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Page Artiste John Fogerty


Produits fréquemment achetés ensemble

  • Eye Of Zombie
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  • Wrote a Song for Everyone
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  • Centerfield
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Détails sur le produit

  • CD (24 avril 2001)
  • Nombre de disques: 1
  • Format : CD, Enregistrement original remasterisé, Import
  • Label: Mis
  • ASIN : B00005B7FG
  • Autres éditions : CD  |  Cassette  |  Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : 3.3 étoiles sur 5 3 commentaires client
  • Classement des meilleures ventes d'Amazon: 57.202 en Musique (Voir les 100 premiers en Musique)
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Descriptions du produit

(DREAMWORKS) 9 titres, enregistré 1986

Medium 1
Goin' Back Home
Eye Of The Zombie
Headlines
Knockin' On Your Door
Change In The Weather
Violence Is Golden
Wasn't That A Woman
Soda Pop
Sail Away


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3.3 étoiles sur 5
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Format: CD
Bien sur , les "pur-(sud)-istes" avanceront que cet opus n'a plus rien de commun avec les albums old-school authentiques du C-C-Revival (que j'adore!)
mais comme le Z-Z-Top , John a su avec cet album "revisiter" SA musique et lui apporter cette touche de "modernité" (1986) qui lui permet
de "titiller" un son plus pop-rock voir rock-prog (ecouter "Violence of golden" & "Eye Of The Zombie"). En resumé , un Excellent album a posseder
dans toute CD-theque ROCK qui se respecte d'autant plus qu'il est produit en HDCD par DreamWorks-Records, pour les puristes-(du son)-ceux la ! ;>)
JMP
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Format: CD
Un disque plutôt atypique de John Fogerty, sorti en 1986, avec pourtant de bonnes compositions telles que "Goin' back home" en introduction, "Eye of the zombie" et "Headlines" titres plutôt nerveux et aucunement ennuyeux.

La critique générale du disque fut assez mauvaise, du fait de l'aspect un peu sombre des compositions de ce disque.

Néanmoins, "Eye of the zombie", disque assez différent de la production musicale habituelle de John Fogerty s'écoute sans déplaisir!
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Format: CD
Une erreur de parcours dans la carrière de John Fogerty.
A se demander d'ailleurs s'il s'agit bien d'un album de ... John Fogerty!!
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9639f1d4) étoiles sur 5 55 commentaires
30 internautes sur 33 ont trouvé ce commentaire utile 
HASH(0x963c45d0) étoiles sur 5 A Very Underrated Effort - and a Different Sound for Fogerty 17 octobre 2004
Par L.A. Scene - Publié sur Amazon.com
Format: CD
The music business is a strange business. Sometimes it's so hard to predict when an album will be a hit or miss. John Fogerty's work in the mid 1980s is as good an example of this as any. In 1985, Fogerty's album "Centerfield" shocked the industry by becoming a #1 album on the charts helping Fogerty mark a an incredible comeback. Thus when John Fogerty was ready to release his follow-up to "Centerfield" called "Eye of the Zombie", many expected the momentum of the comeback to continue. This was natural because "Eye of the Zombie" was produced only a little over a year following "Centerfield". At the same time, the music industry seemed ripe for another Fogerty album - this is because 80s music was clearly moving away from synth-pop to a more natural sound (which was a trademark of Fogerty's). However, the music industry is as unpredictable as any - "Eye of the Zombie" not only didn't succeed - it crashed and burned without many people even noticing. However, looking back at "Eye of the Zombie" I find this very hard to understand - this was a terrific album that really didn't get its due justice.

"Eye of the Zombie" isn't "Centerfield II". In fact, when you look at the two title tracks - you can contrast - "Centerfield"'s title track was full of optimism while "Eye of the Zombie" takes a more "darker" theme. The sound of this album is very different than "Centerfield". On "Eye of the Zombie", Fogerty seems to introduce a harder rock sound than he did on "Centerfield". This was consistent with a lot of what was going on in the mid 1980s as hard rock was gaining some momentum in the industry. In addition to the hard rock sound, Fogerty incorporated a lot of elements of synth-pop and this alienated many of his fans (this could be the reason for the crash and burn since 80s music was moving away from this). However, I think the formula works well. Combining a hard rock sound, some synth-pop with Fogerty's unique style of vocals - the result is something special. Fogerty also brings in some studio musician background vocalists (Bobby King, Willie Green Jr., and Terry Evans) who contribute on 6 of the nine tracks. Fogerty will wear multiple hats on several songs as he plays guitars, keyboards, and of course vocals.

There is some good music on this collection. Here is a quick look at things song by song:

"Goin Back Home": This is a true solo instrumental. Fogerty plays both guitars and keyboards. The "darker" theme that this album brings immediately comes to the forefront. There are some terrific guitar rifts in this song.

"Eye of the Zombie": This is the title track and is worthy of being the title track. This is another song with a "dark theme". You will hear a lot more of the synth-pop elements in this song. The song actually starts with a bit of "dance" beat, but then there is some terrific guitar work by Fogerty. Fogerty's vocals are classic throughout the whole song.

"Headlines": This is John Fogerty's look at the media and radio. It's a theme that's been covered by many artists. Great stuff as Fogerty complains "My head is throbbin man; Man, I'm looking for a song; The radio depress me". This song has a harder edge than the stuff on "Centerfield". Again, this works well.

"Knockin On Your Door": This song while having some synth-pop elements does kind of take me back to CCR days. While there is an infusion of keyboards on this song, I do think its Fogerty's guitar and vocals that make this a pretty good song.

"Change in the Weather": This song has much more of a Classic Fogerty feel. This is a very good blues tune. Up until this song, Fogerty had really been the star of this album (after all it's his album), but on this album the background vocalists of Bobby King, Willie Green Jr, and Terry Evans make this one terrific track.

"Violence is Golden": From a lyrical standpoint - this might be the best track on the album. This is a darker theme as indicated by "Violence" in the title. This song is sung from a mercenary's point of view of selling weapons. Fogerty brings his "A" game to this song.

"Wasn't That a Woman": This is another bluesy song in which Fogerty gets a lot of help from his vocal trio. While not one of the stronger tracks on "Eye of the Zombie", it still is a pretty good track.

"Soda Pop": Another strong piece of lyrics. In this song, Fogerty looks at the soft-drink industry - this was the age when pop stars were doing soft drink commercials (Michael Jackson, Lionel Richie, Madonna, etc). Fogerty looks at how these stars have sold out to commercialism. This song has a very catchy beat. As I listen to this song - this is the one place on "Eye of the Zombie" I hear sounds similar to "Centerfield"'s "Vanz Kant Danz".

"Sail Away": This is the final track. This song has more synth-pop elements in it. There almost is a folksy element overlayed on top of this song. This is a song in which Fogerty lets a lot of the anger go that he had when his comeback began (his feud over his music with Saul Zaentz) - it is almost the perfect ending to this album.

It's a shame that Fogerty would take a long hiatus following this album. Perhaps he got disillusioned again with the music industry from the lack of commercial sales. But perhaps, he was disillusioned because this album wasn't promoted nearly as well as "Centerfield" was. It's also a shame that Fogerty doesn't play a lot of this music in concert. Overall, this is a very underrated collection. I think this is a better effort than "Centerfield" and highly recommend this collection.
18 internautes sur 19 ont trouvé ce commentaire utile 
HASH(0x963c6960) étoiles sur 5 Way Underrated 6 octobre 2005
Par DRD - Publié sur Amazon.com
Format: CD
When an artist makes a record outside his or her comfort zone, and it ends up being a commercial flop, they usually distance themselves from the work. It becomes almost like an official bootleg. If said record sells, it's typically regarded as a daring new direction, a "turning point" for the artist, if you will. "Eye of the Zombie" is a great record, but one that shocked fans of "Centerfield." You could almost hear the confused masses saying to themselves, "How'd he go from singing about Annette Funicello and Joe Dimaggio to singing about zombies and the military industrial complex?" How? Because he was p----d off, that's how. See, in addition to being one of the most accomplished songwriters of his generation, John Fogerty also can be a world-class crank. He's suspicious of people outside his realm. He holds grudges. He can be petty. And he doesn't like it when the jerk that owns CCR's former record label holds his publishing rights hostage. Threatens to sue him unless he changes the title of the closing track on his long-awaited comeback album. Puts him on trial for plagiarizing himself . The owner of Fantasy records did all these things to Fogerty in the wake of "Centerfield"'s success, and one imagines it left John wondering why he'd bothered with a comeback at all. This record, "Eye of the Zombie," was his reaction. Angry, swamp rock-meets-metal guitars on the title track and "Headlines" (which takes aim at media oversaturation in 1986!). Arms dealers and the governments that support them get theirs in "Violence is Golden." Aging rockers, former paragons of idealism, get taken to task for selling out to soft drink companies on "Soda Pop." It's easy to see why some people complain that this record is too negative. Me, I call it a righteous anger and enjoy the ride. There's more here than vitriol. "Change in the Weather" is the greatest CCR song of Fogerty's solo career. "Wasn't that a Woman" and "Knockin' on Your Door" are upbeat, retro, R&B numbers. "Sail Away" is a heartbreaking ballad about, yes, how boarding an alien spaceship is the only solution for escaping the world's pain. Think the guy that wrote it was sick and tired of being sick and tired? The folks who overlook this album, perhaps including Fogerty himself, are really missing out.
16 internautes sur 17 ont trouvé ce commentaire utile 
HASH(0x963c69d8) étoiles sur 5 Underrated Swamp Thing 26 janvier 2008
Par Tim Brough - Publié sur Amazon.com
Format: CD
John Fogerty in the 80's was a very angry man. While the triumphant Centerfield had enough retro-charm and a hero's return back-story to make it a five star perfect record, Fogerty's demons ate away at him as he prepared for the follow up. Recalling that "Centerfield" had the vindictive "Vanz Can't Dance" (changed from the original pressings 'Zanz') and "Mr Greed," the rustic charms of "Old Man Down The Road," "Rock and Roll Girls" and the title song made it easy to mask the seething resentment that Fogerty unleashed on what remains his best solo album.

"Eye of The Zombie" was even angrier, fueled by lawsuits over self-plagiarism and a disdain for pop-sellouts, yet it is easily as good an album as any Fogerty has released over the years. I enjoy this more than I did Blue Moon Swamp, which always seemed kind of neutered to my ears. But this CD was slagged at the time, probably because everyone was still longing for good-time John to keep on chooglin', when he had some gasoline left to burn. As a result, the swamp-voodoo of the title track and the timely ferocity of "Violence is Golden" put off folks expecting the more lighthearted fare of "Centerfield."

This was also a harder rocking album, as Fogerty let go of the one man band routine and allowed guest players to add flavor to the sounds. It really kicks in on "Change In The Weather," easily the most CCR-ish song on the album. It's got a heart to it, albeit a rather venomous one, but one that pulses with righteous indignation. By the time the CD closes with "Sail Away," even Fogerty seems a bit worn out by the anger exerted, as he sings of longing for (I think) aliens to come and whisk him off to a better place. More telling is that after "Eye of The Zombie," Fogerty remained silent for another 11 years before making peace with his Creedence past and ultimately releasing a live show of career hits (1998's Premonition). Fogerty is still capable of the righteous anger exhibited here; one listen to Revival will prove that. But this under-rated CD is probably a lot better than you remember it to be, and has a special spot on my CD shelf.
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x963c6d68) étoiles sur 5 Fogerty's "average" beats most others' "best ever"! 22 février 2000
Par Henry R. Kujawa - Publié sur Amazon.com
Format: CD
This one's a mixed batch (hey, it had to happen sooner or later). "Goin' Back Home" is a heavenly instrumental in the style of Dvorjak's "Going Home". Then he hits you with "Eye Of The Zombie", a terrific Halloween song-- where's Karl Kolchak when you need him? With its disco beat, it seems possibly inspired by Michael Jackson's "Thriller"-- but a LOT scarier! Much of the rest-- "Headlines", "Knockin' On Your Door", "Change In The Weather"-- is kinda average. I guess Fogerty has just set such a high standard for himself that his fans don't want anything less. "Wasn't That A Woman" and "Soda Pop" are actually BELOW-average. But "Sail Away" ends the album on a very pleasant note. (Now-- how many songs can YOU name with that same title? Even Stu Cook wrote one...) In a repeat of history, Fogerty practically dropped out of sight after this for another 10 years! But when he came back-- WOW.
7 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x963c6ea0) étoiles sur 5 The critics throw out the record and read the lyrics. Screw 'em. 11 août 2006
Par D Talada - Publié sur Amazon.com
Format: CD
It's his best album. Bar none. Why "Centerfield" set the world on fire (as great as it was) after a ten-year absence and then the next year, "Eye of the Zombie" pissed off the critics is beyond me. If they'd listened to the MUSIC they would know the extent of his songwriting ability is shown here. (After this album, probably due to the critics and their unskilled meddling, we had to wait ELEVEN years for the uninspiring and extraordinarily disappointing "Blue Moon Swamp.")

The very people who didn't like John Fogerty's grim look at the world in the LYRICS of this album ("Headlines," "Violence is Golden," etc.) are the same people who were complaining that at this time he was touring without performing such gems as "Run Through the Jungle" and "Fortunate Son." But then, human beings are nothing if not hypocritical. [It's important to note that true JF fans witnessed him performing every single song - yes, even the instrumental - from this album on tour, along with all but two from 'Centerfield,' and NO CCR songs, owing to his battle with Saul Zaentz. We weren't missing a thing.] And anyway, if they were paying attention they'd have seen that the album ends with "Sail Away"...could this be perhaps the message he was dreaming of the entire time he was upset over the arms race, corporate sponsorship and going to pick up a girl for a date? (Oh wait...there's nothing brooding or negative about that one at all!)

LISTEN to "Eye of the Zombie" and forget what (some of) the lyrics are about. If you didn't speak English, you'd be able to tell right off the bat that he never was more divinely inspired...and wonder why in the hell his current live DVD features something from every aspect of his career EXCEPT this album!!
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