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Farewell My Lovely [Import anglais]

Vendu par Champion Toys et expédié par Amazon. Emballage cadeau disponible.
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Détails sur le produit

  • Acteurs : Robert Mitchum, Charlotte Rampling, John Ireland
  • Réalisateurs : Dick Richards
  • Format : PAL, Import
  • Audio : Anglais (Mono)
  • Sous-titres : Anglais
  • Sous-titres pour sourds et malentendants : Anglais
  • Région : Région 2 (Ce DVD ne pourra probablement pas être visualisé en dehors de l'Europe. Plus d'informations sur les formats DVD/Blu-ray.).
  • Rapport de forme : 1.33:1
  • Nombre de disques : 1
  • Studio : ITV Studios Home Entertainment
  • Date de sortie du DVD : 10 avril 2000
  • Durée : 95 minutes
  • ASIN: B00004S8JF
  • Classement des meilleures ventes d'Amazon: 176.584 en DVD & Blu-ray (Voir les 100 premiers en DVD & Blu-ray)
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Descriptions du produit

The first of two Raymond Chandler adaptations starring the mighty Robert Mitchum, Farewell, My Lovely put a capital M (for Marlowe, Menace and Murder) back in the Los Angeles neo-noir. It s 1941 in the city of angels - the police are corrupt, the hotel rooms are cheap and criminality infuses every transaction. Private detective Philip Marlowe (Mitchum) has been hired by an ex-convict looking for his old girlfriend. He s also investigating the murder of a jewellery-loving client. The two cases start to connect while Marlowe develops an attraction to the married but seductive Helen Grayle (Charlotte Rampling). The body count mounts and it looks like Marlowe is next. Dick Richards' unflinching and deadly serious adaptation (the third) of Chandler's novel glistens with a suitably pulpy sheen courtesy of Chinatown and Scarface cinematographer John A. Alonzo's lens work and David Shire's ice cool score, while Mitchum dominates as the rheumatic, world-weary Marlowe. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.

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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 64 commentaires
39 internautes sur 41 ont trouvé ce commentaire utile 
Somebody please release this! 6 avril 2006
Par Eugene J. Casey - Publié sur Amazon.com
Format: DVD
That this film is not currently available on DVD is a dirty shame, as it is among Mitchum's best performances, certainly of his later career as a grizzled vet of the vestiges of life. The film-makers manage to effectively incorporate Mitch's advanced age into this fine adaption of Chandler's novel, giving the film a melancholy, borderline-nostalgiac feel. One can fantasize of John Huston directing Mitchum, say, twenty years earlier, but never mind: "Farewell" is a classic in its own right, benifiting from the success of Polanski's "Chinatown" and the baby boomer's appreciation of film noir and Bogart-era private-eye pictures. Excellent supporting performances abound: John Ireland (one of his best turns), Harry Dean Stanton (in a small role), Anthony Zerbe (before he became almost a cliche). Charlotte Rampling is a deliriously sexy mix of class and trash, and do not miss a couple of scenes with Mitchum and Sylvia Miles that are just perfect. Hey, that is none other than pulp-noir genius Jim Thompson in a tiny but memorable role. His one and only acting job allowed Thompson was able to get much-needed medical insurance.
30 internautes sur 32 ont trouvé ce commentaire utile 
Great Movie--But, Beware the VOD is Pan and Scan 19 septembre 2010
Par Jeremiah - Publié sur Amazon.com
Achat vérifié
Don't buy the video on demand version here--it's crappy pan and scan with heavily saturated color. I made the mistake of buying without checking the aspect ratio. iTunes has the widescreen version while we wait for the DVD/Blu-Ray to finally be released. This film deserves the full-on Criterion treatment.
20 internautes sur 23 ont trouvé ce commentaire utile 
Lots of dark scenes in old L.A. 11 avril 2006
Par Nipper - Publié sur Amazon.com
Format: DVD
If you know the story it doesn't matter. The moody noir atmosphere is everything in this film. It is the type of movie that can be viewed multiple times. The acting by the veteran actors are authentic for the period. The pacing is right on target and viewing this picture is like going back in a time machine. It captures a time and place in L.A. of the early forties and the story proceeds without any pretense or glamor. They must re-release this film at all costs.
9 internautes sur 9 ont trouvé ce commentaire utile 
My All-Time Favorite Film of the Genre 29 mai 2008
Par Michael E. Burgess - Publié sur Amazon.com
Format: DVD Achat vérifié
Robert Mitchum, Sylvia Miles, Charlotte Rampling, Harry Dean Stanton, Jack O'Halloran, John Ireland and Sylvester Stallone,among others - what a lineup. Of the entire genre of film noir, tough guy detective films, this one is by far the best. Mitchum is at his all time best, even though he's nearly sixty in this film (a bit old to play Marlowe, in my opinion, but he carries it off with absolute aplomb). He is the quintessential tough guy gumshoe Marlowe (he floors Dick Powell's previous characterization of the role), Sylvia Miles and Charlotte Rampling turn in flawless performances, and in fact Sylvia Miles received a well-deserved Oscar nod for hers. John Ireland and Harry Dean Stanton also gave marquee performances as well. Even young Sylvester Stallone is a surprise. But another one that stands out for me personally is the absolutely perfectly cast Jack O'Halloran as Moose Malloy. He plays the uber-big lunkhead looking for his girlfriend and I find myself caring for this character, following how the character develops and wanting to see the outcome for big Moose. O' Halloran did an outstanding job, playing Moose to spot-on realism and really filled in that dimension of the film for me. This film is a winner.
8 internautes sur 8 ont trouvé ce commentaire utile 
It Can Stand Alongside The Earlier Version 7 avril 2007
Par Stephanie De Pue - Publié sur Amazon.com
Format: DVD
"Farewell My Lovely," based on the novel of the same name by famed hard-boiled detective author Raymond Chandler, a Californian,(Farewell, My Lovely),is set in the author's glamorous 1940's film noir Los Angeles. However, it was filmed, lavishly -- no stinting on any car or landmark -- in the Los Angeles of the 1970's, to be released in 1975. It was also filmed in color, the theory being that LA noirs may successfully be filmed in color. 1970's LA was then rather neo-noir itself, in the sour aftermath of the Manson family murders, and the Hell's Angels' murder at the Rolling Stones' Altamont concert. Quite a few neo-noirs were being filmed there and then, in color. "Farewell" is actually an English production. David Selag Goodman adapted the script, staying much closer to the novel than the original, 1944 adaptation,(Murder, My Sweet), starring Dick Powell. Jerry Bruckheimer gets a production credit on the movie; his touch might be seen in the open-handedness with which it's filmed, the well-orchestrated, swift-moving scenes of violence -- the whole movie clocks in at a quick 98 minutes-- and the all-star cast assembled for it.

The movie evokes its time: Joe DiMaggio's breathlessly followed 1941 hitting streak. And it succeeds in giving us a sense that December 7, 1941 is inevitably coming: "The day that will live in infamy," then President Roosevelt famously said. The day that began World War II, with the Japanese dawn bombing of Pearl Harbor, Hawaii, ( that's not so far from LA). The jazzy score is by David Shire. The cinematography was by John Alonzo, who had just done Chinatown (Special Collector's Edition), the year before; he gives us a real sense of the sun baked, beautiful but sinister city of its setting.

This film should be sufficient to convince anyone that Robert Mitchum was born to play Philip Marlowe. Even though it's true that, in his late 50's at the time, he was a bit old for it. Never mind, that lived-in, world weary, expressive face, with a hint of humor in the heavy-lidded eyes, and the tough old guy body language, is perfect for the role. And Chandler told interviewers he'd visualized Mitchum for the part all along. Mitchum is ably supported by the ever cool, gorgeously sultry Charlotte Rampling as the femme fatale. The cast also includes John Ireland, Sylvia Miles, Anthony Zerbe, Harry Dean Stanton, and a young Sylvester Stallone, in an important, though hardly speaking, bit part.

Things open as a down on his luck Marlowe:" All I own is a hat, a gun, and a suit," he says, is approached by a new, would-be client, giant Moose Malloy, fresh from prison after doing seven years for his girlfriend Velma (Rampling). She's cute as "lace-trimmed pants," the ex-con says, and he wants Marlowe to find her. That investigation will take Marlowe through the highlife, and lowlifes of LA. He'll end up no better off than he was, in fact, the worse for wear. But people he meets on his quest are going to end up even worse.

This is a strong, well-done movie, with an interesting, complex plot. It certainly can stand aside the earlier, black and white classic version.
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