole story. Readers who complain about the ending may be missing Banks' most important point. Perhaps the story isn't so much about the Excession, but how the characters react to the Excession. And maybe the ending is Banks' way of underscoring that point.

As always with Banks' stories of The Culture, there is moral ambiguity and it's impossible to tell the good guys from the bad guys. For my taste, that's a lot more "real" than the moral absolutes of space operas in the tradition of E.E. "Doc" Smith.

An excellent, rollicking adventure, full of surprises, laughs and sly irony. Densely written but highly readable. Much more mature than earlier Culture novels. Highly recommended.

26 internautes sur 28 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Hooked 2 avril 2004
Par Un client - Publié sur Amazon.com
Format:Poche
On vacation, at an idyllic Thailand beach resort with an unexpected library, I got hooked on Iain Banks. It was this book that did it. As the other reviewers say, it's a tad long (i.e. perfect for long holidays and vacations.) And sure, the story does become tangled at times. But it's unbelievably creative and screamingly funny in a sarcastic and cynical way. Think "Hitchhiker's Guide to the Universe" on growth hormones. (If one is looking for "hard" science fiction, however, this is likely not your book.)

I would buy the book if only to have the complete listing of all the names Banks employs for his glib and sentient starships. These are a catalog of odd-ball word pairings and acidic aphorisms. My favorites - "Ethics Gradient" and "Fate Amenable to Change."

Throughout Excessions, Banks's writing is persistantly imaginitive, heading off in unexpected directions, creating a novel sweeping universe; and frankly is everything I hope for in science fiction. My only complaint is that after reading this book I bought 9 or 10 more books by Banks, and I found none provided the enjoyment that this one did. While the other books are all excellent, they did not bowl me over. Is that because everything else was not as good, or that a reader tends to favor the first thing he reads of a wonderful writer? Judging from the range of responses from other reviewers as to "the best" Bank's book - I am leaning towards the latter.
32 internautes sur 38 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Good, but you'll work for it 1 novembre 2001
Par Michael Battaglia - Publié sur Amazon.com
Format:Poche
Most Iain Banks books are challenging reads, it's a credit to the man that he refuses to write down because he's penning SF novels and not the higher profile "literary" stuff that most of the mainstream probably recognizes him for (is he well read in this country, nobody I know has heard of him . . . what's with that?) so what you basically get with the Culture novels is SF from someone who really knows how to write and doesn't just have a degree and feels the need to share this nifty cool idea he had the other day. This book is full of cool ideas but more importantly it's a dense and slightly elusive work . . . while it's not opaque stuff isn't spelled out explicitly for the reader, there are a lot of dots to connect here. The setup is a large object has appeared from literally nowhere and interacts with the energy grip in a way that is supposed to be impossible. But this isn't the first time this object appeared and the only person who is around from that last appearance is Stored in a ship and has to be convinced to come out. That's how the plot starts. Where it ends is somewhere totally different and if sometimes you think you're reading a totally different book, that's just par for the course with Banks. The focus this time around is more on the Minds in the ships, which is good and bad. The Minds are basically human and their rapid fire conversations that take up a large chunk of the book are highly entertaining . . . however it can be daunting for readers unable to keep track of the dozens of names, especially with little strong personality to back up the Mind and make an impression. You may wish for a recap box at some point to make sure you're still up to speed. Still astute readers are rewarded with a plot that twists almost dizzingly . . . I've read a few Banks books by now and he still amazes how he manages to turn everything upside down so quickly. The action is good, the dialogue between ships crackles, the plot is mind bending and the last page deserves to be read over and over again. I can't say this is his best work, but like all his other stuff the quality is high and if new readers have the stamina, they'll find themselves pleasantly delighted.
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To fully appreciate the beauty of a weapon was to admit to a kind of shortsightedness close to blindness, to confess to a sort of stupidity. The weapon was not itself; nothing was solely itself. The weapon, like anything else, could only finally be judged by the effect it had on others, by the consequences it produced in some outside context, by its place in the rest of the universe. By this measure the love, or just the appreciation, of weapons was a kind of tragedy. &quote;
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An Outside Context Problem was the sort of thing most civilisations encountered just once, and which they tended to encounter rather in the same way a sentence encountered a full stop. &quote;
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Here, in the bare dark face of night A calm unhurried eye draws sight - We see in what we think we fear The cloudings of our thought made clear. &quote;
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