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Fire [Anglais] [Broché]

Kristin Cashore
3.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
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Description de l'ouvrage

25 janvier 2011
It is not a peaceful time in the Dells. In King City, the young King Nash is clinging to the throne, while rebel lords in the north and south build armies to unseat him. War is coming. And the mountains and forest are filled with spies and thieves. This is where Fire lives, a girl whose beauty is impossibly irresistible and who can control the minds of everyone around her. Exquisitely romantic, this companion to the highly praised Graceling has an entirely new cast of characters, save for one person who plays a pivotal role in both books. You don't need to have read Graceling to love Fire. But if you haven't, you'll be dying to read it next.

This edition includes an article by and an interview with Kristin Cashore, as well as a sneak peek at her next book, Bitterblue!


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Descriptions du produit

Extrait

Prologue

Larch often thought that if it had not been for his newborn son, he never would have survived his wife Mikra’s death. It was half that the infant boy needed a breathing, functioning father who got out of bed in the mornings and slogged through the day; and it was half the child himself. Such a good-natured baby, so calm. His gurgles and coos so musical, and his eyes deep brown like the eyes of his dead mother.

Larch was a game warden on the riverside estate of a minor lord in the southeastern kingdom of Monsea. When Larch returned to his quarters after a day in the saddle, he took the baby from the arms of the nursemaid almost jealously. Dirty, stinking of sweat and horses, he cradled the boy against his chest, sat in his wife’s old rocker, and closed his eyes. Sometimes he cried, tears painting clean stripes down a grimy face, but always quietly, so that he would not miss the sounds the child made. The baby watched him. The baby’s eyes soothed him. The nursemaid said it was unusual for a baby so young to have such focused eyes. “It’s not something to be happy about,” she warned, “a child with strange eyes.”

Larch couldn’t find it within himself to worry. The nursemaid worried enough for two. Every morning she examined the baby’s eyes, as was the unspoken custom of all new parents in the seven kingdoms, and every morning she breathed more easily once she’d confirmed that nothing had changed. For the infant who fell asleep with both eyes the same color and woke with eyes of two different colors was a Graceling; and in Monsea, as in most of the kingdoms, Graceling babies immediately became the property of the king. Their families rarely saw them again.

When the first anniversary of the birth of Larch’s son had come and gone with no change to the boy’s brown eyes, the nursemaid still did not leave off her muttering. She’d heard tales of Graceling eyes that took more than a year to settle, and Graceling or not, the child was not normal. A year out of his mother’s womb and already Immiker could say his own name. He spoke in simple sentences at fifteen months; he left his babyish pronunciation behind at a year and a half. At the beginning of her time with Larch, the nursemaid had hoped her care would gain her a husband and a strong, healthy son. Now she found the baby who conversed like a miniature adult while he drank at her breast, who made an eloquent announcement whenever his underwrappings needed to be changed, positively creepy. She resigned her post.

Larch was happy to see the sour woman go. He constructed a carrier so that the child could hang against his chest while he worked. He refused to ride on cold or rainy days; he refused to gallop his horse. He worked shorter hours and took breaks to feed Immiker, nap him, clean his messes. The baby chattered constantly, asked for the names of plants and animals, made up nonsense poems that Larch strained to hear, for the poems always made Larch laugh.

“Birdies love treetops to whirl themselves through, for inside of their heads they are birds,” the boy sang absentmindedly, patting his hand on his father’s arm. Then, a minute later: “Father?”

“Yes, son?”

“You love the things that I love you to do, for inside of your head are my words.”

Larch was utterly happy. He couldn’t remember why his wife’s death had saddened him so. He saw now that it was better this way, he and the boy alone in the world. He began to avoid the people of the estate, for their tiresome company bored him, and he didn’t see why they should deserve to share in the delight of his son’s company.

One morning when Immiker was three years old Larch opened his eyes to find his son lying awake beside him, staring at him. The boy’s right eye was gray. His left eye was red. Larch shot up, terrified and heartbroken. “They’ll take you,” he said to his son. “They’ll take you away from me.”

Immiker blinked calmly. “They won’t, because you’ll come up with a plan to stop them.”

To withhold a Graceling from the king was royal theft, punishable by imprisonment and fines Larch could never pay, but still Larch was seized by a compulsion to do what the boy said. They would have to ride east, into the rocky border mountains where hardly anyone lived, and find a patch of stone or scrub that could serve as a hiding place. As a game warden, Larch could track, hunt, build fires, and make a home for Immiker that no one would find.

Immiker was remarkably calm about their flight. He knew what a Graceling was. Larch supposed the nursemaid had told him; or perhaps Larch himself had explained it and then forgotten he’d done so. Larch was growing forgetful. He sensed parts of his memory closing up on him, like dark rooms behind doors he could no longer open. Larch attributed it to his age, for neither he nor his wife had been young when she’d died birthing their son.

“I’ve wondered sometimes if your Grace has anything to do with speaking,” Larch said as they rode the hills east, leaving the river and their old home behind.

“It doesn’t,” Immiker said.

“Of course it doesn’t,” Larch said, unable to fathom why he’d ever thought it did. “That’s all right, son, you’re young yet. We’ll watch out for it. We’ll hope it’s something useful.”

Immiker didn’t respond. Larch checked the straps that held the boy before him in the saddle. He bent down to kiss the top of Immiker’s golden head, and urged the horse onward.


A Grace was a particular skill far surpassing the capability of a normal human being. A Grace could take any form. Most of the kings had at least one Graceling in his kitchens, a superhumanly capable bread baker or winemaker. The luckiest kings had soldiers in their armies Graced with sword fighting. A Graceling might have impossibly good hearing, run as fast as a mountain lion, calculate large sums mentally, even sense if food was poisoned. There were useless Graces, too, like the ability to twist all the way around at the waist or eat rocks without sickening. And there were eerie Graces. Some Gracelings saw events before they happened. Some could enter the minds of others and see things it was not their business to see. The Nanderan king was said to own a Graceling who could tell if a person had ever committed a crime, just by looking into his face.

The Gracelings were tools of the kings, and no more. They were not thought to be natural, and people who could avoid them did, in Monsea and in most of the other six kingdoms as well. No one wished the company of a Graceling.

Larch had once shared this attitude. Now he saw that it was cruel, unjust, and ignorant, for his son was a normal little boy who happened to be superior in many ways, not just in the way of his Grace, whatever it might turn out to be. It was all the more reason for Larch to remove his son from society. He would not send Immiker to the king’s court, to be shunned and teased, and put to whatever use pleased the king.


They were not long in the mountains before Larch accepted, bitterly, that it was an impossible hiding place. It wasn’t the cold that was the problem, though autumn here was as raw as midwinter had been on the lord’s estate. It wasn’t the terrain either, though the scrub was hard and sharp, and they slept on rock every night, and there was no place even to imagine growing vegetables or grain. It was the predators. Not a week went by that Larch didn’t have to defend against some attack. Mountain lions, bears, wolves. The enormous birds, the raptors, with a wingspan twice the height of a man. Some of the creatures were territorial, all of them were vicious, and as winter closed in bleakly around Larch and Immiker, all of them were starving. Their horse was lost one day to a pair of mountain lions.

At night, inside the thorny shelter Larch had built of sticks and scrub, he would pull the boy into the warmth of his coat and listen for the howls, the tumbled stones down the slope, the screeches, that meant an animal had scented them. At the first telltale sound he would strap the sleeping boy into the carrier on his chest. He would light as powerful a torch as he had the fuel for, go out of the shelter, and stand there, holding off the attack with fire and sword. Sometimes he stood there for hours. Larch didn’t get a lot of sleep.

He wasn’t eating much either.

“You’ll make yourself sick if you keep eating so much,” Immiker said to Larch over their paltry dinner of stringy wolf meat and water.

Larch stopped chewing immediately, for sickness would make it harder to defend the boy. He handed over the majority of his portion. “Thank you for the warning, son.”

They ate quietly for a while, Immiker devouring Larch’s food. “What if we went higher into the mountains and crossed to the other side?” Immiker asked.

Larch looked into the boy’s mismatched eyes. “Is that what you think we should do?”

Immiker shrugged his small shoulders. “Could we survive the crossing?”

“Do you think we could?” Larch asked, and then shook himself as he heard his own question. The child was three years old and knew nothing of crossing mountains. It was a sign of Larch’s fatigue, that he groped so desperately and so often for his son’s opinion.

“We would not survive,” Larch said firmly. “I’ve heard of no one who has ever made it across the mountains to the east, either here or in Estill or Nander. I know nothing of the land beyond the seven kingdoms, except for tall tales the eastern people tell about rainbow-colored monsters and underground labyrinths.”

“T...

--Ce texte fait référence à l'édition Relié .

Biographie de l'auteur

Kristin Cashore grew up in the northeast Pennsylvania countryside as the second of four daughters. She received a bachelor’s degree from Williams College and a master’s from the Center for the Study of Children’s Literature at Simmons College, and she has worked as a dog runner, a packer in a candy factory, an editorial assistant, a legal assistant, and a freelance writer. She has lived in many places (including Sydney, New York City, Boston, London, Austin, and Jacksonville, Florida), and she currently lives in the Boston area. Graceling, her first book, was an ALA Best Book for Young Adults. Fire is her second book.

Détails sur le produit

  • Broché: 528 pages
  • Editeur : Firebird; Édition : Reprint (25 janvier 2011)
  • Langue : Anglais
  • ISBN-10: 014241591X
  • ISBN-13: 978-0142415917
  • Dimensions du produit: 20,8 x 14,1 x 3,3 cm
  • Moyenne des commentaires client : 3.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
  • Classement des meilleures ventes d'Amazon: 114.173 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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Commentaires client les plus utiles
5.0 étoiles sur 5 Courtesy of Teens Read Too 25 août 2011
Par TeensReadToo TOP 1000 COMMENTATEURS
Format:Broché
Gold Star Award Winner!

Fire lives in the Dells - a land filled with beautiful creatures called monsters. There are monsters of every kind.
Monster kittens, monster bugs, and the most fierce and dangerous of all, monster raptors. The monsters are covered in fur and feathers of the most vibrant and iridescent colors. Their beauty traps humans, allowing the monsters to control their minds.

Monsters can influence humans - make them stand still and allow themselves to be killed, alter their thoughts and decisions, or compel them to do something against their will. Fire is the last human monster in the Dell and people are afraid of her and tend to stay out of her way or try to kill her.

Fire is aware of the danger monsters pose to the people around her and takes care to remain respectful of their privacy and free will. The only time she attempts to claim a person's mind is in self-defense. Her life is a comfortable rhythm of hunting and spending time with her best friend, Archer.

Fire has spent seventeen years within the safety of her own grounds and surrounded by people she can trust, so when the Prince from King's City comes to ask for her help in getting information out of captured spies, she can't help but say yes. Fire has wanted to see King's City for a long time.

Fire's abilities and conscience are pushed to the limit once she joins the fight to save the crown.

FIRE is a companion novel to GRACELING. You absolutely don't need to read one before the other, because FIRE takes place approximately 30 years before GRACELING's timeline picks up.

FIRE is a beautiful story. I listened to the audiobook that Xanthe Elbrick narrates. Xanthe's voice made Fire come alive and I was almost sad when the story was over. If you like fantasy, you definitely need to read FIRE.

Reviewed by: Karin Librarian
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0 internautes sur 1 ont trouvé ce commentaire utile 
2.0 étoiles sur 5 Moui 3 février 2011
Par matg
Format:Broché
Personnellement, je n'ai pas adoré. Se lit bien et vite. Il parait que le premier de cet auteur, Graceling, est mieux, il faudrait que je le lise !
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Amazon.com: 4.3 étoiles sur 5  359 commentaires
104 internautes sur 112 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Even better than Graceling! 5 octobre 2009
Par The Compulsive Reader - Publié sur Amazon.com
Format:Relié
Fire is an outcast in her society, her vibrant and unnatural hair color an indicator of her monster status and her dangerous powers of mind control. She's the only one left of her kind, and she resides far out in the country where she is safe from those who fear her and would harm her.

Meanwhile, King Nash is struggling to hold on to his kingdom as enemies from the north and south threaten to overthrow him. Both Nash and his brother Brigan distrust Fire for the havoc her father wreaked on the kingdom before his death, and Brigan would like nothing more than for Fire to be killed. But now, unless they find a way to resolve their differences and work together, they'll never win the impending war.

In this prequel to Graceling, Kristin Cashore has woven an intricate and brilliant tale that reveals a whole new world beyond Katsa's seven lands, full of fantastic creatures, strange powers, and a land teeming with political tension. For the most part, the characters in Fire are made more mature than Graceling's protagonists by the complexities of their past. Fire is a strong heroine, tough and fiercely independent, but loyal and kind through and through. She is genuinely thoughtful, and her concern for others stands out, especially as she struggles to reconcile her own nature and her father's actions with who she wishes to be.

The beginning of the book is slightly slow, but in no time at all it speeds up as Fire is launched out of her comfortable world and into an unknown and dangerous one. Cashore's plot is wonderfully complex and elaborate, but tight and solid. Fire also deals with many emotions--guilt, regret, fear, love, and empathy--in a very affecting way. Cashore is a master at using all of these elements to create a suspenseful, surprising, and totally engaging read. Though Fire is not a happy, warm book all of the time--it deals with death and violence and life's cruelties, but in a sensitive and optimistic manner, it has its moments of humor and romance. Cashore's talent for pulling off such an epic and engrossing read makes her one of the best YA fantasy writers since Tamora Pierce first introduced her character Alanna to the world. If readers weren't already in love with Cashore after reading Graceling, they will be after reading Fire.
69 internautes sur 76 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 If Kristin Cashore released a book every day I'd never leave my house. 6 octobre 2009
Par Madame X - Publié sur Amazon.com
Format:Relié
Gosh, FIRE is a fantastic. Before I read it, I would have insisted that anyone who thought FIRE was better than GRACELING had to be crazy, because how do you improve on perfection? So instead I will say that FIRE is equally good, while being a very different book.

FIRE takes place in the same world as GRACELING, but there is little crossover. It's a prequel, set at least a decade before GRACELING, and only one character appears in both books. The two can be read in any order.

The story takes place in the Dells, where there are monsters but no gracelings. Monster horses, monster mice, monster leopards, monster versions of every species - including people. The monsters are identified by their vivid coloring - "A dappled grey horse in the Dells was a horse. A sunset orange horse was a monster." - and they are so beautiful that onlookers, mesmerized, simply offer themselves up as prey. Mesmerizing beauty is a dangerous enough quality in a predatory animal - in a monster person, it is inevitably wedded to powers of mind control. Two years before FIRE begins, the Dells were nearly destroyed by a monster human, Cansrel, who used his political influence to bring the country to the brink of war.

Fire, the heroine, is Cansrel's daughter. The only living monster human in the Dells, at seventeen she is burdened by a terrible fear that she is evil like her father, and profound guilt because of his misdeeds. She hides her beauty, which drives other humans insane with desire, lives in an isolated corner of the kingdom, and uses her powers of mind-control as rarely as possible. Fire's closest friend and sometime lover, Archer, thinks she is only safe when alone in a room, behind stone walls. But Fire doesn't think that's much of a life, and when Prince Brigan arrives at her homestead with a request for aid, Fire agrees to journey to the capital to interview a spy caught in the palace. Brigan is deeply suspicious of Fire - he knew Cansrel, and is sure the apple cannot have fallen far from the tree - and Fire soon discovers that any aid she might offer to the King will probably violate the careful ethics she has cultivated her whole life. To do good, she must do harm.

It's a complicated, layered plot and I won't say any more about it. The characters are amazing, in their complexity and intensity and believability, and the writing is gorgeous. FIRE (and GRACELING) are fantastic books - they will satisfy young readers and adult readers alike, they will satisfy picky readers and readers just looking to be swept away into a marvelous fantasy. They will satisfy readers who like adventure, intrigue, and romance. The characters - even the villains - are interesting, intelligent people; and the twists and turns of the plot are unpredictable.

Highly, highly recommended - read this book!
78 internautes sur 97 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Fire left me a little cold 1 janvier 2010
Par H. Fontenot - Publié sur Amazon.com
Format:Relié
While our protagonist Fire is fairly diffrent from Kasta in Graceling, her storyline felt a bit recycled. Both heroines leave home on perilous journeys, both grossly misinterpret and underestimate their powers/talents, and both fall in love with princes despite the other men in their lives who are, of course, madly in love with them (and there's never any doubt in the readers mind who the girls will end up with). Another similarity that waxed on my nerves throughout this story was the author's apparent hate for any kind of conventional relationship, i.e. marriage and children born to married people. It seemed that every character in Fire was either illegitimate or a product of rape.

I could handle it in Graceling. I thought, okay, okay, that's just Kasta's character. But in Fire the totally irrisponsible bed-hopping and random pregnancies ceased being annoying and entered the realm of disturbing. Girl power is a clear theme in both novels, but the immature and hormone-driven behavior of the females in Fire is the exact opposite of that. And speaking of gratuitous sex...while the scenes aren't graphic, they felt irrelvent to the plot, especially considering that Fire isn't nearly as romantic as Graceling. One of the things that kept me engaged in Graceling was Po, Kasta's love interest. He's unique for a heartthrob, and we end up falling for him right along with Kasta. In this story, however, I really wanted to like Prince Brigan, but felt I was hardly given the chance. His and Fire's interactions were always infuriatingly short and failed to get to the heart of anything. I understand that Fire is supposed to be a balance between and adventure and romance--I appricate that, even. But the adventure was so bogged down with politics and the romance so lacking of, well, romance, that I couldn't fully enjoy either aspect.

On a positive end note, Cashore can spin a good tale; Graceling, her debut novel, is a good read. I gave Fire three stars because Cashore is a talented writer and a fresh voice in a world of predictable YA fiction. Kudos for that. But while I will most likely buy her next book, it will be because of the potential I saw in Grancling, not Fire, which just didn't live up to it's name for me.
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